De hemel is een plek die in de Michelingids vast drie sterren zal krijgen

Van de hel kunnen we ons makkelijker een voorstelling maken dan van de hemel. Of het nu de hel is van Dante, Jheronimus Bosch of de tv-serie ‘The Good Place’: we hebben er een beeld bij. Omdat we op aarde wel wat meer hemel kunnen gebruiken, is het wellicht een goed idee die wat nadrukkelijker op te zoeken.

‘Mensen moeten in hun hoofd krijgen dat we in een nieuw tijdperk van economische groei zitten’

Niet een basisinkomen, maar een basiskapitaal voor iedereen: volgens denktankoprichter Nathan Gardels is dat dé manier om de opbrengsten van AI eerlijker te verdelen. „De welvaart die AI genereert, die komt uit jouw en mijn data.”


Colossal

The best of art, craft, and visual culture since 2010.

‘Remember Me’ Highlights Black Americans’ Self-Expression in Early Photography

‘Remember Me’ Highlights Black Americans’ Self-Expression in Early Photography

In our era of screens and proliferous imagery, it strains the imagination to comprehend a time before photography. Two centuries ago, an inventor named Nicéphore Niépce took the very first picture of his courtyard in France by fitting a pewter plate into a camera obscura. A few years later, a professional scene painter named Louis-Jacques-Mandé Daguerre conceived of the aptly named daguerreotype, in which the image could be permanently fixed. He and Niépce both sold their technologies to the French government, which then published a how-to guide and facilitated the global spread of the process. In 1939, the first daguerrotypes were created in the U.S.

As they say, the rest is history. Except, we often only see a part of the whole story. Because the technology was expensive, and therefore having your photograph taken (let alone owning the equipment) was costly, the visual record of the 19th century in this medium is heavily skewed toward affluent, white individuals and families who could afford it. Due to the long exposure time required to capture the images, we also don’t see candid shots, as carefully posed scenes were required for clarity and fidelity.

a 19th-century black-and-white portrait of a young African American woman seated with a white child, within a gold frame in a case
Joseph D. Marsters, “Portrait of Martha Ann ‘Patty’ Atavis and Anna Whitridge” (1848), daguerreotype, image (visible): 3 9/16 x 2 9/16 inches

Photography was invented decades before the Civil War and the end of slavery in the U.S., yet so rarely do we glimpse real faces that “illuminate the complexities of race, freedom, and agency before, during, and after the Civil War,” says the National Gallery of Art, which presents Remember Me: Picturing African Americans in Early Photography later this year. The exhibition brings forward dozens of images taken of and by Black Americans, showcasing a wide variety of lived experiences in one place.

Fashion, family, and social status are on full display in a range of gelatin silver prints, daguerrotypes, tintypes, and ambrotypes, some of which are colorized. Because many of the earliest formats were very fragile, they were often displayed in ornate folding cases. Several of these will be included with their images, plus cabinet cards and portraits by pioneering Black artists like James Van Der Zee, who ran a prominent studio in Harlem in the early 20th century.

The exhibition will highlight around 70 pieces in the museum’s collection that center self-expression and the entrepreneurial spirit of African American individuals. Remember Me is slated to open on November 7 and will continue through March 14 in Washington, D.C. Learn more and plan your visit on the museum’s website.

a 19th-century black-and-white portrait of a young African American man in a soldier's uniform, within a gold frame in a case
American, 19th century, “Portrait of a Soldier with a Knife and Gun” (c. 1863), ambrotype with applied color, image (visible): 1 15/16 x 1 7/16 inches
an early 20th-century black-and-white portrait of an African American woman with long hair and a white dress
Fred S. Tisdell, “Portrait of a Young Woman” (c. 1910), gelatin silver print (cabinet card), image/sheet: 5 3/8 x
3 3/8 inches
a 19th-century black-and-white portrait of a cat on a chair, within a gold frame in a case
Glenalvin Goodridge, “Portrait of a Cat” (c. 1858), ambrotype, image (visible): 2 13/16 x 2 5/16 inches
a 19th-century black-and-white portrait of a young African American woman, within a gold frame in a case
American, 19th century, “Portrait of a Woman in a Bonnet with Pink Ribbons” (c. 1860), ambrotype with applied color, image (visible): 2 1/2 x 2 1/16 inches
a 19th-century black-and-white portrait of a young African American woman, within a gold frame in a case
American, 19th century “Remember Me, Annie” (c. 1860), tintype with applied color, image (visible): 2 9/16 x 2 1/16 inches
a 19th-century black-and-white portrait of an African American couple
Daniel Freeman, “Portrait of a Couple” (c. 1899), gelatin silver print, image/sheet: 3 5/8 x 5 1/8 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article ‘Remember Me’ Highlights Black Americans’ Self-Expression in Early Photography appeared first on Colossal.

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Tell us about your favourite lesser-known European island

Share a travel tip on an island escape – the best tip wins £200 towards a Coolstays break

For a true sense of getting away from it all, few things rival an island escape. We’d love to hear about your favourite under-the-radar islands in Europe, whether it’s a remote Scandinavian archipelago or an airport-free Mediterranean outpost that’s managed to avoid the package holiday crowds.

The best tip of the week, chosen by Tom Hall of Lonely Planet wins a £200 voucher to stay at a Coolstays property – the company has more than 3,000 worldwide. The best tips will appear in the Guardian Travel section and website.

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Bjork - Violently Happy - Live At Shep

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Zeker achttien doden bij aardbeving Colombia

PEREIRA (ANP/RTR) - Bij de zware aardbeving in het westen van Colombia zijn zeker achttien doden gevallen. Dat meldt de burgemeester van de stad Pereira. Ook in veel andere steden zijn gebouwen ingestort en wordt veel schade gemeld.


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Volkskrant.nl biedt het laatste nieuws, opinie en achtergronden

Zonder analyse van wat de overheid voortaan moet laten, is bezuinigen op ambtenaren een illusie

kottke.org

Jason Kottke's weblog, home of fine hypertext products

Subaru Socialists and the Great Disappointed . “A whole...

Subaru Socialists and the Great Disappointed. “A whole lot of people under the age of 45 no longer believe that indicators such as wages, unemployment, or the number of college degrees that are handed out…have much to do with a healthy economy.”

404 Media

404 Media is an independent media company founded by technology journalists Jason Koebler, Emanuel Maiberg, Samantha Cole, and Joseph Cox.

The Mayor Who Said 'No' When Flock Came to Town

The Mayor Who Said 'No' When Flock Came to Town

Norman, Oklahoma is a Flockless outpost on the outskirts of the Oklahoma City metro area. As you drive south down I-35 away from the big city and into Norman, coverage from the automated license plate readers (ALPR) dwindles. That’s because Norman has rejected Flock’s pitch multiple times.

“They've given us two presentations in the last three years at the request of our police department who wanted to implement them,” Stephen Tyler Holman, the mayor of Norman, told me. “They haven’t been back since I’ve been mayor.”

Norman is an outlier. When the surveillance company comes to a city or a town, the city often signs up. The city council in my small town of 12,000 people just voted to install 22 new Flock cameras despite overwhelming pushback from residents. A big centerpiece of Flock’s pitch was that it would help solve crimes. My town’s chief of police told a story about how Flock had been instrumental in arresting child predators.

Holman told me that Flock and the cops made the same pitch to Norman. “Crime prevention and helping the police more efficiently solve crime. That was their main point that they wanted to advocate for,” he said. “They really focused on amber alerts and silver alerts and ‘don't you want to find kidnapped kids and elderly people that have wandered off who have Alzheimer's?’”

But Norman’s leaders had questions about privacy and data security and they didn’t like Flock’s answers. “Those were some of the reasons why we ended up not doing it,” Holman said. “Questions about data storage and how long and who has access to it […] you're gathering data on every single car vehicle that goes in and out of the city of Norman, regardless of if they've committed a crime or not, and then that's stored for 30 days on some kind of database? Who has access to it? How secure is it? Those are the questions we have that were kind of deal breakers for us [...] 30 days seemed like a long time to sit on that much data. There were some council members that were like, ‘It should only be an hour. Thirty minutes.’ Why do you need it any longer than that? Why would you need to keep it for 30 days? How is it accessed? How secure is it?”

All of the city council’s nine members said no to Flock. Since then, Holman has watched with some small satisfaction as other cities push back. Cops keep getting into trouble for using the cameras to stalk people, the system makes mistakes, and one of its ex-workers recently told 404 Media that the company lied to him about its business practices

More than 80 cities across the country have cancelled Flock contracts. None of them are near Norman, which sits on the border of Oklahoma City — a city covered in Flock cameras. According to Holman, the company played this up in its most recent presentation saying that “people would find that out and they’d come to commit crime in Norman because they know that we don’t have Flock cameras.”

But Norman’s city council doesn’t control every square inch of Norman and its surroundings. Despite their best efforts, Flock cameras have gotten in. The city sits in Cleveland county and county leaders approved the installation of 20 cameras for use by the Cleveland County Sheriff’s Office. “There are numerous homeowners associations that use them too,” Holman said. “But the city of Norman government does not. We’re, I guess, the only ones around here that don’t.”

Holman said that Norman’s politics are difficult to explain. “It’s neither liberal nor conservative,” he said. “Our three state reps are Democrats but two of them represent Republican majority voter districts.” He said the tension between the major parties and a healthy swath of independent voters has made citizens engaged with local politics and that constituents have sent a clear anti-Flock message. 

“Pretty much everywhere else around here absolutely would just roll over and approve something like this. Nobody would show up and protest it. And if they did, the councils probably wouldn't care. But in Norman it’s a big deal and people can lose re-election over stuff like this and have,” he said.

Holman served on the city council for 12 years before becoming mayor last year. He said one of the issues that turned people against the previous mayor was the purchase of a Bearcat APC for the local police department. In the 20 years after the start of America’s wars in Afghanistan and Iraq, town and city police departments have purchased a lot of military surplus gear from the Pentagon. “Things like a Bearcat would be rubber stamp approved in most cities. In Norman it took them 10 years and [passed] barely by a five-four vote of our previous mayor who I ran against and beat,” Holman said. The APC is still causing controversy in Norman.

Buying an armored car for the police 10 years after it was fashionable to do so is one thing. Private companies installing police cameras is another. “There’s a lot of folks here who are weary about government surveillance, especially giving that over to a private company,” Holman said.

Holman told me he’d been watching the city council meetings like mine where mayors and representatives fight with the voting public about their concerns. “I would really encourage them to listen to the public, listen to the people they represent in their cities and the very valid concerns that folks have about this technology and the private company itself, Flock, and the issues that have arisen with them and why many cities have started to explore pulling out,” he said.

He said that concerned citizens have a right to be worried about the conduct and ethics of a company like Flock. “I always come back to the freedom versus safety thing, this conversation we’ve been having since our founding,” Holman said. “That conversation may not resonate with a mayor like yours. There seems to be a lot of folks that are completely willing to give up all freedom for perceived safety. Well, I guess all crime could be eliminated if you put cameras everywhere, surveillance everywhere, and had drones patrolling the skies. That seems to be the way some folks want to go but what life are we living then?


Rijnmond - Nieuws

Het laatste nieuws van vandaag over Rotterdam, Feyenoord, het verkeer en het weer in de regio Rijnmond

Let op: ook deze week hinder voor verkeer door werk aan wegen en bruggen

Weggebruikers moeten ook deze week rekening houden met werkzaamheden. Zo wordt gewerkt aan de A13, de Beneluxtunnel (A4) en de A27. De N3 en de N210 zijn voor langere tijd gestremd. Ook rijdt de metro niet in Rotterdam tussen de stations Oostplein en Voorschoterlaan.