In her sharp and intellectual first novel, the author finds tragic comedy in socialism, inequality and the flawed ways we connect as the world burns
In her fiction debut, The Ruiners, Ellena Savage probes the awkward realities of white privilege, social mobility and a lack of ancestral connection. At first it seems that Savage has turned away from the experimental ambition of her successful memoir, Blueberries, but the novel gradually reveals itself to be craftier and more subversive than it appears. This anti-inheritance novel is in direct, playful conversation with one of its inspirations – Great Expectations by Charles Dickens – and, while knowledge of the coming-of-age novel isn’t essential, it’s delightful to see Savage tease the themes of the original in her surreal contemporary take.
Having failed to fulfil or even define her own ambition, 29-year-old Pip drifts aimlessly through her life. She is smart, funny and vaguely unhappy. In quick succession, her estranged father dies and leaves her an inheritance of $50,000 and she falls quickly, recklessly in love with Sasha, a brooding young writer who narrates the third part of the novel. With the inheritance Pip sees the opportunity to change her situation. She quits her job – “I’ve developed a rare blood disorder, I wrote. As such, I must cut my hospitality management career short. I hereby tender my resignation, effective immediately” – and marries Sasha, and together they spend the entirety of her small fortune on a rotting house on the remote (fictional) Greek island of Fokos. In the background, a trash volcano burns relentlessly and waste pirates fight to offload their illegal garbage on to the shores. But the move does little to improve their circumstances or resolve their unhappiness.
The Ruiners by Ellena Savage is out now (Summit Books, $34.99)
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