Mark Zuckerberg has a problem with your friends: they're the reason you signed up to use his platform, but they stubbornly refuse to organize your socialization to "maximize engagement." Every time you and your friends wrap up a social interaction and log off, Zuckerberg loses revenue.
After all, by definition, you and your friends have a lot of shared context. You probably feel mostly the same way about most things. You probably mostly consume the same kind of media. You probably mostly consume the same kinds of news. You and your friends make each other's lives better in lots of ways, but typically not by surprising one another. On a typical day, no friend of yours is going to absolutely floor you with a novel thought or finding that sparks hours of furious conversation and argumentation.
And speaking of argumentation: you and your friends probably don't argue that much – I mean, sure, you'll have "friendly disagreements" (again, by definition), but if there's a friend who sparks furious, frustrating, irresistible feuds that drag on and on, chances are that person won't be your friend anymore.
Facebook experienced sustained, meteoric growth by letting people connect with their friends, but Zuckerberg quickly came to understand that his path to revenue maximization ran through nonconsensually cramming strangers' posts into your eyeballs, in the hopes that you would lose yourself in long, pointless arguments.
But that, too, hit a limit. Most of us don't like having our limbic systems tormented by strangers. As anyone who is sick to the back teeth of just hearing the word "Trump" can attest, living in a trollocracy is exhausting.
Enter Tiktok. Tiktok found a way to connect you to strangers who don't make you angry. By offering performers money if they produced media that you "engaged" with, Tiktok offloaded the work of convincing you to conduct your online activities in a way that maximized opportunities to show you an ad onto an army of global theater kids who would spend every hour that god sent trying to figure out how to keep you looking at Tiktok.
This was hugely successful – so successful, in fact, that Tiktok was able to cheat, overriding its own algorithmic guesses about which of its billion cable-access television channels you'd stare at the longest with a "heating tool" that let the company trick some of those theater kids into thinking that Tiktok was actually more suited to them than other platforms:
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
For zuckermuskian social media bosses, Tiktok became an object of fierce envy. Here was the ultimate Tom Sawyer robo-fence-painter, a self-licking ice-cream cone that motivated people to convince each other to make money for you. Facebook, Instagram and Twitter took a hard pivot away from showing you the things that the people you loved had to say, in favor of showing you short videos of people whose parents didn't give them enough affection in their childhood, desperately shoving lemons up their noses in a bid to win your approval (and a revshare split with the platforms).
It worked. Sorta. Thing is, some of those "content creators" are actually very good, and none of them appreciate being jerked around. They quite rightly see their reason for being on the platforms as improving their own lives, not the bottom line of the platforms' owners and executives. They may be more "engaging" than your friends, but they're also a lot mouthier and feel entitled to a say in how the platform operates.
What's a billionaire solipsist to do? Obviously, the answer is "AI creators." An "AI creator" is like a "creator" in that it works to maximize your engagement with the platform – and thus the number of ads that can be crammed into your face-holes – but, unlike a "creator," it makes no demands upon the platform and exists solely to serve the platform's shareholders and executives. It's the perfect realization of the solipsist fantasy of a world without people:
https://pluralistic.net/2026/01/05/fisher-price-steering-wheel/#billionaire-solipsism
But there's a problem with this plan: your friends are not a liability for a platform. Your friends are the platforms' single most important asset. Your friends are why the platforms are so "sticky." The platforms don't "hack your dopamine loops" – they just take your friends hostage, and even though you love your friends, they are a monumental pain in the ass, and if you can't even agree on what board-game you're going to play this weekend, how are you going to agree when it's time to leave Facebook, and where to go next?
https://pluralistic.net/2023/01/08/watch-the-surpluses/#exogenous-shocks
So long as you love your friends more than you hate Zuckerberg or Musk, you will remain stuck to their platforms. The platform bosses know this, and they inflict pain on you that is titrated to be just below the threshold where you hate the platforms more than you love your friends.
But as much as the platform bosses rely on your love of your friends, they still view your friends as liabilities, thanks to those friends' unreasonable insistence on structuring their relationship with you to maximize their own satisfaction, rather than how much time you spend looking at ads. So the platforms are deliberately disconnecting you from your friends by minimizing the fraction of your feed that is given over to posts from people you follow, and replacing those friends with a succession of ever-more fungible posters: trolls, creators, and chatbots.
The key word here is fungible. A feed composed of things posted by people you have a personal connection to is non-fungible: it cannot be swapped for a feed of things posted by strangers. Your friends fulfill a very specific purpose in your life that strangers – even extremely cool strangers – cannot match.
On the other hand: one feed of algorithmically selected, entertaining amateur dramatics is broadly equivalent to any other feed of algorithmically selected amateur dramatics. That goes double for feeds whose performers are "multi-homing" on more than one platform – whether you see the extremely charming and interesting Vlog Brothers in a Youtube feed, a Tiktok feed or an Insta feed makes no difference (to you – but it matters a lot to the platform bosses). That goes quintuple for feeds composed of AI slop, which is literally the most interchangeable video that modern science is capable of producing.
All of which is to say: the platforms are deliberately feeding their most important commercial assets into a shredder, in a fit of pique over your friends' unwillingness to act like chatbots. Every day and in every way, the platforms are making it easier to leave them for some rival's service, chasing the billionaire solipsist's dream of a world without people:
https://pluralistic.net/2022/02/17/live-by-the-swordlive-by-the-sword/#unfriending-tom

Here comes the sun: New bill would let New Yorkers hang solar panels from windows https://gothamist.com/news/here-comes-the-sun-new-bill-would-let-new-yorkers-hang-solar-panels-from-windows
The OTW is Recruiting for Legal Committee Paralegals, Legal Committee Trademark Specialists, and Policy & Abuse Volunteers https://www.transformativeworks.org/the-otw-is-recruiting-for-legal-committee-paralegals-legal-committee-trademark-specialists-and-policy-abuse-volunteers/
Tech Giants and Giant Slayers: The case for Digital Sovereignty and the Digital Commons https://www.openrightsgroup.org/publications/tech-giants-and-giant-slayers-the-case-for-digital-sovereignty-and-the-digital-commons/
What We’re Reading https://link.newyorker.com/view/5be9ea0f3f92a404690229b0qwzpk.245v/8abef04b
#25yrsago Leon Trotsky, B2B visionary https://web.archive.org/web/20020211212222/http://www.marxists.org/archive/trotsky/works/1935/1935-ame.htm
#20yrsago What would a BBC “public service game” look like? https://web.archive.org/web/20060417123908/http://crystaltips.typepad.com/wonderland/2006/04/on_public_servi.html
#15yrsago New Zealand’s 3-strikes rule can go into effect in September https://legislation.govt.nz/bill/government/2010/119/en/latest/#DLM3331800
#15yrsago Lawsuit: DRM spied on me, gathered my personal info, sent it to copyright enforcers who called me with $150,000 legal threat https://www.techdirt.com/2011/04/14/drm-accused-sending-personal-info-to-help-with-licensing-shakedown/
#10yrsago Edward Snowden provides vocals on a beautiful new Jean-Michel Jarre composition https://web.archive.org/web/20190415045927/https://www.rollingstone.com/music/music-news/edward-snowdens-new-job-electronic-music-vocalist-184650/
#10yrsago Uber and Lyft don’t cover their cost of capital and rely on desperate workers https://www.ianwelsh.net/the-market-fairy-will-not-solve-the-problems-of-uber-and-lyft/?
#10yrsago Treescrapers are bullshit https://99percentinvisible.org/article/renderings-vs-reality-rise-tree-covered-skyscrapers/
#10yrsago Before and After Mexico: a Bruce Sterling story about the eco-pocalypse https://bruces.medium.com/before-and-after-mexico-f3371c346c8a#.33e9poqnx
#10yrsago Barack Obama: Taking money from 1 percenters compromised my politics https://web.archive.org/web/20160415201709/https://theintercept.com/2016/04/15/barack-obama-never-said-money-wasnt-corrupting-in-fact-he-said-the-opposite/
#1yrago Tesla accused of hacking odometers to weasel out of warranty repairs https://pluralistic.net/2025/04/15/musklemons/#more-like-edison-amirite

London: Resisting Big Tech Empires (LSBU), Apr 25
https://www.tickettailor.com/events/globaljusticenow/2042691
NYC: Enshittification at Commonweal Ventures, Apr 29
https://luma.com/ssgfvqz8
NYC: Techidemic with Sarah Jeong, Tochi Onyibuchi and Alia Dastagir (PEN World Voices), Apr 30
https://worldvoices.pen.org/event/techidemic/
Barcelona: Internet no tiene que ser un vertedero (Global Digital Rights Forum), May 13
https://encuentroderechosdigitales.com/en/
Berlin: Re:publica, May 18-20
https://re-publica.com/de/news/rp26-sprecher-cory-doctorow
Berlin: Enshittification at Otherland Books, May 19
https://www.otherland-berlin.de/de/event-details/cory-doctorow.html
Hay-on-Wye: HowTheLightGetsIn, May 22-25
https://howthelightgetsin.org/festivals/hay/big-ideas-2
SXSW London, Jun 2
https://www.sxswlondon.com/session/how-big-tech-broke-the-internet-b3c4a901
NYC: The Reverse Centaur's Guide to Life After AI (The Strand), Jun 24
https://www.strandbooks.com/cory-doctorow-the-reverse-centaur-s-guide-to-life-after-ai.html
The internet is getting worse (CBC The National)
https://youtu.be/dCVUCdg3Uqc?si=FMcA0EI_Mi13Lw-P
Do you feel screwed over by big tech? (Ontario Today)
https://www.cbc.ca/listen/live-radio/1-45-ontario-today/clip/16203024-do-feel-screwed-big-tech
Launch for Cindy's Cohn's "Privacy's Defender" (City Lights)
https://www.youtube.com/watch?v=WuVCm2PUalU
Chicken Mating Harnesses (This Week in Tech)
https://twit.tv/shows/this-week-in-tech/episodes/1074
"Enshittification: Why Everything Suddenly Got Worse and What to Do About It," Farrar, Straus, Giroux, October 7 2025
https://us.macmillan.com/books/9780374619329/enshittification/
"Picks and Shovels": a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books (US), Head of Zeus (UK), February 2025 (https://us.macmillan.com/books/9781250865908/picksandshovels).
"The Bezzle": a sequel to "Red Team Blues," about prison-tech and other grifts, Tor Books (US), Head of Zeus (UK), February 2024 (thebezzle.org).
"The Lost Cause:" a solarpunk novel of hope in the climate emergency, Tor Books (US), Head of Zeus (UK), November 2023 (http://lost-cause.org).
"The Internet Con": A nonfiction book about interoperability and Big Tech (Verso) September 2023 (http://seizethemeansofcomputation.org). Signed copies at Book Soup (https://www.booksoup.com/book/9781804291245).
"Red Team Blues": "A grabby, compulsive thriller that will leave you knowing more about how the world works than you did before." Tor Books http://redteamblues.com.
"Chokepoint Capitalism: How to Beat Big Tech, Tame Big Content, and Get Artists Paid, with Rebecca Giblin", on how to unrig the markets for creative labor, Beacon Press/Scribe 2022 https://chokepointcapitalism.com
"Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2026
"The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027
"Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2027
"The Memex Method," Farrar, Straus, Giroux, 2027
Today's top sources:
Currently writing: "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America. Third draft completed. Submitted to editor.
"The Post-American Internet," a short book about internet policy in the age of Trumpism. PLANNING.
A Little Brother short story about DIY insulin PLANNING

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Voor het eerst in de geschiedenis van het Duitse – en Europese voetbal – staat er een vrouwelijke coach aan de roer bij een mannenelftal. De 34-jarige Marie-Louise Eta moet Union Berlin behoeden voor degradatie. Ze is er zelf nuchter over. „Ik vind het niet zo groot als de buitenwereld dat vindt.”
Takao Iwata has added a photo to the pool:
Great Cherry Blossoms in Yoshitaka, Inzai City, Chiba Pref., which are said to be 400 years old.
(Geffen)
On this giddy first taste of the US pop star’s third album, she sets aside her rock bona fides to revel in the opulent flush of a crush-come-true. But why does it seem so doomed?
Is there anything better than an ink-fresh pop lyric so nailed-on that you can’t believe 60 years of songwriters didn’t get there first? Or like, at least 20, ever since Googling crushes became an entirely normal component of modern romance: “One night I was bored in bed / And stalked you on the internet,” Olivia Rodrigo sings on her comeback single, a casual admission with its own innate melody destined in turn to stalk listeners’ brains all summer. Her perfect couplet heralds an ecstatic chorus about the giddy terror of getting exactly what you wanted, exactly how you wanted it, and barely being able to breathe or stifle puking: “The most alive I’ve ever been / But kiss me and I might drop dead!”
Acute, obsessive, unsparing songs about romance, always with a self-aware handle on their intensity – or a wink at how lovestruck girls get labelled “crazy” – have become Rodrigo’s trademark. (She calls her benign form of online stalking “feminine intuition”.) Now 23, she broke out as a pop star in 2021, after a lifetime as a Disney Channel fixture, and pulled off one of the quickest, most effective and indelible acts of redefinition of any musician to emerge from that entertainment monolith. (Even her pop peer and fellow Disney alum Sabrina Carpenter took five albums to find success on her terms.) Rodrigo’s debut single proper, Drivers License, was an epic heartbreak ballad, though the sticking points of her debut album, Sour, were the pop-punk ragers. She convincingly translated that into her second album, 2023’s Guts, which drew on the influence of her mum’s riot grrrl records; she scored mentorship from St Vincent, brought the Breeders to support her on tour and got the Cure’s Robert Smith to duet with her when she headlined Glastonbury in 2025.
Continue reading...GENÈVE (ANP/BLOOMBERG/DPA/AFP) - Europa kan tegen eind mei te maken krijgen met vluchtannuleringen vanwege tekorten aan vliegtuigbrandstoffen. Dat schat topman Willie Walsh van de internationale luchtvaartbrancheorganisatie IATA. Ook de Duitse luchtvaartkoepel BDL waarschuwt vrijdag voor mogelijke inkrimpingen van het vliegaanbod binnenkort.
Door de blokkade van de Straat van Hormuz komt de laatste tijd veel minder kerosine op de markt. Dat heeft in Azië al geleid tot tekorten. Walsh zegt dat in delen van dat continent al vluchten zijn geschrapt door een gebrek aan vliegtuigbrandstof. "Naast alles doen wat mogelijk is om alternatieve toeleveringslijnen veilig te stellen, is het belangrijk dat autoriteiten goed gecommuniceerde en goed gecoördineerde plannen klaar hebben liggen voor het geval rantsoenering noodzakelijk wordt", zegt hij in een verklaring.
Het Internationaal Energieagentschap (IEA) waarschuwde donderdag dat delen van Europa binnen zes weken te maken kunnen krijgen met tekorten aan vliegtuigbrandstof.
BOEDAPEST (ANP/BLOOMBERG) - De Hongaarse verkiezingswinnaar Péter Magyar zegt meer en meer berichten te krijgen over de vernietiging van documenten bij overheidsinstellingen. Eerder beschuldigde hij het ministerie van Buitenlandse Zaken al van het vernietigen van documenten rond de Europese sancties tegen Rusland.
"We ontvangen steeds meer berichten over grootschalige vernietiging van documenten vanuit verschillende ministeries, aanverwante instituties en bedrijven met nauwe banden met Fidesz", schrijft Magyar op X. Om wat voor documenten het gaat, waar die precies vernietigd worden en door wie zei hij niet. Ook leverde hij geen bewijs.
Maandag zei Magyar dat de Hongaarse minister van Buitenlandse Zaken Péter Szijjártó bezig was met het vernietigen van materiaal nadat Fidesz, de partij van Viktor Orbán, de verkiezingen had verloren van Magyars Tisza. Ook zouden Russische hackers toegang gekregen hebben tot de systemen van het ministerie. Hij zei dat gehoord te hebben van klokkenluiders.
Iedereen verdient een zeventiende kans, zo ook de geplaagde, antisemitische rapper Kanye West, zo betoogt Speld muziekcriticus Hermelijn Klank. “Elkaar vergeven staat in de Bijbel, en als andere mensen een zeventiende kans krijgen, waarom dan niet Kanye West, of ‘rapper Ye’, zoals hij ook genoemd wordt.
“Kijk tuurlijk, ik keur het niet goed, maar zeg eerlijk: het kan toch iedereen overkomen om per ongeluk aan nazi-verheerlijking te doen, swastika T-shirt’s te verkopen, of een nummer uit te brengen dat ‘Heil Hitler’ heet of fysiek geweld gebruiken? Daar hoef je niet gelijk iemand voor te cancellen.”
Hermelijn legt uit waarom juist iemand als Kanye een zeventiende kans verdient: “Willen veranderen en sorry kunnen zeggen is het allerbelangrijkste als het gaat om iemand een nieuwe kans te geven. En Kanye heeft ons al keer op keer laten zien dat hij dat kan. Zeventien keer zelfs! Dat zegt toch al genoeg over zijn bereidheid?”
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