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Bose Is Buying Skullcandy

An anonymous reader quotes a report from Wired: Longtime audio giant Bose announced on Wednesday that it's acquiring Skullcandy, the lifestyle brand known for its bass-heavy headphones. Skullcandy will remain a separate company within Bose's Premium Consumer Audio business and will still be based in Park City, Utah.

The acquisition isn't out of left field. Bose has lent its audio expertise to Skullcandy over the past year under its Sound by Bose licensing program. Skullcandy designs the headphones and then works with Bose on the audio front. The relationship began with the Skullcandy Method 360 ANC earbuds in 2025 and more recently, with the Crusher 1080 ANC headphones in July.

[...] This is hardly Bose's first audio acquisition (though it may be the most mainstream). Bose acquired McIntosh Group, owners of luxury audio brands McIntosh Laboratory and Sonus Faber, back in 2024. But Bose seems to be after Skullcandy's connection to its community. "What does the brand stand for? Does it have meaning for consumers? Is it relevant to a group of consumers that, frankly, we otherwise aren't reaching?" Bose CEO Lila Snyder tells WIRED. "If you think about McIntosh, Sonus Faber, and Skullcandy, they all fit into that realm. Skullcandy gives us access to a customer base that we think we're largely missing with the Bose brand."

That's why Bose has no plans to relocate Skullcandy from Park City, Utah, which Snyder says is the epicenter of board sports culture. "We want to make sure we're right at the heart of it, as they always have been," she says. Skullcandy products are also affordable, especially compared to other Bose products and Bose-owned brands, which lets Bose compete at both ends of the market.

Read more of this story at Slashdot.

Zoe Kleinman: PHP Is the Cyber Equivalent of an Unexploded Bomb

BBC technology editor Zoe Kleinman likens the recently discovered PHP security vulnerabilities to an unexploded bomb, writing, "The PHP story feels like the cyber equivalent of an unexploded bomb -- I have never seen such a dramatic, public and global response to a cyber event that hasn't happened yet." Although no successful attacks have been confirmed, the AI-assisted discovery of long-hidden flaws has triggered a worldwide security scramble, with websites taken offline as a precaution and administrators racing to deploy patches before attackers can exploit the vulnerabilities. From the report: The weaknesses found in the PHP programming language, which is used by millions of websites, had been quietly resting there for years and are not easy to exploit. One cyber security researcher told me he'd been up all night trying to do it as an experiment, but it was proving very difficult. [...] It was supposed to be kept quiet until everyone had a chance to fix their sites -- but the news was leaked. From that point the clock started ticking.

As I write this, there are no reports that anyone or anything has succeeded in using the flaws to attack a site. "There's a real dilemma," said Prof Alan Woodward from Surrey University. "How do you alert people they need to be ready, and then that a patch is urgently required, whilst not alerting attackers? Basically you're telling everyone about the problem at the same time and hoping the defenders aren't awake enough to act as soon as the patch is out."

But we do know from large web companies like Cloudflare and Palo Alto Networks that millions of attempts have been made. We probably won't know for a while whether it has worked for any criminals, because the companies affected might not be aware yet either. As far as we know the unexploded bomb remains intact for now, and for some experts this is a success. "We've seen how a team of people supported by the large AI company have used AI to find the problem, work for months together to solve it and get everybody ready to be safe and secure," Gina Neff, Professor of Responsible AI at Queen Mary University, told the Today Program on BBC Radio 4. "We have enormous capability to handle these risks."

Read more of this story at Slashdot.

Anthropic Takes On Muse With Claude Duet

Anthropic has launched Claude Duet, an AI agent aimed at professionals and small businesses that competes with Meta's Muse and OpenAI's Dots. Here's Anthropic's description of what it can do: Each morning, it sends you a short brief on the most important items across your connected apps. Throughout the day, it keeps tabs on those apps and messages you only when something needs your attention. You can also hand it tasks of all shapes -- from simple administrative tasks of scheduling meetings to more complex ones, such as building dashboards with dozens of tools, creating financial or sales forecasts, prototyping, and building web apps. The Verge reports: Claude Duet pulls in memory, skills, and connected apps from Claude, and it has a virtual machine with a browser that it can use for completing work. Before any big step, like sending a payment or deleting something, Claude Duet messages you for approval. Given that Duet may be taking action on sensitive information, it has a new "new dedicated classifier and safety system prompt" that are "designed to reject requests to share the strictest tier of information," such as credit card numbers.

Anthropic says Claude Duet is currently an "early version" and that it "still might misread a thread or miscalibrate what's urgent." It's also not "as strong" at personal errands like booking tickets.

Read more of this story at Slashdot.

Formula 1 News

Formula 1® - The Official F1® Website

LIVE COVERAGE: Build-up to the United States GP weekend

Live coverage of all the build-up ahead of the 2026 United States Grand Prix weekend in Austin.

Best value early odds for the United States Grand Prix

We've assessed the latest betting markets and selected our pick of early bets offering the best value at the Circuit of the Americas.

When Taylor Swift performed at the United States GP weekend

Ten years have passed since Taylor Swift performed her only show of 2016 in front of 80,000 Formula 1 fans at the United States Grand Prix in Austin, Texas.

Mark Carney shows middle powers how to handle a dangerous world

Canada is standing up to a bullying America.


Uji-bashi (Uji Bridge, 宇治橋)

banzainetsurfer has added a photo to the pool:

Uji-bashi (Uji Bridge, 宇治橋)

Uji Bridge is the entrance to the Naiku over the Isuzu River. It is said to be a bridge that connects the everyday world and the sacred world.It is a pure Japanese-style warped bridge with a total length of about 101.8m and a width of 8.4m. The floorboards and balustrades are made of cypress, but the piers are made of water-resistant zelkova. Ujibashi is rebuilt every 20 years.

For about two months centered on the winter solstice, the sun rises between the torii gates on the Uji bridge, and the rising sun will rise from the front of the torii gate for several days before and after the winter solstice.

Source: en.ise-kanko.jp/purpose/ujibashi/

Rothenburg ob der Tauber

Peter Kernwein posted a photo:

Rothenburg ob der Tauber

Rothenburg ob der Tauber

Peter Kernwein posted a photo:

Rothenburg ob der Tauber

Rothenburg ob der Tauber

Peter Kernwein posted a photo:

Rothenburg ob der Tauber

Rothenburg ob der Tauber

Peter Kernwein posted a photo:

Rothenburg ob der Tauber

Rothenburg ob der Tauber

Peter Kernwein posted a photo:

Rothenburg ob der Tauber

Rijnmond - Nieuws

Het laatste nieuws van vandaag over Rotterdam, Feyenoord, het verkeer en het weer in de regio Rijnmond

Topdrukte bij egelopvang, maar tekort aan kruiken: 'We hebben nieuwe nodig'

Topdrukte bij Egelopvang Papendrecht. In een week tijd zijn daar zestig kleine egels terechtgekomen. De diertjes zijn vaak onderkoeld en moeten flink aansterken. De opvang gebruikt daar speciale kruiken voor, maar er is een probleem: ze raken op.

Wel.nl

Minder lezen, Meer weten.

NCSC onderzoekt eerste signalen van misbruik kwetsbaarheden PHP

DEN HAAG (ANP) - Het Nationaal Cyber Security Centrum (NCSC) onderzoekt de eerste signalen dat de kwetsbaarheden in programmeertaal PHP succesvol zijn misbruikt. Dat heeft de instantie gezegd in een nieuwe update, waarin wordt gesproken van mogelijk misbruik.

"De situatie kan snel verergeren", voegt het NCSC daaraan toe. "Door gebruik van artificiële intelligentie (AI) kunnen deze kwetsbaarheden mogelijk nog sneller worden misbruikt."

Het centrum stelt dat dit de urgentie versterkt dat organisaties snel beschikbare updates installeren. "We adviseren iedereen dan ook met klem om direct te patchen."

Eerder zei het NCSC al dat er momenteel geen aanwijzingen zijn dat de beschikbare patches de kwetsbaarheden onvoldoende verhelpen.


Colossal

The best of art, craft, and visual culture since 2010.

Wangari Mathenge’s Vibrant Paintings Tap into Kenya’s Paradigm Shift in the 1960s

Wangari Mathenge’s Vibrant Paintings Tap into Kenya’s Paradigm Shift in the 1960s

In 1963, following nearly 70 years of British colonial rule, Kenya declared independence. The nation was not alone on the African continent; in the 1960s, Gambia, Guyana, Malawi, Nigeria, and others freed themselves from Britain’s control in a watershed period of democratic redevelopment and socio-cultural shifts. Wangari Mathenge, who was born in Nairobi, looks to the not-so-distant past in an ongoing series of vivid oil paintings.

Many of the works shown here are part of the artist’s current solo exhibition, Re-membering at Lévy Gorvy Dayan. Inspired in part by scholar Ngũgĩ wa Thiong’o’s 2009 book Something Torn and New: An African Renaissance, Mathenge examines her own cultural identity through the lens of Kenya in the first half of the 20th century. Something Torn and New focuses on the long-lasting impacts of colonialism and slavery in Africa.

a detailed painting of an imagined kitchen in Kenya in the 1960s centering on three Black women in colorful dresses surrounded by toys
“Re-membering XII (The Wednesday Women’s Club)” (2026), oil on canvas, 72 x 90 inches. Courtesy of Lévy Gorvy Dayan

The artist’s recent work depicts herself as all of the women, who each interact in domestic spaces. Toys, books, maps, and the occasional uncanny scenario, such as the green ladder in the wall of “Re-membering XI (To Leave This Steady Unendurable Land),” nod to a period of significant change in Africa. The figures often play with or alter the items in front of them, such as documenting a transatlantic vessel or jostling a teddy bear in an activity that blurs gutting and mending.

Sometimes, Mathenge’s protagonists meet the viewer’s gaze directly, almost confrontationally, while in other settings, she or he relaxes amid an array of items. Through the lens of cultural memory, the artist gathers symbols of resistance and healing. The compositions are sometimes paradoxical in their depictions of toys and nostalgic items with an underlying tension, like “Re-membering XIII (May the Wind Be Always at Your Back)” in which one of the figures readies an arrow in a bow.

“Re-membering signifies not merely the act of recall, but the active gathering and reassembly of what has been fragmented: cultural memory, inherited forms, histories, and ways of seeing,” the artist says in a statement. The exhibition continues through October 24 in New York. See more on Mathenge’s Instagram.

a detailed painting of a a Black man with his eyes closed, wrapped in red tartan and surrounded by numerous objects
“Re-Membering II (Facing Mt. Kenya)” (2025), oil on canvas, 91.4 x 88.9 inches. Photo by Brian Griffin Art Photography, courtesy of Pippy Houldsworth Gallery
a detailed painting of a Black woman laying amid numerous objects and toys, looking up at the viewer
“Re-membering X (I Fall Upon the Earth, I Call Upon the Air)” (2026), oil on canvas, 20 3/4 × 20 3/4 inches. Courtesy of Lévy Gorvy Dayan
a painting of a Black woman at a table with tea and other objects in front of her, talking on a turquoise phone
“The Ascendants XXIV (Tea O’clock with Neel’s Ringgold II)” (2023), oil on canvas, 84 x 62 inches. Photo by Brian Griffin Art Photography, courtesy of Pippy Houldsworth Gallery
a detailed painting of an imagined domestic interior in Kenya in the 1960s centering on two Black women in colorful dresses surrounded by toys, books, and other objects
“Re-membering XIII (May the Wind Be Always at Your Back)” (2026), oil on canvas, 71 7/8 x 82 inches. Courtesy of Lévy Gorvy Dayan
a detailed painting of an imagined domestic interior featuring a Black man napping on a couch with numerous objects on a coffee table in front of him
“The Ascendants XXIII (Oblivion)” (2023), oil on canvas, 63 x 63 inches. Photo by Brian Griffin Art Photography, courtesy of Pippy Houldsworth Gallery

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Wangari Mathenge’s Vibrant Paintings Tap into Kenya’s Paradigm Shift in the 1960s appeared first on Colossal.

xiffy

Public posts from @xiffy@mastodon.nl

Voor de accountants en belastingadviseurs : NT21_20261029 (SBR en SBR Light) gepubliceerd | Standard Business Reporting

sbr-nl.nl/nt2120261029-sbr-en-

De definitieve versie staat online.

VK: Voorpagina

Volkskrant.nl biedt het laatste nieuws, opinie en achtergronden

Cybersecurity-autoriteit ziet eerste signalen van effectief misbruik PHP-lek

Sargasso

Hopeloos Genuanceerd

Closing Time | The Unanswered Question

Op de vraag wat de zin is van “dit alles”, valt alleen wat te mijmeren. Een klip en klaar antwoord blijft uit. Daar was Charles Ives (1874 – 1954) wel van overtuigd en zeker wetend dat bij zulke grote levensvragen de dood een gewisse rol speelt, maakte hij carrière als levensverzekeraar.

Samen met zijn compagnon Julian Myrick verdiende hij daar een heel aardige boterham mee. Een bijzonder levenspad voor een componist van eigenzinnige klassieke muziek.

Charles Ives noemde zijn compositie “The Unanswered Question” een “kosmisch drama” (bron: A Question is Better than an Answer, artikel van Jan Swafford). De strijkers vertegenwoordigen “de stilte van de Druïden”. Een trompet stelt “de eeuwige vraag naar het bestaan”, die beantwoord wordt door vier houtblazers (de “strijdende antwoordgevers”), die het ook niet weten.

Tot zes keer toe stelt de trompet de vraag en de houtblazers lijken in toenemende mate geïrriteerd te raken (“wat wil je dan sukkel?) tot ze na de zesde keer woedend de spot drijven met de vraag.

De trompet stelt de de vraag toch weer opnieuw, die nu beantwoord wordt met stilte.

The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

Flo & Joan: With Feeling review – sisters turn an old rock setlist into hilariously neurotic songs

Shepherd’s Bush Empire, London
Richly wrought lyrical wit and sumptuous harmonies enhance the duo’s clever new show – along with plenty of backchat

The last time Flo & Joan played Shepherd’s Bush Empire, they found a setlist on stage left by beloved indie-rock band the Feeling on the previous night. It made the sisters contemplate their own relationship to the music industry. Are Flo & Joan a proper band or doomed for ever to remain “musical comedy”? The problem with which, they deadpan here, is that “no one takes it seriously”. Cue this new show, its structure inspired by that chance discovery. Tonight, the duo play a suite of new songs that, title by title, matches the setlist of the band who preceded them four years ago.

And so goes the first half of With Feeling, which by turns delivers on and subverts that challenge – and proves handsomely entertaining either way. In the sisters’ hands, Fill My Little World becomes a neurotic number about the surfeit of stuff (cheap food, fast fashion, AI slop). Never Be Lonely returns to a favoured topic, Flo & Joan’s toxic co-dependency – with an added sight gag involving Joan (AKA Rosie Dempsey)’s questionable trumpet skills. Further numbers address the risks of poor punctuation and the need, in a society giddy on unfiltered self-expression, to “bring back shame”.

On tour until 12 December

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