An anonymous reader shares a report: Meta product managers are rebranding. Some are now calling themselves "AI builders," a signal that AI coding tools are changing who gets to build software inside the company. One of them, Jeremie Guedj, announced the change in a LinkedIn post last week. "I still can't believe I'm writing this: as of today, my full-time job at Meta is AI Builder," he wrote.
Guedj has spent more than a decade as a traditional product manager, a role that sets the road map and strategy for products then built by engineering teams. He said that while his title in Meta's internal systems still lists him as a product manager, his actual work is now full-time building with AI on what he calls an "AI-native team." Another Meta product manager also lists "AI Builder" on her LinkedIn profile, while at least two other Meta engineers write the term in their bios, Business Insider found.
Guedj has spent more than a decade as a traditional product manager, a role that sets the road map and strategy for products then built by engineering teams. He said that while his title in Meta's internal systems still lists him as a product manager, his actual work is now full-time building with AI on what he calls an "AI-native team." Another Meta product manager also lists "AI Builder" on her LinkedIn profile, while at least two other Meta engineers write the term in their bios, Business Insider found.
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OpenAI faces four fundamental strategic problems that no amount of fundraising or capex announcements can paper over, according to analyst Benedict Evans: it has no unique technology, its enormous user base is shallow and fragile, incumbents like Google and Meta are leveraging superior distribution to close the gap, and its product roadmap is dictated by whatever the research labs happen to discover rather than by deliberate product strategy.
The company claims 800-900 million weekly active users, but 80% of them sent fewer than 1,000 messages across all of 2025, averaging fewer than three prompts a day, and only 5% pay. OpenAI has acknowledged what it calls a "capability gap" between what models can do and what people use them for -- a framing Evans reads as a polite way to avoid admitting the absence of product-market fit. Gemini and Meta AI are meanwhile gaining share rapidly because the products look nearly indistinguishable to typical users, and Google and Meta already have the distribution to push them. Evans compares ChatGPT to Netscape -- an early leader in a category where the products were hard to tell apart, overtaken by a competitor that used distribution as a crowbar.
On capex, Evans argues that Altman's ambitions -- claiming $1.4 trillion and 30 gigawatts of future compute -- amount to an attempt to will OpenAI into a seat at a table where annual infrastructure spending may need to reach hundreds of billions. But a seat at the table is not leverage over it; he compares this to TSMC, which holds a de facto chip monopoly yet captures little value further up the stack.
OpenAI's own strategy diagrams from late last year laid out a full-stack platform vision -- chips, models, developer tools, consumer products -- each layer reinforcing the others. Evans argues this borrows the language of Windows and iOS without possessing any of the underlying dynamics: no network effect, no lock-in preventing developers from calling a different model's API, and no reason customers would know or care which foundation model powers the product they are using.
The company claims 800-900 million weekly active users, but 80% of them sent fewer than 1,000 messages across all of 2025, averaging fewer than three prompts a day, and only 5% pay. OpenAI has acknowledged what it calls a "capability gap" between what models can do and what people use them for -- a framing Evans reads as a polite way to avoid admitting the absence of product-market fit. Gemini and Meta AI are meanwhile gaining share rapidly because the products look nearly indistinguishable to typical users, and Google and Meta already have the distribution to push them. Evans compares ChatGPT to Netscape -- an early leader in a category where the products were hard to tell apart, overtaken by a competitor that used distribution as a crowbar.
On capex, Evans argues that Altman's ambitions -- claiming $1.4 trillion and 30 gigawatts of future compute -- amount to an attempt to will OpenAI into a seat at a table where annual infrastructure spending may need to reach hundreds of billions. But a seat at the table is not leverage over it; he compares this to TSMC, which holds a de facto chip monopoly yet captures little value further up the stack.
OpenAI's own strategy diagrams from late last year laid out a full-stack platform vision -- chips, models, developer tools, consumer products -- each layer reinforcing the others. Evans argues this borrows the language of Windows and iOS without possessing any of the underlying dynamics: no network effect, no lock-in preventing developers from calling a different model's API, and no reason customers would know or care which foundation model powers the product they are using.
Read more of this story at Slashdot.
An anonymous reader shares a report: When will AI movies start showing up in theaters nationwide? It was supposed to be next month. But when word leaked online that an AI short film contest winner was going to start screening before feature presentations in AMC Theatres, the cinema chain decided not to run the content.
The issue began earlier this week with the inaugural Frame Forward AI Animated Film Festival announcing Igor Alferov's short film Thanksgiving Day had won the contest. The prize package for included Thanksgiving Day getting a national two-week run in theaters nationwide. When word of this began hitting social media, however, some were dismayed by the prospect of exhibitors embracing AI content, with many singling out AMC Theatres for criticism.
Except the short is not actually programmed by exhibitors, exactly, but by Screenvision Media -- a third-party company which manages the 20-minute, advertising-driven pre-show before a theater's lights go down. Screenvision -- which co-organized the festival along with Modern Uprising Studios -- provides content to multiple theatrical chains, not just AMC. After The Hollywood Reporter reached out to AMC about the brewing controversy, the company issued this statement to THR on Thursday: "This content is an initiative from Screenvision Media, which manages pre-show advertising for several movie theatre chains in the United States and runs in fewer than 30 percent of AMC's U.S. locations. AMC was not involved in the creation of the content or the initiative and has informed Screenvision that AMC locations will not participate."
The issue began earlier this week with the inaugural Frame Forward AI Animated Film Festival announcing Igor Alferov's short film Thanksgiving Day had won the contest. The prize package for included Thanksgiving Day getting a national two-week run in theaters nationwide. When word of this began hitting social media, however, some were dismayed by the prospect of exhibitors embracing AI content, with many singling out AMC Theatres for criticism.
Except the short is not actually programmed by exhibitors, exactly, but by Screenvision Media -- a third-party company which manages the 20-minute, advertising-driven pre-show before a theater's lights go down. Screenvision -- which co-organized the festival along with Modern Uprising Studios -- provides content to multiple theatrical chains, not just AMC. After The Hollywood Reporter reached out to AMC about the brewing controversy, the company issued this statement to THR on Thursday: "This content is an initiative from Screenvision Media, which manages pre-show advertising for several movie theatre chains in the United States and runs in fewer than 30 percent of AMC's U.S. locations. AMC was not involved in the creation of the content or the initiative and has informed Screenvision that AMC locations will not participate."
Read more of this story at Slashdot.
PayPal is notifying customers of a data breach after a software error in a loan application exposed their sensitive personal information, including Social Security numbers, for nearly 6 months last year. From a report: The incident affected the PayPal Working Capital (PPWC) loan app, which provides small businesses with quick access to financing. PayPal discovered the breach on December 12, 2025, and determined that customers' names, email addresses, phone numbers, business addresses, Social Security numbers, and dates of birth had been exposed since July 1, 2025.
The financial technology company said it has reversed the code change that caused the incident, blocking attackers' access to the data one day after discovering the breach. "On December 12, 2025, PayPal identified that due to an error in its PayPal Working Capital ('PPWC') loan application, the PII of a small number of customers was exposed to unauthorized individuals during the timeframe of July 1, 2025 to December 13, 2025," PayPal said in breach notification letters sent to affected users. "PayPal has since rolled back the code change responsible for this error, which potentially exposed the PII. We have not delayed this notification as a result of any law enforcement investigation."
The financial technology company said it has reversed the code change that caused the incident, blocking attackers' access to the data one day after discovering the breach. "On December 12, 2025, PayPal identified that due to an error in its PayPal Working Capital ('PPWC') loan application, the PII of a small number of customers was exposed to unauthorized individuals during the timeframe of July 1, 2025 to December 13, 2025," PayPal said in breach notification letters sent to affected users. "PayPal has since rolled back the code change responsible for this error, which potentially exposed the PII. We have not delayed this notification as a result of any law enforcement investigation."
Read more of this story at Slashdot.
Cable TV providers have spent the past decade losing tens of millions of households to streaming services, but companies like Charter Communications are now slowing that exodus by bundling the very apps that once threatened to replace them.
Charter added 44,000 net video subscribers in the fourth quarter of 2025, its first growth in that count since 2020, after integrating Disney+, Hulu, and ESPN+ directly into Spectrum cable packages -- a deal that grew out of a contentious 2023 contract dispute with Disney. Comcast and Optimum still lost subscribers in the quarter, though both saw those losses narrow.
Charter's Q4 numbers also got a lift from a 15-day Disney channel blackout on YouTube TV during football season, which drove more than 14,000 subscribers to Spectrum. Charter has been discounting aggressively -- video revenue fell 10% year over year despite the subscriber gains. Cox Communications launched its first streaming-inclusive cable bundles last month, and Dish Network has yet to integrate streaming apps into its packages at all.
Charter added 44,000 net video subscribers in the fourth quarter of 2025, its first growth in that count since 2020, after integrating Disney+, Hulu, and ESPN+ directly into Spectrum cable packages -- a deal that grew out of a contentious 2023 contract dispute with Disney. Comcast and Optimum still lost subscribers in the quarter, though both saw those losses narrow.
Charter's Q4 numbers also got a lift from a 15-day Disney channel blackout on YouTube TV during football season, which drove more than 14,000 subscribers to Spectrum. Charter has been discounting aggressively -- video revenue fell 10% year over year despite the subscriber gains. Cox Communications launched its first streaming-inclusive cable bundles last month, and Dish Network has yet to integrate streaming apps into its packages at all.
Read more of this story at Slashdot.
4K unintended installs in very odd supply chain attack
Someone compromised open source AI coding assistant Cline CLI's npm package earlier this week in an odd supply chain attack that secretly installed OpenClaw on developers' machines without their knowledge. …
Good news: Team shows re-entry pollution can be measured. Bad news: There may be more of it coming
The SpaceX Falcon 9 rocket that burned up over Europe last year left a massive lithium plume in its wake, say a group of scientists. They warn the disaster is likely a sign of things to come as Earth's atmosphere continues to become a heavily trafficked superhighway to space. …
Pre-season testing came to a close at the Bahrain International Circuit on Friday, with Charles Leclerc setting the pace for Ferrari via an eye-catching evening run.
F1.com's Lawrence Barretto analyses the third and final day of the second pre-season test at the Bahrain International Circuit.
Jill Scott schreef de tekst in 1991, ze was 19 jaar. Sindsdien zong ze het bij menig gelegenheid. Maar pas op 51-jarige leeftijd, in 2023, leidde haar uitvoering op het Essence Festival of Culture in New Orleans tot ophef. Ze werd bejubeld, ze werd verguisd.
En dat alles omdat ze de geschiedenis van de Verenigde Staten eventjes in een notendop samenvatte:
Oh, say, can you see,
by the blood in the streets,
that this place doesn’t smile on you, colored child.Whose blood built this place
with sweat and their hands.
But you’ll die in this place
and your memory erased.Oh say, does this truth hold any weight?
This is not the land of the free
but the home of the slave
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You’ve probably heard the idiom, “the elephant in the room,” to describe when there’s some uncomfortable and obvious problem that no one is addressing—the kind of issue that feels as though it’s taking up all available space. But what if yet another megafauna came stampeding onto the scene? That’s where Berlin-based artist Itamar Gov’s large-scale installation comes in.
The Rhinoceros in the Room is a towering, inflatable sculpture that fills a medieval church nave at Kunstmuseum Magdeburg in Germany. Gov draws inspiration from Renaissance engraver Albrecht Dürer’s iconic rhinoceros woodcut, which the artist created in 1515 without having ever seen one of the animals himself. His rendering is wildly inaccurate in terms of anatomy, depicting an extra horn at the creature’s shoulders and armor instead of a thick leather hide, but thanks to the ability to replicate it in print, it captured the public’s imagination.
Dürer’s image persists as a symbol of imperial might and prestige. The animal itself represents power and vigor, and one was even gifted from Sultan Muzafar II of Gujaratm, India, to King Manuel I of Portugal in 1515, providing the inspiration for the artist’s rendering.
The rhinoceros has also been hunted and poached nearly to extinction, and several species remain critically endangered today. For The Rhinoceros in the Room, Gov “combines historical events, philosophical ideas, and local legends and questions the fragile boundaries between fact and fiction; memory and imagination,” the museum says.
Portrayed in monochrome gray, the gentle giant lumbers amid the 11th-century Romanesque colonnades, assuming a spectral guise. On one hand, it’s somewhat absurd in its sheer size and sense of being out-of-place, yet on the other, the creature invokes curiosity and wonder and stands sentry as an icon of brawn and resilience.
The Rhinoceros in the Room remains on view through July 5. Find more on Gov’s Instagram.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Itamar Gov Draws on History and Legend for ‘The Rhinoceros in the Room’ appeared first on Colossal.
Ian & Marg has added a photo to the pool:
Queensland Fruitgrowers Cooperative Society (QFS) received and loaded the fruit and vegetables destined for the Brisbane market from this large goods shed by the Amiens Branch Line. Arthur Baker was one of their managers. He was responsible for the operation of their agricultural supplies shop here. This platform and shed was one of his daughter's favourite places to play for she was near her dad and home was just across the line.
Seventy years on, she returned for a nostalgic visit, recalling moments and the joy of a simple family life among this orcharding area. Apples, apricots, peaches, nectarines, pears, and plums (especially Wilson Plums) were grown on diversified farms all along this branch line. This area of the Queensland Granite Belt was opened up to closer settlement by the government and allocated to soldiers returning from the First World War. The stations or sidings, like this one, were named after World War battlefields: Fleurbaix, Possiers, Passchendaele, Bapaume, Messines, and Amiens was the terminus.
Hailstorms were a fact of life in the early summer in this high altitude area with consequential destruction of fruit, so the diversified crops were essential to ensure each farmer survived, as each different variety matured at different rates.
Arthur Baker had migrated from North Yorkshire as an 18 year old, dreaming to become a "sheep farmer in Victoria". But instead he was drafted to serve as a farm labourer on a new orchard owned by Walter H Bell at Bapaume. When Arthur married an Australian girl, they bought a small farm and laboured through the wiles of the elements (hailstorms, late frosts when trees were flowering, droughts, and occasional tornadoes). Eventually, Arthur sold his farm, when he had the opportunity to become QFS manager first at Bapaume and later in the main regional town of Stanthorpe on the Southern Line.
Do you know your Gaia from your Cronus from your Zeus? In fewer than 15 minutes, this video provides a comprehensive overview of all the important Greek & Roman gods, goddesses, nymphs, heroes, monsters, demigods, and other assorted spiritual beings, who begat who, and what all of their domains were. (via open culture)