"Robotic bird decoys are being deployed at Grand Teton National Park," reports Interesting Engineering, "to influence the behavior of real sage grouse and help restore a declining population.". Robotics mentor Gary Duquette describes the machines as "kind of a Frankenbird." (SFGate shows one of the robot birds charging up with a solar panel... "Recorded breeding calls are played at the scene, with clucking and cooing beginning at 5 a.m. each day.")

Duquette builds the birds with a team of high school students, telling WyoFile that at school they "don't really get to experience real-world problems" where failures lurk. So while their robot birds may cost $150 in parts, the practical experience the students get "is priceless."

Spikes in the electric currents burned out servo motors as the season of sagebrush serenades loomed, Duquette said. "The kids had to learn the difference between voltage and amperage...." To resolve the problem, the team wired a voltage converter in line with the Arduino controller and other elements on an electronic breadboard. "We pulled through and got it done in time," he said...

A noggin fabricated by a 3D printer tops the robo-grouse. Wyoming Game and Fish staffers in Pinedale supplied grouse wings from hunter surveys, and body feathers came from fly-tying supplies at an angling store. Packaging foam from a Hello Fresh meal kit replicates white breast feathers, accented by yellow air sacs...

The Independent wonders if more national parks would be visited by robot birds...
During this year's breeding season, which runs through mid-May, researchers are using trail cameras to track whether real sage grouse respond to the robotic displays and return to the restored lek sites. If successful, officials say similar robotic systems could eventually be used in other national parks facing wildlife management challenges.

Read more of this story at Slashdot.

"Rust's rise shows signs of slowing," argues the CEO of TIOBE.
Back in 2020 Rust first entered the top 20 of his "TIOBE Index," which ranks programming language popularity using search engine results. Rust "was widely expected to break into the top 10," he remembers today. But it never happened, and "That was nearly six years ago...."

Since then, Rust has steadily improved its ranking, even reaching its highest position ever (#13) at the beginning of this year. However, just three months later, it has dropped back to position #16. This suggests that Rust's adoption rate may be plateauing.

One possible explanation is that, despite its ability to produce highly efficient and safe code, Rust remains difficult to learn for non-expert programmers. While specialists in performance-critical domains are willing to invest in mastering the language, broader mainstream adoption appears more challenging. As a result, Rust's growth in popularity seems to be leveling off, and a top 10 position now appears more distant than before.
Or, could Rust's sudden drop in the rankings just reflect flaws in TIOBE's ranking system? In January GitHub's senior director for developer advocacy argued AI was pushing developers toward typed languages, since types "catch the exact class of surprises that AI-generated code can sometimes introduce... A 2025 academic study found that a whopping 94% of LLM-generated compilation errors were type-check failures." And last month Forbes even described Rust as "the the safety harness for vibe coding.."
A year ago Rust was ranked #18 on TIOBE's index — so it still rose by two positions over the last 12 months, hitting that all-time high in January. Could the rankings just be fluctuating due to anomalous variations in each month's search engine results? Since January Java has fallen to the #4 spot, overtaken by C++ (which moved up one rank to take Java's place in the #3 position).
Here's TIOBE's current estimate for the 10 most popularity programming languages:

Python
C
C++
Java
C#
JavaScript
Visual Basic
SQL
R
Delphi/Object Pascal

TIOBE estimates that tthe next five most popular programming languages are Scratch, Perl, Fortran, PHP, and Go.

Read more of this story at Slashdot.

tintinetmilou has added a photo to the pool:

Kawagoe

PLUS: Toyota wheels out basketball bot; Arm scores AI server win with SK Telecom; India ponders payment pauses to foil fraudsters; And more!

Asia In Brief  China’s National Data Administration last Friday published its action plan for AI in education which calls for upskilling of the nation’s citizens to ensure they can put the technology to work.…

Greg Adams Photography posted a photo:

Thomas Hawk posted a photo:

ajpscs posted a photo:

the SQUARE
TULIP
ON MY KNEES, I CAN SEE FOREVER
© ajpscs

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

St James Theatre, New York
The hilariously deranged riff on Titanic loses some scrappy charm in its Broadway transfer

According to its creators, the idea for Titaníque, the extremely campy Céline Dion jukebox musical now open on Broadway, originated as a drunken riff between friends – what if the Québécois Queen of Feelings not only sang the theme song of the movie Titanic, but sincerely believed she survived the disaster? A Céline-ified Titanic is an appropriately silly concept – possibly no one has provided the world as much camp sincerity as the 90s power ballad pioneer, and the beloved movie could use some unserious updates. Marla Mindelle, Constantine Rousouli and Tye Blue, the co-authors, made the show extra zany, extra gay, extra “kooky crazy” (to quote the truly inimitable Dion) and set sail in the theatrical equivalent of a rowboat; the first staging of Titaníque took place in the basement of a shuttered Manhattan grocery store. Adaptable and very meta, the show upgraded to a series of ever-larger craft: a buzzy, post-pandemic Off-Broadway run, a world tour, then an acclaimed West End stint.

Though, to my deep regret, I missed out on the original Off-Broadway run, I found myself nostalgic for those humble beginnings while attending the new-and-improved Titaníque at the too-cavernous St James Theater, where the jazzed-up show now has the budget and scale befitting an ocean liner. Or, more accurately, a corporate reality TV show; the tiered risers, on-stage band (who, it should be noted, sound great) and, most evocatively, neon-red stage lights look less like Titanic, even a very loosely interpreted one, and more like The X Factor, as Mindelle joked in one of her many asides as the singer. Why? Who’s to say. Self-awareness counts for a lot in the very funny Titaníque, though not an explanation.

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What a relief that this is the end for Sam Levison’s grim drama. A show which was once blackly funny is now humourless torture porn

To say that season three of Euphoria is long-awaited would be something of an understatement. HBO’s high school drama debuted in 2019, when it garnered a fanfare of attention with its heady mix of grinding trauma, heavenly eyeshadows and cheap/daring (delete as appropriate) feats, including a locker room scene starring 30 penises. In the years since, it cemented itself as a show with much to say about gen Z’s relationship to sex, drugs and mental health, and pushed Jacob Elordi, Sydney Sweeney and former Disney teenybopper Zendaya to the A-list. It has also released a mere 18 episodes in that time, a victim of everything from the Covid pandemic to the Los Angeles fires. Like a new Rihanna album, Euphoria season three has – in time – become shorthand for a pop culture mirage that would maybe, possibly arrive sometime before 2030. At least, we hoped, before most of the cast were in their 30s.

Excitement, too, has waned over time. Rumours of rifts between the cast and creator Sam Levinson have only grown since its return was confirmed last autumn, and the press tour that followed has had a distinct flavour of “contractual obligation” about it (social media posts from the cast were few and far between, while Zendaya, in an interview with Variety, ambiguously described filming as a “whirlwind”). It brings me no pleasure, then, to report that, based on the three episodes released for review, Euphoria’s third (and probably final) run was absolutely not worth the wait. It’s a grubby, humourless work of torture porn that’s obsessed with and repulsed by sex work.

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Elle Hunt on her month wearing Meta’s smart glasses and the privacy concerns around the technology

According to Mark Zuckerberg, Meta’s AI-powered glasses are “personal super intelligence” that “let you stay present in the moment”.

Journalist Elle Hunt reports on her time wearing them for a month. Elle tells Nosheen Iqbal about the highs and lows of the experience, the features that could be transformative for people with vision impairments or hearing loss, and the risks wearable tech poses to our privacy.

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Donald Trump has said the US will begin blockading the strait of Hormuz in an attempt to take control of the strategic waterway. Key US politics stories from Sunday 12 April at a glance

Donald Trump has said the US will begin blockading the strait of Hormuz in an attempt to take control of the strategic waterway from Iran in the aftermath of failed peace negotiations between the countries in Pakistan.

The US president also threatened to bomb Iran’s water treatment facilities as well as its power plants and bridges, repeating an earlier threat, if Tehran did not agree to abandon its nuclear weapons programme – the key sticking point between the two sides.

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Musician says he wanted to attend the protest despite the consequences a potential arrest could have on his music career

Massive Attack frontman Robert Del Naja has been arrested on suspicion of showing support for a proscribed organisation after attending a mass protest against the ban on Palestine Action in central London on Saturday.

Del Naja, also known as 3D, was among hundreds of fellow demonstrators in Trafalgar Square on Saturday afternoon, holding a sign that read “I Oppose Genocide, I Support Palestine Action”.

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US senator appears at Manhattan rally alongside New York City mayor Zohran Mamdani, who cautioned that AI is ‘coming for human jobs’

Bernie Sanders has sounded an alarm over the US economy, warning “the worst is yet to come” unless workers overcome a “ruling class” of billionaires.

The US senator spoke at a rally in Manhattan on Sunday alongside Zohran Mamdani, the New York City mayor, who cautioned that artificial intelligence was “coming for human jobs” amid mounting concern over the technology’s rapid development.

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