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Polymarket Paid Dozens to Post Videos of Themselves 'Winning' With Fake Bets

In January a college student posted a video showing him winning $100,000 on Polymarket — one of 145 that appeared to show bets adding up to almost $410,000, reports the Wall Street Journal. "But none of those bets were real."

Instead its creator was "one of dozens of mostly college-age creators Polymarket paid to film themselves making fake trades and sometimes scoring fake wins," the Journal reports, citing interviews with the creators an an analysis of more than 1,100 of their videos:

Polymarket built near-perfect copies of its website, then instructed creators to make simulated trades on those dummy sites and hide that they were being paid by Polymarket. To get the videos to go viral, Polymarket has recruited a social-media army to copy and re-post creators' footage. Though the New York-based company has been banned from offering its primary crypto platform in the U.S. since 2022, the social-media creators are paid to specifically target U.S. users, who can still access the site with a virtual private network...

Polymarket hired and worked closely with a marketing contractor to promote the site. In a message reviewed by the Journal, that contractor told its social-media army to repost content made by 10 Polymarket creators in particular... These creators didn't initially identify themselves as paid by Polymarket, although one offered a $20 bonus code in his social-media bio... The company instructed creators not to disclose they are paid, according to creators who have worked with the company. They said the pay often added up to $2,000 to $3,000 a month...

A handful of videos the Journal reviewed also contained short glimpses of URLs indicating the sites were test environments for Polymarket engineers... Creators said they send the finished videos to Polymarket for review. If a video isn't engaging enough, or if it bears obvious signs of being faked, Polymarket will ask for the videos to be reshot, the creators said... Polymarket sends creators bullet-point guidance on what to say, according to creators who have worked with the company and a recruiting website... Polymarket's viral clipping campaign racked up more than 140 million views on TikTok, YouTube and Instagram, according to the analytics provider Tubular...

Internal materials show that Polymarket and Virality promote videos showing how easy it is to conduct insider trades on the platform. Polymarket has paid clippers to promote at least 19 videos discussing opportunities to use inside information or other tactics to manipulate markets.
America's advertising laws "require people who are paid to endorse a product to disclose their ties," the article notes, "although there is some gray area about what's permitted." (After the Journal's investigation, the creators started adding "@polymarket partner" to their bios, the article points out._ And when asked for a comment, Polymarket "said it plans to conduct a comprehensive audit of active promotional content."

Read more of this story at Slashdot.

Wel.nl

Minder lezen, Meer weten.

KNMI: Code oranje Limburg voorbij, code geel voor hitte blijft

DE BILT (ANP) - Het KNMI heeft code oranje iets na 02.00 uur in de nacht van zaterdag op zondag beëindigd. De weerswaarschuwing was afgegeven voor de provincie Limburg vanwege de mogelijkheid op zware onweersbuien, hagel, regen en windstoten.

Voor veel provincies geldt nog wel code geel voor onweersbuien. Het KNMI waarschuwt in Zeeland, Zuid-Holland, Limburg, Noord-Brabant, Gelderland en Overijssel voor zware buien. "Hagel, veel regen in korte tijd en (zware) windstoten kunnen plaatselijk overlast/schade geven", aldus het weerinstituut.

In vrijwel het hele land, behalve in de noordoostelijke provincies Friesland en Groningen en op de Waddeneilanden, geldt wel nog code geel vanwege de hoge temperaturen.


Light Collection 1

richtebw has added a photo to the pool:

Light Collection 1

日本橋-日本橋三越本店

SC-Wang(TY) has added a photo to the pool:

日本橋-日本橋三越本店

The 350-year-old Nihonbashi Mitsukoshi Main Store is not only a representative shopping landmark for Tokyoites, housing a wide range of top luxury brands, but the building itself is also a valuable Important Cultural Property of Japan, featuring spaces designed by renowned architect Kengo Kuma and numerous artworks.

Petals

etsu2 has added a photo to the pool:

Petals

This is a Hydrangea flower. The flower is blooming in the rainy season.
(Taken by Ricoh GR IIIx)

Rijnmond - Nieuws

Het laatste nieuws van vandaag over Rotterdam, Feyenoord, het verkeer en het weer in de regio Rijnmond

Ferry staat in concertzaal Bataclan als terroristen het vuur openen: ‘Het ging helemaal los’

89 doden in enkele minuten tijd: de aanslag in de Parijse concertzaal Bataclan staat veel mensen nog bij. Ferry was daar met zijn vrienden bij. Een muzikale avond eindigt in een bloedbad: “Het lijkt een droom waar je in terechtkomt.”

Dit Nederlands elftal kan ‘ongelofelijk gevaarlijk’ zijn – maar in fases net zo makkelijk ver terugvallen

Zelden toonde Oranje de afgelopen jaren de energie, drive en directheid die het tegen Zweden liet zien. Maar het duel onderstreepte ook dat de wisselvalligheid diep zit.

Iran zegt meer bewegingsvrijheid te krijgen in VS tijdens WK

De Amerikaanse reisbeperkingen voor het Iraanse elftal worden versoepeld. Dat zei de Iraanse bondscoach Amir Ghalenoei zaterdag op een persconferentie daags voor de wedstrijd van…

The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

To the tablet and beyond: does Toy Story 5 go hard enough on technology?

The animated sequel sets up a tug-of-war between physical and digital play for children but is still eager not to be an anti-tech screed

For more than 30 years, Pixar’s signature Toy Story series has been entertaining children while giving voice to their parents’ anxieties. This is especially pronounced in the film’s sequels, as the living toys who dedicate their lives to the happiness of their owner/child experience all different sorts of potential and parent-paralleled obsolescence, from physical wear-and-tear and a child reaching young adulthood to the toy equivalent of empty-nesting (still hanging around the playroom but no longer anyone’s favourite). It’s only natural – maybe even a little belated – that Toy Story 5 would address the encroachment of technology, which continues to make its way to children earlier and earlier. So many years after the tech breakthroughs that allowed Toy Story to become the first computer-animated feature, and Pixar to become a household name in family entertainment, has the formerly Steve Jobs-owned company turned against the kind of innovation that built its success?

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