joshuark writes: BusPatrol, a company that has installed AI-powered cameras in tens of thousands of school buses around the U.S., now plans to turn those cameras into automatic license plate readers (ALPRs), capturing the location of every vehicle the buses drive past, and give that data to law enforcement, 404 Media has learned. BusPatrol has already taken steps to share the collected data with law enforcement contracting giant Axon, according to leaked BusPatrol documents and a source with knowledge of the plans. BusPatrol has acknowledged how controversial its plan to collect and share this data is, pointing specifically to concerns about ICE using license plate data, but emphasizes the likely success of selling the angle of protecting children.
"Who would have thought that school buses would be turned into the mass surveillance state?," Michael Soyfer, an attorney from the Institute for Justice, which has various ongoing ALPR-related lawsuits The Institute for Justice argues that warrantless use of ALPR systems is unconstitutional, describing similar systems as a "dragnet." Kate Spree, senior manager of brand communications at BusPatrol, said in an email "This inquiry is based on a false premise and inaccurate information. BusPatrol does not pool or sell data across communities; student safety program data is used only to support the BusPatrol program in the community where that data was created." When 404 Media asked clarifying questions and said that the reporting is based on leaked BusPatrol material, Spree stopped replying to text messages and emails. This plan gives new meaning to the animated cartoon series "The Magic School Bus"...
Further reading: FBI Wants to Buy Nationwide Access to License Plate Readers
Sergio Perez feels “happy I came back” to F1 after proving to himself that he is “one of the best” drivers in the field with his performances for Cadillac so far.
Mattia Binotto is the latest guest on the Beyond The Grid podcast, discussing how he is using his experience from Ferrari to transform Audi into a race-winning team.
It has been announced that Gucci will become title partner to Alpine in 2027, with the team set to race under a new banner as well as taking on the Gucci colour scheme.
Orgel Joke moedigt het Nederlands elftal komende zomer aan met haar eigen WK-hit. De Vlaardingse 'muziekoma' moet vanwege haar leeftijd, 76 jaar, harder repeteren dan anderen. "Ik wil het live ook goed kunnen, anders sta je voor paal", zegt ze.
“Color, for me, is a heightened reality,” says J Carino. Through palettes rooted in a dynamic dance between earth and jewel tones, the artist renders lush scenes in which nude figures commune with nature. A sturdy back buttresses a fallen tree, chests and limbs peek through a summer meadow, and a muscular grip cradles a small mule amid a raging flood. Blocks of color and gestural brushstrokes characterize each composition, which question what we deem natural and innate.
The intimacies of queer life figure prominently in Carino’s work, which layers bodies and organic motifs into dense expanses. He employs a variety of source materials that range from renderings of live models and videos of himself to nature studies and plein air drawings in pastels, the latter of which often inform his color palettes. “Typically, my work begins with observation of nature. It might be a fallen tree, a particular animal or plant that I then make drawings of,” he adds.
“Flood”
Researching the historical and cultural symbols associated with these organic forms follows, while allowing connections between objects and motifs to emerge spontaneously as he works. “I see patterns as a kind of personal language to symbolize larger concepts and themes that I can then weave together into different narratives,” the artist tells Colossal. “There is a collage-like aesthetic to my work that reflects these different pieces coming together.”
From biblical floods to determined donkeys to autumnal leaves, the elements that comprise Carino’s paintings touch on questions of desire, paradise, and queerness through human connection to the natural world. Even when disaster strikes, there’s an overwhelming sense of beauty and resilience, bolstered by both physical strength and deep bonds with one another.
Carino recently relocated to London, and he will start a master’s program at the Royal College of Art this fall. If you’re in Los Angeles, his work will be part of a group exhibition opening in early June at Albertz Benda. Otherwise, find more on his website and Instagram.
“American Progress”“Tyrant”“Carrying Beauty”“Can’t Take the Roots”“Everything is Golden”“Eden”“The Last Raven”
I have a pizza oven and baked very underwhelming bread twice during the pandemic, but I’ve found it difficult to fall into a proper rabbit hole when it comes to dough-making. Focaccia might do it for me.
We made it yesterday and it came out well: very delicious right out of the oven. And it was really the first time I’ve made dough where I’ve been like, “oh, I finally get why people say pizza/bread dough is a living thing”. Today we made sandwiches (mortadella, prosciutto, burrata, arugula) and they were quite good — but the focaccia crumb was pretty dense. Which sent me on a little bit of a research expedition, during which I found this video on YouTube:
Wow! Check out all those bubbles…ours didn’t look anything like that. I actually squealed when she pressed down on the bread and it sprung right back — that focaccia might be able to replace my car’s suspension. This recipe results in a more hydrated dough than the BonApp recipe does. And you work it more and it has different flour (00 instead of all-purpose). And the process looks only a little bit less lazy…manageable for me, I think. Looking forward to trying this out next!