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Battig achieves historic F1 ACADEMY pole on Wild Card debut

Chiara Battig made a sensational start to her debut weekend, making F1 ACADEMY history in Silverstone Qualifying by becoming the first Wild Card driver to earn pole position.

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Argentinië moet diep gaan, maar verslaat dapper strijdend Kaapverdië in zinderend voetbalgevecht

Facade Theatre. Melbourne, Victoria.

Tasmanian.Kris has added a photo to the pool:

Facade Theatre. Melbourne, Victoria.

An old frontage holding its shape while the street moves past it. There’s history baked into those details, even if most people aren’t looking. Cities perform continuity like this all the time.

No Neutral Ground. Melbourne, Victoria.

Tasmanian.Kris has added a photo to the pool:

No Neutral Ground. Melbourne, Victoria.

A sticker on a pole, half lost in the noise of traffic and shadow, but clear enough if you bother to look. Anti-fascism does not need subtlety. It needs repetition, presence, and a bit of nerve. The street is still one of the few places where that message can’t be politely ignored.

Following Forward. Melbourne, Victoria.

Tasmanian.Kris has added a photo to the pool:

Following Forward. Melbourne, Victoria.

Jen walking ahead, the street opening up in front of her. The frame keeps her central without making it about control. More about movement than destination. The kind of shot that feels like it could keep going.

Infrastructure Overgrowth. Melbourne, Victoria.

Tasmanian.Kris has added a photo to the pool:

Infrastructure Overgrowth. Melbourne, Victoria.

Poles, wires, frames, all layered over a patch of stubborn greenery. The built environment pressing in, the plants pushing back. It’s not a fair fight, but it’s ongoing.

Poster Politics, Direct. Melbourne, Victoria.

Tasmanian.Kris has added a photo to the pool:

Poster Politics, Direct. Melbourne, Victoria.

A “criminal” poster wrapped around a pole in the middle of traffic. No ambiguity here. Melbourne protest culture tends to favour clarity over subtlety. You know where you stand, or at least where the poster does.

Everything at Once. Melbourne, Victoria.

Tasmanian.Kris has added a photo to the pool:

Everything at Once. Melbourne, Victoria.

A wall crammed with imagery, styles, messages, none of them asking permission from the others. It’s chaotic, but it holds. Melbourne’s visual language is built on this kind of density. You don’t tidy it, you navigate it.

Waiting Platform. Melbourne, Victoria.

Tasmanian.Kris has added a photo to the pool:

Waiting Platform. Melbourne, Victoria.

Two people sitting apart, each locked into their own moment. Public space shared, not necessarily connected. The framing keeps it balanced, almost formal. Still feels a bit lonely.

1968, Still Standing. Melbourne, Victoria.

Tasmanian.Kris has added a photo to the pool:

1968, Still Standing. Melbourne, Victoria.

Smith and Carlos, barefoot on that podium, fists raised, refusing to let the moment pass quietly. The mural holds that defiance in place, a reminder that naming violence has always come with a cost. Peter Norman stands with them, calm, deliberate, and just as exposed. History like this does not fade. It waits for you to notice it again.