The Trump administration has reportedly asked OpenAI to stagger the release of GPT-5.6 over security concerns. The model will initially be offered to a small group of partners, with the government "approving access customer by customer during this preview period," reports The Information. The request came from conversations with the Office of the National Cyber Director and the Office of Science and Technology Policy, the report said.

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BrianFagioli writes: The Linux Foundation has announced Akrites, a new initiative to coordinate vulnerability disclosure and remediation for critical open source software as AI dramatically speeds up vulnerability discovery. Founding members include AWS, Google, Microsoft, OpenAI, Red Hat, NVIDIA, IBM, Cisco, JPMorganChase, and others. Akrites will provide a shared Security Incident Response Team (SIRT), a standardized coordinated vulnerability disclosure process, and act as a "maintainer of last resort" for abandoned but widely used packages.

The goal is to reduce duplicate reports, avoid conflicting patches, and help upstream maintainers address vulnerabilities before they can be exploited. As AI makes it easier to find security flaws, can a coordinated industry effort help protect open source, or does it risk giving large corporations too much influence over the ecosystem? "Akrites is the largest coordinated effort in history to create systems and deploy tooling that leverages the collective power of the community to make everyone safer," the Linux Foundation said in an open letter. "Akrites participants will contribute engineering resources; work to build and ship fixes; or fund the engineers who do. Some companies have contributed mightily already. The reality is, collectively, we need to contribute more."

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Apple has sharply raised prices across its Mac, iPad, HomePod, and Apple TV lineups as surging AI-driven demand creates a global memory and storage shortage. Increases range from $30 for the HomePod mini to $1,300 for the M3 Ultra Mac Studio, with Apple CEO Tim Cook saying efforts to shield customers from higher costs had become "unsustainable." The Verge reports: On Thursday, the company adjusted the price of its new MacBook Neo, which will now start at $699 instead of $599, while the base MacBook Air will jump to $1,299 from $1,099, as reported earlier by Bloomberg. The 14-inch MacBook Pro is getting an increase as well, going from $1,699 to $1,999. Meanwhile, the iPad Air will now start at $749 instead of $599, while the iPad Pro is increasing to $1,199 from $999.

As spotted by MacRumors, the M4 Max Mac Studio will now cost $2,499, a big jump from $1,999. The M3 Ultra Mac Studio is now priced at $5,299, up from $3,999. Apple is even raising the prices of its HomePod, which now costs $349 instead of $299, as well as bumping the price of the HomePod mini to $129 instead of $99. The Apple TV also now costs $199 instead of $129.

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(Dead Oceans)
The US singer took years off after becoming ‘world-weary’ of public life – and in the meantime, her silvery balladry reshaped pop. Her return is an ornate reinvention

In the press materials for Phoebe Bridgers’ return, the 31-year-old US singer talks about taking time to make her third album after coming to feel “a little world-weary” about public life. Who could blame her? Bridgers became a figure of invasive parasocial behaviour from fans after her spooked, sad second album, 2020’s Punisher, resonated with life under lockdown and made her a superstar. In recent years, young women making introspective and ornate indie-rock songs have risen to startling, pop star levels of fame and scrutiny – and none more so than Bridgers,her Boygenius supergroup with Julien Baker and Lucy Dacus, and their peer Mitski. When Bridgers was rumoured to be engaged in 2022, fans possessed by her devastating music rued her happiness; when she started a new relationship, the gossip mill churned. In 2023, she castigated the so-called fans who aggressed her in an airport while on the way to her father’s funeral.

Even her recent analogue return has prompted reactions that might have a less self-possessed artist wondering why they bother. Last month, mysterious posters started appearing in small towns across the US advertising surprise $1 Bridgers shows in intimate venues later that night, before a concluding gig at New York’s gigantic Madison Square Garden. Phones were banned, along with any kind of recording device, including pen and paper, to stop audience members from writing down lyrics from her third album and sharing them online. The backlash to this – some fans accused her of ableism – prompted its own backlash, a tiresome Russian doll of discourse that’s still dragging on.

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