Read more of this story at Slashdot.
Read more of this story at Slashdot.
Read more of this story at Slashdot.
This was a momentous night in Bournemouth’s history, although the truth is they would have been given a far sterner examination by Coventry or Hull. You can only beat what lies in front of you and Marco Rose’s players never relinquished control against a rotten impersonation of a Milan side. The visitors resembled holograms even before Mike Maignan, their goalkeeper, rendered their task impossible with a deserved sending-off in the first half.
By then Justin Kluivert had given Bournemouth the lead with a penalty and it was another spot-kick from Marcus Tavernier, given after Maignan’s rush of blood, that underlined their overwhelming superiority. Amine Adli applied the garnish with a late free-kick and it meant an abject return to British shores for Ruben Amorim, who would have been excused seeing this particular week as the opportunity to make a point. On this evidence Manchester United, to whom Bournemouth travel on Sunday, share more than a few similarities with the modern version of Milan.
Continue reading...PARIJS (ANP/AFP) - Op een veiling bij Sotheby's in Parijs is het schilderij Iris van Claude Monet verkocht voor 50 miljoen euro. Het is daarmee het duurste kunstwerk ooit verkocht op een veiling in Frankrijk. De opbrengst werd vooraf geschat tussen de 22 en 30 miljoen euro.
Monet (1840-1926) schilderde het werk, 1,60 meter hoog en 1,80 breed, in 1924 en 1925, in de laatste jaren van zijn leven. Het schilderij komt uit de collectie van de familie Schlumberger en was nog nooit eerder publiekelijk vertoond. Tot voor kort was alleen een zwart-witfoto van het schilderij bekend.
Naast de Iris werden nog drie andere doeken van Monet in de veiling opgenomen, waaronder Saule Pleureur (Treurwilg), met een geschatte waarde van 9 tot 12 miljoen euro.
Bij een veiling van Christie's werden in Parijs ook twee schilderijen van de impressionist verkocht. Bord des falaises à Pourville bracht daar 12,7 miljoen euro op.
Op 5 december is het precies honderd jaar geleden dat Claude Monet overleed.
DEN HAAG (ANP) - De website van de Autoriteit Persoonsgegevens (AP) is weer bereikbaar. Woensdag werd deze offline gehaald als gevolg van kwetsbaarheden in programmeertaal PHP.
Woensdag kwam naar buiten dat PHP, waar veel websites op draaien, een kwetsbaarheid bevatte. Rond 16.00 uur werd daar een oplossing voor beschikbaar gesteld, een zogenoemde 'patch'. Uit voorzorg gingen veel websites die dag offline tot zij de patch konden installeren.
Ook de website van het Centraal Orgaan opvang asielzoekers (COA) is sinds donderdag weer in de lucht. De meeste websites van rijksoverheidsorganisaties waren woensdag wel gewoon bereikbaar.
For more than a year, marshalled by animator Andy Bailey, more than 1000 artists collaborated to create a hand-drawn, shot-for-shot, animated, flipbook version of Peter Jackson’s The Lord of the Rings: The Fellowship of the Ring. The entire three hours. 120,000 individually drawn pages. A couple of months ago, they released the first 11 minutes:
It’s pretty amazing. It doesn’t include the audio or music from the movie, but I bet you could mute the sound on this and simultaneously play the actual movie for the sound. Here’s an earlier sneak peek at some of the scenes:
This artist wrote about their participation in the project; they contributed 108 drawings that amounted to roughly 10 seconds of animation (and took 30-40 hours to do):
The first clip I claimed was a pretty iconic scene from the beginning of the movie. I chose to render it in pencil as it’s night time and I felt black and white would be more dramatic. As I worked through the frames, I did worry that the subtle variances in shading would make the clip look disjointed, but I think it adds a cool movement to the scene. There is that rough, quirky imperfection to hand drawing. You can see the final result with comparison below (digitized and compiled by Andy).
Here’s a clip of that scene:
I can’t wait to see the finished product — I hope they’re able to release it online.
Tags: animation · illustration · movies · remix · The Lord of the Rings · video

Texas has shut down the web portal for its automated construction permit filing system and suspended construction permits of 17 data center projects. The change came after 404 Media reported that a group of Texans discovered the state had continued to issue construction permits related to data centers despite Governor Greg Abbott calling for a pause in September.
On Monday, the watchdog groups FracTracker Alliance and Public Citizen published reports detailing more than two dozen permits issued to Texas data center projects. On Tuesday, the website for STEERS – an application filing system for construction projects run by the Texas Commission on Environmental Quality (TCEQ) – returned a 404 error.

By Wednesday, the site had this message on it: “TCEQ’s electronic filing application used for automatic authorizations has been temporarily shut down to ensure all applications are reviewed by agency staff to determine if they are related to data centers.”
Before TCEQ shut the portal down, 404 Media viewed 17 different permits related to data center projects and saw that they’d been moved from “active” to “suspended” in the TCEQ central registry.
“STEERS is a portal that TCEQ uses to rubber stamp construction approvals,” Sam Law, a researcher at FracTracker Alliance told 404 Media. “It seems like they forgot about it and the portal has been quietly issuing approvals since the governor’s order for a pause, including for OpenAI and Amazon this Monday and Tuesday.”
The 17 suspended permits are related to stormwater construction, an approval that allows construction companies to raise and level ground. It’s a key, and sometimes final, part of the approval process for any construction project in Texas.
“Now they’ve taken the unprecedented step of suspending 17 approvals and taking down the whole site as they switch to a more involved human review process,” Law said. “The irony is not lost on me. When fighting the AI data centers build out, it’s nice to have a clear example of how some work is better left to humans.”
Law said he reached out to TCEQ and didn’t hear anything from them. The commission also didn’t respond to 404 Media’s request for comment. “I am very concerned that since contractors are accustomed to this automated approval process, they might not be aware of the suspension and continuing construction at some of the largest hyperscale facilities in Texas,” Law said.