Kochelsee

Peter Kernwein posted a photo:

Kochelsee

Kochelsee

Peter Kernwein posted a photo:

Kochelsee

Kochelsee

Peter Kernwein posted a photo:

Kochelsee

Kochelsee

Peter Kernwein posted a photo:

Kochelsee

The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

Keegan Bradley targets Ryder Cup 2027 return as player after haunting captaincy stint

  • ‘It’s going to be really hard … but how fun would that be?’

  • Bradley is in field for this week’s PGA Championship

Keegan Bradley still reflects on the pain of captaining the United States to a home Ryder Cup defeat last year but says he would love to make the 2027 team as a player.

Bradley took full responsibility as his USA side endured a chastening first two days at Bethpage Black last September, slipping to a record 11.5-4.5 deficit, before a valiant fightback fell short.

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Slashdot

News for nerds, stuff that matters

Google Says Hackers Used AI To Create Zero Day Security Flaw For the First Time

Google says it has seen the first evidence of cybercriminals using AI to create a zero-day vulnerability. "Google reported its findings to the unnamed firm affected by the vulnerability before releasing its report," reports Politico. "The company then issued a patch to fix the issue." From the report: Google Threat Intelligence Group researchers detailed the development in a report released Monday. Zero-day exploits are considered the most serious type of security flaw because they are not detected by security companies and have no known fixes. The report noted that this was the first time Google had seen evidence of AI being used to develop these vulnerabilities -- marking a major change in the cybersecurity landscape, as it suggests newer AI models could be used to create major exploits, not just find them.

Google concluded that Anthropic's Claude Mythos model -- which has already found thousands of vulnerabilities across every major operating system and web browser -- was most likely not used to create the zero-day exploit. [...] The Google Threat Intelligence Group report also details efforts by Russia-linked hacking groups to use AI models to target Ukrainian networks with malware, while North Korean government hacking group APT45 used AI technologies to refine and scale up its cyber methods.

John Hultquist, chief analyst at Google Threat Intelligence Group, said the findings made clear that the race to use AI to find network vulnerabilities has "already begun."

"For every zero-day we can trace back to AI, there are probably many more out there," Hultquist said. "Threat actors are using AI to boost the speed, scale, and sophistication of their attacks."

Read more of this story at Slashdot.

Colossal

The best of art, craft, and visual culture since 2010.

Markus Brunetti’s Monumental Photos Venerate European Ecclesiastical Landmarks

Markus Brunetti’s Monumental Photos Venerate European Ecclesiastical Landmarks

For a little more than two decades, Bavarian photographer Markus Brunetti has scoured Europe for its most impressive basilicas, monasteries, duomi, and other striking ecclesiastical landmarks. Working closely with collaborator Betty Schöner, with whom he travels around the continent in a firetruck that has been converted to a photo lab, the pair snap thousands of images of each structure in meter-by-meter detail, often over the course of several years.

Through a meticulous editing process that includes layering and arranging each shot into composite images, Brunetti creates precise, high-resolution views of the facades that we never experience in real life. Perspective is skewed so that the ornate temples and cathedrals’ entrances are perfectly straight. Rather than the oblique view we usually get—think of how tall structures look when viewed from the street, with their base appearing wider and the top growing gradually narrower—we’re confronted with a striking one-point perspective.

A fine art photograph by Marcus Brunetti of the facade of the Cathedral of Santiago de Compostela
“Santiago de Compostela, Catedral” (2009-2024), archival pigment print, image 83 3/4 x 54 1/4 inches

Brunetti’s current solo exhibition, Facades IV at Yossi Milo, highlights a selection of the artist’s recent portraits, several of which were completed in the last couple of years. “Roma, Basilica di San Pietro,” for example, was initiated in 2007. “Brunetti and Schöner returned to St. Peter’s Basilica seven times over nineteen years,” the gallery says. “With each survey, they grew closer to realizing this grand image—a particular challenge given that it is one of the largest and most visited churches in the world.”

Printed at an impressively large scale—up to seven-and-a-half feet tall—the photos venerate these buildings, many of which are centuries old. “The result exceeds the possibilities of any single photograph, even at the highest possible resolution, creating works that stand as monuments in and of themselves,” the gallery says.

Facades IV continues through June 20 in New York City.

A fine art photograph by Marcus Brunetti of the facade of the Basilica di San Pietro in Rome
“Roma, Basilica di San Pietro” (2007-2026), archival pigment print, image 58 1/4 x 58 1/4 inches
A fine art photograph by Marcus Brunetti of the facade of an ornate temple in Bucharest
“Bucuresti, Templul Coral” (2018-2019), archival pigment print, image 66 1/8 x 54 5/16 inches
A fine art photograph by Marcus Brunetti of the facade of the Duomo Vecchio di San Corrado in Molfetta, Italy
“Molfetta, Duomo di San Corrado” (2011-2026), archival pigment print, image 66 1/8 x 54 5/16 inches
A fine art photograph by Marcus Brunetti of the facade of Notre-Dame Cathedral in Noyon, France
“Noyon, Cathédral Notre-Dame” (2018-2026), archival pigment print, image 83 3/4 x 54 1/4 inches
A fine art photograph by Marcus Brunetti of the facade of a historic church in Europe
“Badia Fiesolana, Fiesole” (2022-2025), archival pigment print, image 66 1/8 x 54 5/16 inches
A fine art photograph by Marcus Brunetti of the facade of a basilica
“L’Aquila, Basilica di San Bernardino” (2014-2026), archival pigment print, image 58 1/4 x 58 1/4 inches
A fine art photograph by Marcus Brunetti of a Venetian church facade
“Venezia, Il Redentore” (2012-2023), archival pigment print, image 83 3/4 x 54 1/4 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Markus Brunetti’s Monumental Photos Venerate European Ecclesiastical Landmarks appeared first on Colossal.

Wel.nl

Minder lezen, Meer weten.

Vliegtuig naar Engeland geland op Schiphol na noodmelding

AMSTERDAM (ANP) - Op Schiphol heeft een vliegtuig rond 20.50 uur een noodlanding gemaakt vanwege een medisch noodgeval aan boord. Dat meldt een woordvoerder van de luchthaven. Het toestel van Ryanair steeg op in Warschau, Polen en had in het Engelse Leeds moeten landen.

In het luchtruim boven de Nederlandse grens gaf het vliegtuig een noodmelding af. Het toestel is veilig geland op de Buitenveldertbaan. "Alle hulpdiensten zijn aanwezig", aldus de woordvoerder. Over de medische situatie en wat er met het toestel en de inzittenden gaat gebeuren, bestaat nog onduidelijkheid.


12 medewerkers Radboudumc preventief in quarantaine om hantavirus

NIJMEGEN (ANP) - Twaalf medewerkers van het Radboudumc, waar een patiënt met het hantavirus is opgenomen, gaan uit voorzorg in quarantaine voor zes weken. Er is gebleken dat de procedures rond de patiënt niet goed zijn gevolgd, meldt het Nijmeegse ziekenhuis.


Spaanse opvarende van Hondius test positief op hantavirus

MADRID (ANP) - Een van de veertien Spanjaarden die werden geëvacueerd van het cruiseschip m/v Hondius is positief getest op het hantavirus, meldt het Spaanse ministerie van Gezondheid. Die persoon vertoont geen symptomen en verkeert in goede conditie. De overige dertien evacués hebben negatief getest.