The Guardian

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‘It’s absolutely criminal’: US tipping culture has reached the UK – and is causing chaos

Service charges used to be a matter of choice, but now consumers feel obliged to pay them for even a cup of coffee. How do we navigate this minefield and who is really profiting?

In a London pub, Greg Double was brutally confronted with the reality of Britain’s evolving tipping culture. “I was annoyed about the pint being eight quid, but then when you put service on top, it’s absolutely criminal,” he says. In the past, you might have told the bar staff to keep the change or have a “drink” on you, but since when did we routinely tip in pubs? Or coffee shops? Or, worst of all, at self-service machines? Tip creep is happening.

Tipping was awkward enough in the UK when the general rule was 10% at a restaurant, plus anxiety about whether you should tip the hairdresser, babysitter or food-delivery driver. Now, with tipping suggested ever more frequently, US-style, it has become a minefield to Britons. The amounts edge higher – in fancier London restaurants, a 15% service charge is relatively commonplace. And it’s often asked for – in coffee shops for example, when you pay – before any service is delivered.

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‘A bit like meditation’: why Saw is my feelgood movie

The latest in our series of writers picking their go-to comfort films is a grimy and gory trip back to the start of a surprisingly uplifting torture porn franchise

I was petsitting recently for a white suburban family, with the typical streaming habits therein. They had two kids; their most-watched shows, according to the history that showed up on the screen, were Bluey for the kids and The Office for the adults. When they came home from their weeklong trip, they would’ve found their watch history upheaved. The Bingos and Michael Scotts all erased by Saw I, Saw II, Saw III, Saw IV, Saw V, Saw VI, Saw 3D, Saw Spiral, Saw Jigsaw and, finally, my new favourite, Saw X.

I was obsessed with the Saw franchise well before I ever saw it. At 11, as Jigsaw puppets became Halloween costumes, I went to bed each night convinced Jigsaw was going to scoop me up in a van because the word “hell”a popped into my head. By 13, I looked up every film on Wikipedia and read through each trap with terrified excitement. By 14, I drank my first can of Stella and typed Saw II into YouTube, watching it in 12 installments. It was utterly horrifying. And so, so, so much fun.

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Leica M11 + Summilux-M50mm ASPH

wing of kaz has added a photo to the pool:

Leica M11 + Summilux-M50mm ASPH

長崎県雲仙市、雲仙温泉神社 / Unzen Onsen Shrine, Unzen City, Nagasaki Prefecture

ABOVE & BELOW

ajpscs posted a photo:

ABOVE & BELOW

"Once you see it, you can't unsee it”

EXPOSE MORE
TOKYO DAY WALK
© ajpscs

Wel.nl

Minder lezen, Meer weten.

Dijkhoff: steun voor coronamaatregelen nam na verloop van tijd af

DEN HAAG (ANP) - De brede steun in de Tweede Kamer voor de coronamaatregelen van het kabinet nam af naarmate de pandemie langer duurde, stelde Klaas Dijkhoff tijdens zijn verhoor door de parlementaire enquêtecommissie corona. De toenmalige VVD-fractievoorzitter zei dat er eerst een gevoel was dat iedereen het kabinet moest steunen vanwege de ernst van het virus.

"Het was een soort rally around the flag", zei Dijkhoff over de eerste steun. "Maar als er ook nadelen zichtbaar worden, dan wordt het meer politiek." Ook kwamen na verloop van tijd vragen of alle geluiden uit de samenleving wel genoeg werden gehoord, zei de voormalige politicus.

In het begin van de pandemie waren er alleen maatregelen in Noord-Brabant, de thuisprovincie van Dijkhoff. "Ik moest toen eerst vanuit huis werken en ik merkte dat er vanuit Den Haag twijfel was over de ernst van het virus."

"Snel na carnaval hadden we door wat was aangericht door het feest gewoon door te laten gaan", zei de VVD'er. Tijdens het carnaval in 2020 werden in Noord-Brabant veel mensen besmet.


Europol: diefstal uit musea vaker met geweld

DEN HAAG (ANP) - Diefstallen uit musea worden steeds vaker met geweld gepleegd, schrijft Europol. De EU-politiedienst ziet daarnaast dat de daders het steeds vaker hebben gemunt op waardevolle voorwerpen zoals edelmetalen, edelstenen en cultureel erfgoed.

Europol wijst erop dat diefstallen uit musea doorgaans worden beschouwd als een niet-gewelddadige vorm van georganiseerde criminaliteit, maar dat nu steeds vaker sprake is van agressie. Uit recente rapporten van lidstaten en lopende onderzoeken blijkt dat voorhamers, bijlen, koevoeten en soms explosieven zijn gebruikt om musea binnen te dringen of vitrines open te krijgen.

Het Drents Museum wordt genoemd bij de voorbeelden van recente gewelddadige museumroven. Dieven drongen vorig jaar het museum in Assen binnen met behulp van explosieven en gingen ervandoor met Roemeense kunstschatten, zoals de inmiddels teruggevonden gouden helm van Coțofenești. Ook de spraakmakende diefstal in het Louvre in Parijs ging gepaard met geweld. De daders namen Franse kroonjuwelen ter waarde van 88 miljoen euro mee.

Antieke Chinese culturele objecten

Edelmetalen en -stenen waren de afgelopen twee jaar regelmatig doelwitten van diefstallen, een ontwikkeling die volgens Europol voornamelijk wordt gedreven door financiële overwegingen. Metalen zoals goud en zilver en juwelen met edelstenen zijn door hun gestegen waarde vermoedelijk "voorkeursdoelen".

Ook antieke Chinese culturele objecten waren in trek onder dieven. Volgens Europol is er veel vraag naar dit soort voorwerpen, waardoor ze vermoedelijk makkelijk kunnen worden verkocht. Zo werd het Keramiekmuseum Princessehof in Leeuwarden in 2023 het slachtoffer van een roof waarbij onder meer vazen en schotels uit China het doelwit waren. Het merendeel van deze werken kwam uit de 17e eeuw.


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VS beginnen ‘grootste financiële offensief ooit’ tegen Iran, stelt Amerikaanse minister in opiniestuk

The Moscow Times - Independent News From Russia

The Moscow Times offers everything you need to know about Russia: Breaking news, top stories, business, analysis, opinion, multimedia

Russian Government Proposes Tax Relief for Wildberries and Sellers After Drone Attacks

Finance Minister Anton Siluanov said the proposed measures include a deferral of taxes and insurance payments, as well as a freeze on tax audits.

Studentenhuisvester DUWO krijgt kritiek op het voornemen om hospiteren te beperken. Doen we al jaren, aldus SSH, gaat prima. 'Ontmoedigen of discriminatie is verboden'

Het voornemen van studentenhuisvester DUWO om zelf de hospitanten te selecteren bij vrijgekomen kamers, zorgt intussen al een jaar voor een scherpe discussie. Terwijl het vergelijkbare SSH al tientallen jaren een vergelijkbaar beleid toepast. „Alleen verenigingsleden vragen voor een hospiteeravond? Dat is bij de SSH absoluut niet toegestaan.”

The Register

Biting the hand that feeds IT — Enterprise Technology News and Analysis

Software should work, and talking about it needn't be boring

OPINION DVD is one of those technologies that dominated for barely a generation yet left a permanent cultural mark. It made high-quality video cheap enough for mass distribution, popularized the TV series boxed set, and encouraged its gluttonous consequence: binge viewing. Streaming and capacious storage have since pushed optical media toward irrelevance. There may no longer be a box, but the boxed-set mentality remains, and we still binge like Roman emperors. It is a genuinely new way of absorbing large quantities of information. Now it is time to recognize a further evolution: the bingeable tech conference. Streamed conferences are nothing new, but few reward being watched from beginning to end. They offer too many talks on too narrow a subject, too much marketing flimflam, or too much variation in quality. The Goldilocks zone of quality, range, relevance, and intelligence is rare, but worth seeking out. This July delivered a near-perfect example: Software Should Work 2026. The name supplies the plot arc. Software Should Work is about reliability in its broadest sense, because reliable software requires much more than making code that runs. It encompasses abstraction and formal methods, managing complexity, making the most of tools and processes, individual innovation, team culture, and the nuts and bolts of telling computers what to do. In just 13 videos, SSW creates a widescreen, high-definition, thought-provoking picture of the field today. You can watch them in a day, and once you start, you may not want to stop. It would be unseemly to give too many spoilers. In such a concise treatment of a multifaceted subject, the talks that grab you will depend on your own interests and experiences. Consider dependencies, part of the calculus of reliability. So far, so dry. But Richard Feldman's talk compares web stacks from 1996, 2006, and 2026, revealing what looks like an inexorable multiplication of abstractions and dependencies. He then compares eight contemporary language and runtime websites: TypeScript, Node.js, Python, Ruby, Rust, Zig, Go, and Roc. The result is one of the more illuminating graphs you'll see this year. Another thought-provoking contribution comes from Richard Hipp, creator of SQLite, one of the corest of the core technologies in everyday use. On its face, his account of how a codebase evolves in response to changing test methods sounds dry. It is also a personal journey, full of highs and lows, illustrating how reliability depends not only on the interplay between code and test design, but also on human motivation, creativity, flexibility, and doggedness. There is no shortage of technical detail either. This is why SSW 2026 works so well. Its speakers have deep experience of software reliability, but were free to choose their subjects. The resulting mix of opinions, experiences, and approaches ranges from the mathematics of formal analysis to the importance of daydreaming and the dangerous myth of the superhero engineer. Reports from the language wars, AI WTFery, and arguments over whether Nix partisanship is justified are all present, delivered by people working on the front lines. Most importantly, the conference explores the culture of reliability and what it means to say that software works. It feels like a proper symposium: an exchange of ideas about something that touches every part of the digital world yet is rarely considered as a whole. Commercial pressures can work against practitioners and customers alike, while the lack of a common language and agreed standards makes good practice harder to defend. Without reliability, everything falls apart. How to teach it, and where the discipline goes next, remain stubbornly difficult questions. SSW 2026 provides a splendid and much-needed focus on all of this. Its blend of narratives and subjects means there is always something you did not know you needed to see, accompanied by the pleasurable sense of time well spent. Curiosity is richly rewarded. If you see software reliability as an ongoing drama – and if you don't, how are you still here? – block out a bingeing window. Software should work, but so should conferences, and this one is well worth the popcorn. ®