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England v Australia: Women’s T20 Cricket World Cup final – live

“C’mon ICC!” Ora shouts from the stage. That is quite funny.


In February 2023, after Australia won their fourth consecutive world title, at Newlands, Beth Mooney was asked what advice she would give to a team who were trying to beat hers. She thought for a moment, then said: “Just don’t turn up. It’s too hard. Don’t bother going.” There can be no better summary of what England will be up against on Sunday when they face Australia in the final of the Women’s T20 World Cup at Lord’s.

Of course, other teams continued to turn up: South Africa triumphed over Australia in 2024’s semi-final, while India replicated the feat in the 50-over World Cup last year. But for a team with no silverware in their possession, Australia are pretty relaxed about life right now. On Thursday the team were spotted in the crowd at Wimbledon, Phoebe Litchfield leading an “Aussie, Aussie, Aussie” chant. They will know very well that they are massive favourites to spoil England’s party on Sunday, after a flawless run in the group stages and a hammering of West Indies in Tuesday’s semi-final.”

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Kazuki conducts Harmonium review – John Adams’ wild ride centres an elegant showcase of US composers

Symphony Hall, Birmingham
Adams’ maximal minimalism was framed by Copland’s Fanfare for the Common Man and Joan Tower’s parallel feminist statement, with Florence Price’s The Heart of A Woman adding a Broadway flourish

Orchestras have thrown themselves on this year’s anniversary of American Independence (or “Freedom 250” as the marketers are catchily dubbing it) with an eagerness born of a repertoire of big names and broad appeal. A year of Gershwin, Barber and Bernstein, Adams and Glass? Full halls all round. You can even throw in John Williams and Duke Ellington (just go easy on the Carter and Crumb) and you’re on to a winner. Just ask Kazuki Yamada and the audience of Friday night’s generously filled Symphony Hall.

Harmonium – John Adams’ 1980 landmark experiment in maximal minimalism – was the advertised centrepiece (and will travel down to the Proms with the CBSO later this month), but the framing was the curiosity here: conceived by Yamada as two facing musical panels.

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Shot by a robber, I was bleeding out on the way to hospital – and terrified the doctors would leave me to die

Jesús Piñero grew up with the sound of gunfire, but thought he would be safe on the bus taking him to his home in Caracas. Then a mugger came for his phone …

As he rushed up the stairs from the Palo Verde metro station and jumped into the camioneta (small bus) for the five-minute ride to his home in Caracas, Jesús Piñero’s head buzzed with projects and ideas. It was 25 March 2016, and Venezuela was in meltdown, but the 22-year-old was upbeat. Exam results, parties and family awaited after a day with friends shaking a tin on the street for money to buy lightbulbs for the university history department where – in a first for his working-class family – he was a promising student.

His white Blu phone – only $80 (£60) but his most expensive and valued possession – did not stop pinging. His mother, Elisa, was worried. “When are you getting home?” She had been messaging all afternoon. A cake was ready for his brother and sister, who had birthdays that week. The family was gathering. It was getting dark. Street crime was horrendous.

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Readers reply: Are there places on Earth where humans haven’t been?

The long-running series in which readers answer other readers’ questions takes a deep dive into the unknown and untrodden …

This week’s new question: Why put solar panels on green space when we could put them over car parks?

Are there places on Earth where humans haven’t been? And if so, why? Aaron Jones, New York

Send new questions to nq@theguardian.com.

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What’s Kylie’s favourite masking tape? How does Lena Dunham train pigs? It’s all out there – and I’m loving it | Emma Beddington

The more I learn about celebrities and their odd passions, the more encouraged I am. So much for AI drowning us in a flood of bland ‘tasteslop’

The internet, as we know, is now a depressing hellhole where everything is a terrifying shot of cortisol straight into the eyeballs or AI slop, interspersed with adverts for protein. So may I offer a recommendation for a modest corrective? It’s called Perfectly Imperfect.

It is a daily newsletter about stuff people like. That’s it; that’s the whole concept. The people in question are public figures, but only up to a point – the mostly US artists and musicians featured aren’t household names for a 51-year-old British woman (though there is the occasional megastar: Francis Ford Coppola likes Hawaiian shirts and halva; Kylie likes washi masking tape and fresh wasabi). Whoever is featured, their likes are deeply idiosyncratic and often unappealing: cracking your knuckles against your jaw; an unhinged cocktail comprising Aperol, milk, creamer and olives; a sporting self-help book or cold-calling people.

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The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more

Karlovy Vary film festival
The film-maker and critic traces a decade of documentaries, from the fall of the Berlin Wall to Michael Moore, via Klaus Barbie and The Wombles

The unmistakable film-making voice of documentary-maker and critic Mark Cousins is raised again, to educate, to intrigue, to challenge. His histories of the movies are invitations to a seance, a chance to participate in the kind of ecstatic trance or dream-state that Cousins himself goes into, almost free-associating from film to film but with an overarching but discreetly emphasised theme – or maybe motif – and always with something shrewd, pertinent and humane to say. I have never watched a Cousins film without feeling that I have learned something new, and so it has proved again.

At Karlovy Vary, he is presenting part of his monumental new The Story of Documentary Film, which comprises 16 hour-long chapters, and of these he is here giving us numbers Eight and Nine, about the 1980s. The first of these begins and ends at the site of Checkpoint Charlie on the Berlin Wall which came down at the end of the decade; Cousins subtitles this episode with a line from Robert Frost: “Something there is that doesn’t love a wall.” His theme here is empathy, surmounting the obstacle (or wall) of indifference or ignorance; and he talks about the films that questioned the existing order and which pulled away the bricks that caused the Soviet wall to collapse. The second part (chapter nine) is subtitled “detectives”, about the investigative documentaries that demanded answers, particularly to questions about the wartime past, by people like Marcel Ophuls, Claude Lanzmann and Michael Moore.

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Wel.nl

Minder lezen, Meer weten.

Deelauto, lease of koop: wanneer ben je echt goedkoper uit?

De showroom staat vol, maar steeds minder mensen kopen een auto op de klassieke manier. Private lease, auto-abonnementen en deelplatforms beloven gemak en flexibiliteit – maar onderaan de streep betaal je vaak vooral voor het risico dat je níet meer zelf wilt dragen.

Auto’s worden duurder, zeker nu elektrische modellen de norm moeten worden en de rente niet meer gratis is. Tegelijkertijd groeit het aanbod van constructies waarbij je niet meer een auto bezit, maar het gebruik ervan afneemt: private lease, flexibele auto-abonnementen en deelauto’s in de buurt. In de reclame klinkt dat als vrijheid, maar financieel zijn het vooral drie verschillende manieren om onzekerheid – over prijs, onderhoud en restwaarde – aan iemand anders uit te besteden.

Private lease is inmiddels mainstream: je betaalt een vast bedrag per maand voor een nieuwe auto, inclusief verzekering, onderhoud en vaak wegenbelasting. De keerzijde: je zit meestal vier of vijf jaar vast, met stevige boetes bij tussentijds stoppen en een BKR-registratie die je leencapaciteit verkleint. Auto-abonnementen zetten daar flexibiliteit tegenover: kortere looptijden, maandelijks opzegbaar, soms zelfs maandelijks kunnen wisselen van model. Maar die vrijheid zie je terug in de prijs per maand, die beduidend hoger ligt dan bij klassieke lease. Deelauto’s ten slotte lijken het goedkoopst – je betaalt alleen als je rijdt – maar zodra je structureel dagelijks rijdt, schiet de kilometerprijs snel door het dak.

De kernvraag is dus niet welke formule “het beste” is, maar hoeveel onzekerheid je bereid bent zelf te dragen. Wie weinig kilometers maakt, in de stad woont en vooral af en toe een auto nodig heeft, is rationeel beter af met deelplatforms, zelfs als het per rit duur aanvoelt. Wie juist dagelijks afhankelijk is van een auto en weinig cash heeft, koopt met private lease voorspelbaarheid: geen onverwachte garagekosten, wél een vaste hap uit het maandbudget en weinig speelruimte als je situatie verandert.

Op de achtergrond schuift het verdienmodel van de auto-industrie mee. Fabrikanten en aanbieders bewegen van eenmalige verkoop naar terugkerende abonnementen, net als bij streamingdiensten. De marges zitten niet langer alleen in de auto zelf, maar in langdurige contracten, extra kilometers en pakketten. De mooie belofte van “alleen betalen voor gebruik” verandert zo ongemerkt in een nieuw soort afhankelijkheid: niet meer van de auto, maar van het contract.

Wie de alternatieven wil vergelijken, moet dus minder naar de maandprijs kijken en meer naar de vraag: van wie is de auto eigenlijk nog – van jou, of van je abonnement?


Formule 1 houdt Portimão achter de hand als vervanger Abu Dhabi

SILVERSTONE (ANP/DPA) - De Formule 1 heeft het circuit van Portimão achter de hand als vervanger van de laatste grand prix van het seizoen in Abu Dhabi. Volgens de website the-race.com is het Portugese circuit kandidaat voor het geval de races in Qatar of Abu Dhabi op respectievelijk 29 november en 6 december niet door kunnen gaan in verband met de geopolitieke situatie in het Midden-Oosten.

Portimão stond voor het laatst in 2021 op de F1-kalender. Voor 2027 en 2028 keert de Grote Prijs van Portugal terug op de kalender.

De Formule 1 moest eerder dit jaar de races in Bahrein en Saudi-Arabië uitstellen door de oorlog in Iran. De races kunnen nog later in het seizoen worden ingehaald, meldde F1-baas Stefano Domenicali. Volgens de Britse tv-zender Sky Sports maakt de race in Bahrein daar de grootste kans op. Voor de zomerbreak eind juli moet dat bekend zijn.


Van der Poel tipt Pogačar voor tweede Touretappe

TARRAGONA (ANP) - Mathieu van der Poel denkt dat wereldkampioen Tadej Pogačar zondag de grootste kans heeft om de tweede etappe van de Tour de France te winnen. Voor zichzelf ziet de tweevoudig etappewinnaar in de heuvelachtige finale in Barcelona slechts een kleine kans weggelegd. "Maar als er een kansje is, probeer ik dat wel te pakken", zei de 31-jarige wielrenner van Alpecin-Premier Tech tegen aanwezige verslaggevers in de Catalaanse vertrekplaats Tarragona.

"Voor mij moet het een beetje een gesloten wedstrijd zijn, maar dat gebeurt niet meer zo vaak. Het is lastiger dan iedereen denkt, zeker met het weer en de stress die erbij komen kijken", aldus de nummer 11 van het klassement na de ploegentijdrit van zaterdag. Van der Poel denkt dat de top 10 van die eerste etappe zondag weer de gevaarlijkste mannen zijn. De finish ligt opnieuw op de Montjuïc.

Van der Poel droeg vorig jaar aan het begin van de Tour vier dagen de gele trui en hoopte dat deze editie te herhalen. Zijn achterstand op leider Jonas Vingegaard is 39 seconden.


Stroom rond Tilburg kort uitgezet om dreigende overbelasting

TILBURG (ANP) - Netbeheerder Enexis heeft zondag tegen het einde van de ochtend de stroom voor zo'n 18.000 klanten in en rond Tilburg kort afgeschakeld om te voorkomen dat het elektriciteitsnet daar overbelast zou raken. Dat bevestigt een woordvoerster van Enexis na berichtgeving door onder meer Omroep Brabant. Door de noodmaatregel zaten mensen zonder stroom.

Het is volgens de woordvoerster nog nooit eerder gebeurd dat Enexis huishoudens om deze reden zonder stroom liet zitten. "Overbelasting kan zorgen voor grotere en langdurige stroomuitval, dus je doet dan liever een deel uit om te voorkomen dat die overbelasting ervoor zorgt dat dingen kapotgaan", legt ze uit. Ze zegt dat de laatste klanten ruim een half uur na de ingreep weer elektriciteit hadden.

De zegsvrouw laat weten dat in de regio Tilburg zondag opeens heel veel elektriciteit werd verbruikt. De netbeheerder onderzoekt nog waarom. Er is volgens haar geen reden om te verwachten dat Enexis binnenkort nog een keer moet ingrijpen.


Behance Featured Projects

The latest projects featured on the Behance

Il Sole 24 Ore - Editorial illustrations 2026


During this year, I had the opportunity to work a series of illustrations for the Italian newspaper Il Sole 24 Ore. Here it is a selection of these editorial illustrations and covers for special issues.

Graham Barclay Wallis Lake Sydney Rock Oyster Farm - Work Deck - Little Street, Forster, NSW

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Graham Barclay Wallis Lake Sydney Rock Oyster Farm - Work Deck - Little Street, Forster, NSW

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Graham Barclay is a well-known figure in the Forster–Tuncurry (Wallis Lake) region of NSW, Australia, recognised for two quite different but locally iconic lives: elite water skiing in his youth and later building one of Australia’s largest oyster businesses at Little Street, Forster.

What follows is a consolidated biography drawn from local histories and the Barclay Oysters company record.

Early life and family background

Graham Barclay was born in Tuncurry, New South Wales, into a family already deeply involved in the local oyster industry.

His family connection to oysters goes back multiple generations:

His grandfather was involved in early Wallis Lake oyster leasing and management, working in the industry during its formative decades in the late 19th and early 20th centuries.
His father continued in oyster leases and local marine industry work, maintaining the family’s presence in the estuary economy.
The family’s oyster holdings and knowledge were eventually passed down to Graham, forming the foundation of what became the Barclay oyster business.

So while Graham is the public “name” on the business, the oyster connection is properly a three-generation Wallis Lake family lineage, not a single founder story.

Water skiing career (1950s–1960s)

Before oysters became his main focus, Graham Barclay was best known locally—and nationally—as a champion water skier and barefoot skiing pioneer.

Key points from his sporting career:

He originally played rugby league, but a serious knee injury ended that path.
He then turned to water skiing with guidance from Fred Williams, one of the sport’s foundational figures in Australia.
He trained intensively and rapidly rose through competitive ranks, winning:
Sydney Metropolitan Slalom title
NSW championship
Australian championship selection
He competed internationally at the World Championships in Milan, finishing third in the world in slalom skiing, one of Australia’s earliest world podium results in the sport.

He later became:

A respected coach and mentor in barefoot skiing
A key figure in the early Australian ski racing scene
Inducted into the Australian Water Ski Federation Hall of Fame (2017) for his contribution as both athlete and coach

A notable aspect of his sporting life is that he remained closely connected to Forster, often training and developing ski activity on Wallis Lake alongside local marine industries.

Transition into oysters and business growth

After stepping back from competitive skiing, Barclay returned fully to his family’s maritime roots.

His oyster business developed in stages:

He initially worked in or built up a related marine business (Graham Barclay Marine)
He then began acquiring oyster leases, including family transfers and purchases from retiring growers
A major expansion came when he purchased assets from a large coastal oyster operator in receivership, significantly scaling production
He consolidated these holdings into what became Graham Barclay Oysters, based at Little Street, Forster

Over time, the business grew into:

One of the largest Sydney Rock oyster producers in Australia
A vertically integrated operation (farming, depuration, grading, retail, and wholesale)
A major employer in the Forster–Tuncurry area
Later life and local standing

Graham Barclay is widely regarded in the region as a dual-legacy figure:

In sport: a pioneer of Australian competitive and barefoot water skiing
In industry: a major driver of modern oyster aquaculture on Wallis Lake

He is also closely associated with:

Coaching younger water skiers
Supporting local aquatic sport culture
Maintaining the Little Street waterfront oyster precinct as both an industry site and public-facing seafood outlet
In summary

Graham Barclay’s life is essentially two intertwined stories:

Water ski champion and coach – internationally competitive, part of Australia’s early elite skiing era
Oyster industry figure – third-generation Wallis Lake grower who expanded the family connection into a major national aquaculture business at Little Street

Barclay’s Oysters—more formally known today as Graham Barclay Oysters—is one of the defining waterfront industries of Little Street, Forster, on the Wallis Lake estuary in the Mid North Coast of New South Wales. Its history is tightly bound to the development of Forster itself, the evolution of Sydney Rock oyster farming, and the long-standing use of Wallis Lake as one of Australia’s most productive oyster-growing environments.

Origins: Wallis Lake oyster industry and early settlement

Oyster harvesting in the Forster–Tuncurry region predates the Barclay family business by many decades. From the late 19th century, European settlers and fishing families were already exploiting Wallis Lake’s rich estuarine environment for oysters, fish, and timber. Early maps and local records show Little Street emerging as part of the original waterfront settlement zone, where maritime industries naturally clustered along navigable channels.

By the late 1800s and early 1900s, oyster leasing systems were established across Wallis Lake, allowing families to develop semi-permanent oyster racks and depuration areas. This laid the foundation for the modern aquaculture industry that would later dominate the Little Street foreshore.

Formation of the Barclay oyster business (20th century)

The Barclay family established what would become a major commercial oyster enterprise during the mid-20th century. Over time, the operation consolidated around the Little Street waterfront site, taking advantage of direct access to Wallis Lake for farming, grading, depuration, and distribution.

By the second half of the 20th century, the business had become one of the largest producers of Sydney Rock oysters in Australia, evolving from a family-based aquaculture operation into a major regional seafood enterprise.

A local overview of the business notes it is a third-generation producer of Sydney Rock oysters, supplying both wholesale and direct-to-public markets.

Development into a major producer

As the business expanded, Barclay’s became closely associated with the reputation of Wallis Lake oysters, which are widely regarded as among Australia’s highest quality due to the lake’s clean tidal flushing and nutrient balance.

Key features of the modern operation included:

Large-scale oyster farming across Wallis Lake leases
On-site grading, cleaning, and distribution facilities at Little Street
Direct retail sales of fresh oysters to the public
Supply to restaurants and seafood wholesalers across NSW and beyond

The business grew into what is often described as one of Australia’s largest Sydney Rock oyster producers.

The Little Street working waterfront

The Little Street site is not just a shopfront—it is part of the Forster working waterfront, an area zoned and used for marine industries including oyster farming, boat servicing, and fisheries infrastructure. The Barclay operation occupies a key position along this channel-side industrial strip.

Historically, the site has included:

Oyster tray storage yards
Shucking and packing sheds
Depuration and grading areas
Boat access points for lake leases
Direct retail outlet facilities

It has remained one of the few places in Forster where visitors can directly observe a functioning oyster aquaculture operation.

Community role and cultural significance

Beyond its commercial importance, Barclay’s has become a well-known local institution in Forster. It has long been associated with community events, tourism, and regional identity, particularly the “eat oysters at the farm gate” experience that attracts visitors to Little Street.

The business has also been part of the broader cultural life of the town, with the waterfront sheds and oyster barges occasionally used for community events and celebrations.

Modern challenges and resilience

Like many aquaculture businesses, Barclay’s has faced environmental and operational challenges, including:

Flood events affecting Wallis Lake salinity and oyster growth
Industry-wide disease and water-quality pressures
Infrastructure losses from fires and storms in the broader oyster precinct (including recent severe fire incidents at the Little Street oyster sheds)

Despite these events, the business has remained operational and continues to play a major role in NSW oyster production.

Today

Today, Graham Barclay Oysters remains:

A major producer of Sydney Rock Oysters (Saccostrea glomerata)
A direct-to-public seafood retailer
A cornerstone business of the Little Street waterfront precinct
One of the most recognised oyster brands in Australia

It continues a lineage that connects early Wallis Lake oyster gathering, mid-20th century family aquaculture, and modern industrial-scale oyster farming—all anchored in the same stretch of Forster shoreline.
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Digital Photography School

Digital Photography Tips and Tutorials

The Secret Lives of Camera Bags

The post The Secret Lives of Camera Bags appeared first on Digital Photography School. It was authored by Sime.

I own several camera bags, and I’m increasingly convinced they gossip when I’m not looking.

The sling bag thinks it’s adventurous because it once visited Iceland. The roller case won’t stop mentioning airports. The backpack believes it’s carrying the entire weight of modern photography despite containing three lenses, two muesli bars from 2023, and approximately seventeen lens caps that fit nothing.

If camera bags could talk, mine would probably stage an intervention. “Simon,” they’d say, “you’re taking six lenses to photograph your 12yo son’s football game. Perhaps… maybe… calm down.”

The Secret Lives of Camera Bags

I’m pretty fortunate when it comes to camera bags, I’ve worked with/for a camera bag company now for about 16 years and I have many! Gotta love options, but because I have those options, the one thing I do consistently is overpack! “Just take a bigger bag!”

There are scenarios when you have NO clue what you’re going to need, so you tend to pack in everything you own, but then, as per my example above, I’ve photographed my kid’s football for many years now and I know what I’ll use, but still pack more than I need.

What is it about photographers that makes them overpack?

Q. Do you tend to over pack your camera bag when it comes to photography gear, or are you in the “only what I need” camp? Let me know in the comments!

NOW, speaking of over-packing, let’s touch on the “look after your body!” side of shooting, because that certainly relates to having too much weight on the one shoulder (pack evenly, if it’s too heavy, use a backpack) This post from Suzi is still very relevant.

If you have self-care tips as a photographer, leave ’em in the comments!

Hope you had a fun 4th of July.

The post The Secret Lives of Camera Bags appeared first on Digital Photography School. It was authored by Sime.

Rijnmond - Nieuws

Het laatste nieuws van vandaag over Rotterdam, Feyenoord, het verkeer en het weer in de regio Rijnmond

Hard en spectaculair: Rotterdamse vrouwen beuken erop los bij deze bijzondere sport

Met een flinke klap wordt Ashley Ramsey door haar Tsjechische tegenstander tegen de boarding gebeukt. De helm van de speelster knalt tegen de doorzichtige plastic omheining. Ze zakt even door haar knieën, schudt wat met haar hoofd, pakt haar stick weer op. En door! Dit is box lacrosse.

VK: Voorpagina

Volkskrant.nl biedt het laatste nieuws, opinie en achtergronden

Ongemakkelijk: Madonna begrijpt de grapjes van Graham Norton niet

Wacht Gulpener hetzelfde lot als eerder Brand? Gulpen is er niet gerust op

‘Zeg jij ‘hun hebben’? Dan profileer je jezelf als een coole, stoute, wat non-conformistische jongen’

Regionale en etnische accenten blijken altijd vooroordelen te triggeren. Geen Nederlander die daar immuun voor is.