Colossal

The best of art, craft, and visual culture since 2010.

Women Sport Puffer Coats in Bold Baroque Portraits by Nieves González

Women Sport Puffer Coats in Bold Baroque Portraits by Nieves González

“Spain has an extraordinary, unbroken creative tradition: art, literature, music, research,” says Nieves González. From 16th-century portraitist El Greco to Baroque painters like Diego Velázquez and Bartolomé Murillo, the nation’s art history brims with narrative and intrigue. In the 17th century especially, dramatic contrasts of light and shadow influenced by Italian painter Caravaggio met movement, emotion, and religiosity to create theatrical tableaux.

For González, this legacy informs a painting practice that merges past and present. “Creating isn’t something we do. It’s something we are,” the artist says in a statement. “And I come from that; I carry it in my body.” Her expressive oil compositions draw upon aristocratic portraits and religious paintings, centering the focus on beautiful women who wear contemporary parkas and puffer coats.

a painting in the style of a historical oil portrait of a beautiful woman with very long, red hair wearing a long white puffer coat while children attend to her hair with flowers
“Beati coloro che danzano all’alba del giorno” (2025), oil on linen, 116 x 97 centimeters

It would be remiss not to mention the AI-generated meme of Pope Francis wearing a giant white puffer coat, which swept across the internet in 2023 and appeared so realistic that it initially fooled many into thinking it was real. The stir was not only about the perils of the technology and deepfakes but also that the image itself was so jarring. The papacy originated approximately 2,000 years ago and is steeped in specific customs, rituals, and visuals, so to imagine the pope wearing something so modern felt out of sync with time and tradition.

This asynchronous tension is what González latches onto, albeit in a somewhat more tender, considerate way. She merges art historical tropes with an emphasis on women protagonists and garments that reflect style trends distinctive to the late 20th and 21st centuries. With demure expressions, vivid outfits, and direct gazes, the figures central in her paintings buck the norm.

“I’ve never tried to separate the cultured from the popular or the historical from the contemporary,” the artist says. “What interests me is precisely that these references speak to one another and generate something alive, not a nostalgic image of the past but something with a pulse today…But what ties all those layers together, if I had to name just one thing, is a search for humanity and emotion within the image. That whoever looks at the painting feels something real. That’s what matters to me.”

A few of the works seen here are currently on view in the artist’s solo exhibition, A Friendship Story, which continues through July 25 at Richard Heller Gallery in Santa Monica. See more on the artist’s Instagram. You might also enjoy Ewa Juszkiewicz’s reimagined historical portraits of women.

a painting in the style of a historical oil portrait of two beautiful women wearing green and pink furry coats on the back of a rearing horse
“The runaway I” (2026), oil on canvas, 195 x 150 centimeters. Image courtesy of the artist and Richard Heller Gallery, Santa Monica
“For Each Other III” (2026), oil on canvas, 40 x 50 centimeters. Image courtesy of the artist and Richard Heller Gallery, Santa Monica
a painting in the style of a historical oil portrait of a beautiful Black woman wearing a red puffer coat
“La Perla” (2026), oil on canvas, 70 x 50 centimeters
a painting in the style of a historical oil portrait of a beautiful woman wearing a leopard print and black puffer coat
“La Santa y la Fiera” (2025), oil on canvas, 81 x 61 inches
a painting in the style of a historical oil portrait of a beautiful woman wearing a long, blue puffer coat
“El gato negro” (2025), oil on canvas, 116 x 81 centimeters
a painting in the style of a historical oil portrait of a beautiful woman wearing a long, gold puffer coat
“Equinox” (2025), oil on canvas, 116 x 81 centimeters
a painting in the style of a historical oil portrait of two beautiful women wearing green and pink furry coats, each holding a version of the other's head in her hands
“Something’s crossed over in me and I can’t go back” (2026), oil on canvas, 150 x 130 centimeters. Image courtesy of the artist and Richard Heller Gallery, Santa Monica
a painting in the style of a historical oil portrait of a beautiful red-haired woman wearing a dark green puffer coat
“Quiteria” (2026), oil on canvas, 116 x 81 centimeters
a painting in the style of a historical oil portrait of a beautiful woman wearing an orange and gold puffer coat
“La santa y el Verso” (2025), oil on canvas, 81 x 60 centimeters

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Women Sport Puffer Coats in Bold Baroque Portraits by Nieves González appeared first on Colossal.

The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

Pioneer of ‘extreme male brain’ theory of autism now says phrase unhelpful

Exclusive: Prof Simon Baron-Cohen says his language was misunderstood and it is a myth that autistic people lack empathy

The scientist who pioneered the “extreme male brain” theory of autism has said he regrets characterising the condition in this way because the phrase lends itself to misunderstandings.

Prof Simon Baron-Cohen’s theory that autistic people tend strongly towards systemising over empathising has been hugely influential in shaping the popular perception of autism over the past two decades. The underlying science had stood the test of time, but he said he now views the “extreme male brain” label as unhelpful.

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World Cup schedule today: How to watch, TV channels & live stream

The Estadio Azteca is the quintessential World Cup venue and one of the most formidable away days in soccer. Mexico’s record there could hardly be any stronger, losing just two competitive matches at the mythical stadium in 57 years. El Tri’s home advantage is a real thing.

England have the talent to leave Mexico City with a place in the World Cup quarter-finals. However, Thomas Tuchel’s team must reach a level that has evaded them at the tournament so far. Harry Kane can’t dig them out of every hole, as he did in the comeback win over DR Congo.

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‘In stories like this, the data and the methodology are key’: when private equity meets public service journalism

A team from across the Guardian set out to investigate the full extent of private equity’s stake in Britain’s public and essential services. The scale and opacity posed many challenges

When Carmen Aguilar García began investigating the involvement of private equity firms in England’s childcare sector with her fellow data journalists three years ago, she didn’t imagine her efforts would one day be scaled up to examine private equity’s role in the entire UK economy. That ambitious undertaking by Carmen and colleagues from across the Guardian was published earlier this week.

“The initial investigation into the childcare sector in 2023 was already challenging and a big team effort,” says Carmen, a data projects editor at the Guardian. “Extrapolating it to the whole economy did not seem realistic back then.”

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British Grand Prix: Formula One – live updates

️ Main race begins at 3pm (BST) at Silverstone
Antonelli claims pole after sprint race win | Email John

Pierre Gasly has dropped three places after a grid penalty for impeding the Aston Martin of Lance Stroll in qualifying.

Gasly will now start 15 on the grid, Audi’s Nico Hulkenberg at 12, Ollie Bearman to 13 and Carlos Sainz’s Williams to P14.

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England v Australia: Women’s T20 Cricket World Cup final – live

“C’mon ICC!” Ora shouts from the stage. That is quite funny.


In February 2023, after Australia won their fourth consecutive world title, at Newlands, Beth Mooney was asked what advice she would give to a team who were trying to beat hers. She thought for a moment, then said: “Just don’t turn up. It’s too hard. Don’t bother going.” There can be no better summary of what England will be up against on Sunday when they face Australia in the final of the Women’s T20 World Cup at Lord’s.

Of course, other teams continued to turn up: South Africa triumphed over Australia in 2024’s semi-final, while India replicated the feat in the 50-over World Cup last year. But for a team with no silverware in their possession, Australia are pretty relaxed about life right now. On Thursday the team were spotted in the crowd at Wimbledon, Phoebe Litchfield leading an “Aussie, Aussie, Aussie” chant. They will know very well that they are massive favourites to spoil England’s party on Sunday, after a flawless run in the group stages and a hammering of West Indies in Tuesday’s semi-final.”

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Kazuki conducts Harmonium review – John Adams’ wild ride centres an elegant showcase of US composers

Symphony Hall, Birmingham
Adams’ maximal minimalism was framed by Copland’s Fanfare for the Common Man and Joan Tower’s parallel feminist statement, with Florence Price’s The Heart of A Woman adding a Broadway flourish

Orchestras have thrown themselves on this year’s anniversary of American Independence (or “Freedom 250” as the marketers are catchily dubbing it) with an eagerness born of a repertoire of big names and broad appeal. A year of Gershwin, Barber and Bernstein, Adams and Glass? Full halls all round. You can even throw in John Williams and Duke Ellington (just go easy on the Carter and Crumb) and you’re on to a winner. Just ask Kazuki Yamada and the audience of Friday night’s generously filled Symphony Hall.

Harmonium – John Adams’ 1980 landmark experiment in maximal minimalism – was the advertised centrepiece (and will travel down to the Proms with the CBSO later this month), but the framing was the curiosity here: conceived by Yamada as two facing musical panels.

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MetaFilter

The past 24 hours of MetaFilter

"From the Desert, to the Shore, French Algiers Became No More!"

In the sprit of not letting your enemy define you, let's celebrate the the 64th anniversary of the independence of Algeria: "De Gaulle pronounced Algeria an independent country on 3 July. The Provisional Executive, however, proclaimed 5 July, the 132nd anniversary of the French entry into Algeria, as the day of national independence."

Why not watch The Battle of Algiers on youtube, join the discussion on FanFare and support your local anti-imperialist struggles? The world won't win itself on its own!

De Speld

Uw vaste prik voor betrouwbaar nieuws.

Archeologen vinden overblijfselen van vriend die eerste kwartier op festival was kwijtgeraakt

​Archeologen stuitten op een bijzondere ontdekking op de Veluwe vandaag. De wetenschappers vonden in hun zoektocht naar fossielen de overblijfselen van iemand die waarschijnlijk Rutger van 26 is en die in het eerste kwartier op een festival in juni van het jaar 221 na Christus was kwijtgeraakt.

De groep archeologen wist gelijk dat het om een festivalganger ging omdat zij een koperen festivalmuntje vonden en een herbruikbare stenen beker die in die tijd veelal gebruikt werden om afval op festivals tegen te gaan. “We hebben botonderzoek uitgevoerd bij de persoon en bodemonderzoek in de omgeving. Daaruit konden we uitlezen dat er een dixie in de buurt heeft gestaan. Als je alle puzzelstukjes dan naast elkaar legt, hebben we hele sterke aanwijzingen dat dit de vriend is die even is gaan plassen, is verdwaald en de groep nooit meer heeft teruggevonden.”

Om wat voor festival het precies gaat, hebben de archeologen nog niet weten te achterhalen. De mainstage is nog niet gevonden.

&


VK: Voorpagina

Volkskrant.nl biedt het laatste nieuws, opinie en achtergronden

Veiligheid en natuur vragen om dezelfde aanpak voor de Noordzee

Veiligheid was nooit een probleem tijdens het WK in Mexico, door een enorme politieoperatie

Rond het WK voetbal zette de Mexicaanse regering tienduizenden agenten en militairen in om de drie speelsteden te bewaken. Na de wedstrijd Mexico-Engeland van vannacht wordt het WK voortgezet op Amerikaanse bodem. Het is de vraag of die Mexicaanse steden even veilig blijven als tijdens het toernooi.

LIVE! Batterijenbattle op het Britse Silverstone

verstappen op silverstone

Het was tijdens de Sprint op Silverstone weer goed te zien hoe het racen dit seizoen in het slechtste geval gaat: KUDT. Leken de coureurs vorige week nog enigszins te kunnen verdedigen tijdens inhaalacties, op Silverstone bleek dat schier onmogelijk. Verrie set, zoals ze in Engeland zeggen. Maar hee, straks wordt alles anders en beter als de F1 op Videoland wordt uitgezonden. Toch zullen we Viaplay ontzettend missen, daarom genieten we de komende tijd nog even extra van alle haperingen, kletskoek en reclames tijdens races. We waren er inmmers aan verknocht geraakt. Goed genoeg getreurd. Stijlloze voorspelbare voorspelling voor de race op SIlverstone, de kathedraal van de motorsport: Kimikoning Antonelli wint. Onze zieltogende Verstappen eindigt op P6. Klaar voor de start van de Battery Battle in Britain? Een laatste blik op Amber Brantsen en dan: GAAN.

Update - Ho daar was het al bijna klaar voor Alonso, kan gelukkig door via de pits.
Update - Nou de Ferrari's op kop en de Red Bulls ook aardig weg. 
Update - Penalty van 5 sec voor Hamilton voor een VALSE START.
Update - Verstappen pakt Russell en gaat naar P4 en PIT NU. Toch weer een verrassend strategie van Red bull. En Hamilton heeft nog een penalty.
Update - Verstappen nu virtueel P3.

We gooien hem er maar weer in

Wel.nl

Minder lezen, Meer weten.

Deelauto, lease of koop: wanneer ben je echt goedkoper uit?

De showroom staat vol, maar steeds minder mensen kopen een auto op de klassieke manier. Private lease, auto-abonnementen en deelplatforms beloven gemak en flexibiliteit – maar onderaan de streep betaal je vaak vooral voor het risico dat je níet meer zelf wilt dragen.

Auto’s worden duurder, zeker nu elektrische modellen de norm moeten worden en de rente niet meer gratis is. Tegelijkertijd groeit het aanbod van constructies waarbij je niet meer een auto bezit, maar het gebruik ervan afneemt: private lease, flexibele auto-abonnementen en deelauto’s in de buurt. In de reclame klinkt dat als vrijheid, maar financieel zijn het vooral drie verschillende manieren om onzekerheid – over prijs, onderhoud en restwaarde – aan iemand anders uit te besteden.

Private lease is inmiddels mainstream: je betaalt een vast bedrag per maand voor een nieuwe auto, inclusief verzekering, onderhoud en vaak wegenbelasting. De keerzijde: je zit meestal vier of vijf jaar vast, met stevige boetes bij tussentijds stoppen en een BKR-registratie die je leencapaciteit verkleint. Auto-abonnementen zetten daar flexibiliteit tegenover: kortere looptijden, maandelijks opzegbaar, soms zelfs maandelijks kunnen wisselen van model. Maar die vrijheid zie je terug in de prijs per maand, die beduidend hoger ligt dan bij klassieke lease. Deelauto’s ten slotte lijken het goedkoopst – je betaalt alleen als je rijdt – maar zodra je structureel dagelijks rijdt, schiet de kilometerprijs snel door het dak.

De kernvraag is dus niet welke formule “het beste” is, maar hoeveel onzekerheid je bereid bent zelf te dragen. Wie weinig kilometers maakt, in de stad woont en vooral af en toe een auto nodig heeft, is rationeel beter af met deelplatforms, zelfs als het per rit duur aanvoelt. Wie juist dagelijks afhankelijk is van een auto en weinig cash heeft, koopt met private lease voorspelbaarheid: geen onverwachte garagekosten, wél een vaste hap uit het maandbudget en weinig speelruimte als je situatie verandert.

Op de achtergrond schuift het verdienmodel van de auto-industrie mee. Fabrikanten en aanbieders bewegen van eenmalige verkoop naar terugkerende abonnementen, net als bij streamingdiensten. De marges zitten niet langer alleen in de auto zelf, maar in langdurige contracten, extra kilometers en pakketten. De mooie belofte van “alleen betalen voor gebruik” verandert zo ongemerkt in een nieuw soort afhankelijkheid: niet meer van de auto, maar van het contract.

Wie de alternatieven wil vergelijken, moet dus minder naar de maandprijs kijken en meer naar de vraag: van wie is de auto eigenlijk nog – van jou, of van je abonnement?


Formule 1 houdt Portimão achter de hand als vervanger Abu Dhabi

SILVERSTONE (ANP/DPA) - De Formule 1 heeft het circuit van Portimão achter de hand als vervanger van de laatste grand prix van het seizoen in Abu Dhabi. Volgens de website the-race.com is het Portugese circuit kandidaat voor het geval de races in Qatar of Abu Dhabi op respectievelijk 29 november en 6 december niet door kunnen gaan in verband met de geopolitieke situatie in het Midden-Oosten.

Portimão stond voor het laatst in 2021 op de F1-kalender. Voor 2027 en 2028 keert de Grote Prijs van Portugal terug op de kalender.

De Formule 1 moest eerder dit jaar de races in Bahrein en Saudi-Arabië uitstellen door de oorlog in Iran. De races kunnen nog later in het seizoen worden ingehaald, meldde F1-baas Stefano Domenicali. Volgens de Britse tv-zender Sky Sports maakt de race in Bahrein daar de grootste kans op. Voor de zomerbreak eind juli moet dat bekend zijn.


Behance Featured Projects

The latest projects featured on the Behance

Il Sole 24 Ore - Editorial illustrations 2026


During this year, I had the opportunity to work a series of illustrations for the Italian newspaper Il Sole 24 Ore. Here it is a selection of these editorial illustrations and covers for special issues.

Graham Barclay Wallis Lake Sydney Rock Oyster Farm - Work Deck - Little Street, Forster, NSW

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Graham Barclay Wallis Lake Sydney Rock Oyster Farm - Work Deck - Little Street, Forster, NSW

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Graham Barclay is a well-known figure in the Forster–Tuncurry (Wallis Lake) region of NSW, Australia, recognised for two quite different but locally iconic lives: elite water skiing in his youth and later building one of Australia’s largest oyster businesses at Little Street, Forster.

What follows is a consolidated biography drawn from local histories and the Barclay Oysters company record.

Early life and family background

Graham Barclay was born in Tuncurry, New South Wales, into a family already deeply involved in the local oyster industry.

His family connection to oysters goes back multiple generations:

His grandfather was involved in early Wallis Lake oyster leasing and management, working in the industry during its formative decades in the late 19th and early 20th centuries.
His father continued in oyster leases and local marine industry work, maintaining the family’s presence in the estuary economy.
The family’s oyster holdings and knowledge were eventually passed down to Graham, forming the foundation of what became the Barclay oyster business.

So while Graham is the public “name” on the business, the oyster connection is properly a three-generation Wallis Lake family lineage, not a single founder story.

Water skiing career (1950s–1960s)

Before oysters became his main focus, Graham Barclay was best known locally—and nationally—as a champion water skier and barefoot skiing pioneer.

Key points from his sporting career:

He originally played rugby league, but a serious knee injury ended that path.
He then turned to water skiing with guidance from Fred Williams, one of the sport’s foundational figures in Australia.
He trained intensively and rapidly rose through competitive ranks, winning:
Sydney Metropolitan Slalom title
NSW championship
Australian championship selection
He competed internationally at the World Championships in Milan, finishing third in the world in slalom skiing, one of Australia’s earliest world podium results in the sport.

He later became:

A respected coach and mentor in barefoot skiing
A key figure in the early Australian ski racing scene
Inducted into the Australian Water Ski Federation Hall of Fame (2017) for his contribution as both athlete and coach

A notable aspect of his sporting life is that he remained closely connected to Forster, often training and developing ski activity on Wallis Lake alongside local marine industries.

Transition into oysters and business growth

After stepping back from competitive skiing, Barclay returned fully to his family’s maritime roots.

His oyster business developed in stages:

He initially worked in or built up a related marine business (Graham Barclay Marine)
He then began acquiring oyster leases, including family transfers and purchases from retiring growers
A major expansion came when he purchased assets from a large coastal oyster operator in receivership, significantly scaling production
He consolidated these holdings into what became Graham Barclay Oysters, based at Little Street, Forster

Over time, the business grew into:

One of the largest Sydney Rock oyster producers in Australia
A vertically integrated operation (farming, depuration, grading, retail, and wholesale)
A major employer in the Forster–Tuncurry area
Later life and local standing

Graham Barclay is widely regarded in the region as a dual-legacy figure:

In sport: a pioneer of Australian competitive and barefoot water skiing
In industry: a major driver of modern oyster aquaculture on Wallis Lake

He is also closely associated with:

Coaching younger water skiers
Supporting local aquatic sport culture
Maintaining the Little Street waterfront oyster precinct as both an industry site and public-facing seafood outlet
In summary

Graham Barclay’s life is essentially two intertwined stories:

Water ski champion and coach – internationally competitive, part of Australia’s early elite skiing era
Oyster industry figure – third-generation Wallis Lake grower who expanded the family connection into a major national aquaculture business at Little Street

Barclay’s Oysters—more formally known today as Graham Barclay Oysters—is one of the defining waterfront industries of Little Street, Forster, on the Wallis Lake estuary in the Mid North Coast of New South Wales. Its history is tightly bound to the development of Forster itself, the evolution of Sydney Rock oyster farming, and the long-standing use of Wallis Lake as one of Australia’s most productive oyster-growing environments.

Origins: Wallis Lake oyster industry and early settlement

Oyster harvesting in the Forster–Tuncurry region predates the Barclay family business by many decades. From the late 19th century, European settlers and fishing families were already exploiting Wallis Lake’s rich estuarine environment for oysters, fish, and timber. Early maps and local records show Little Street emerging as part of the original waterfront settlement zone, where maritime industries naturally clustered along navigable channels.

By the late 1800s and early 1900s, oyster leasing systems were established across Wallis Lake, allowing families to develop semi-permanent oyster racks and depuration areas. This laid the foundation for the modern aquaculture industry that would later dominate the Little Street foreshore.

Formation of the Barclay oyster business (20th century)

The Barclay family established what would become a major commercial oyster enterprise during the mid-20th century. Over time, the operation consolidated around the Little Street waterfront site, taking advantage of direct access to Wallis Lake for farming, grading, depuration, and distribution.

By the second half of the 20th century, the business had become one of the largest producers of Sydney Rock oysters in Australia, evolving from a family-based aquaculture operation into a major regional seafood enterprise.

A local overview of the business notes it is a third-generation producer of Sydney Rock oysters, supplying both wholesale and direct-to-public markets.

Development into a major producer

As the business expanded, Barclay’s became closely associated with the reputation of Wallis Lake oysters, which are widely regarded as among Australia’s highest quality due to the lake’s clean tidal flushing and nutrient balance.

Key features of the modern operation included:

Large-scale oyster farming across Wallis Lake leases
On-site grading, cleaning, and distribution facilities at Little Street
Direct retail sales of fresh oysters to the public
Supply to restaurants and seafood wholesalers across NSW and beyond

The business grew into what is often described as one of Australia’s largest Sydney Rock oyster producers.

The Little Street working waterfront

The Little Street site is not just a shopfront—it is part of the Forster working waterfront, an area zoned and used for marine industries including oyster farming, boat servicing, and fisheries infrastructure. The Barclay operation occupies a key position along this channel-side industrial strip.

Historically, the site has included:

Oyster tray storage yards
Shucking and packing sheds
Depuration and grading areas
Boat access points for lake leases
Direct retail outlet facilities

It has remained one of the few places in Forster where visitors can directly observe a functioning oyster aquaculture operation.

Community role and cultural significance

Beyond its commercial importance, Barclay’s has become a well-known local institution in Forster. It has long been associated with community events, tourism, and regional identity, particularly the “eat oysters at the farm gate” experience that attracts visitors to Little Street.

The business has also been part of the broader cultural life of the town, with the waterfront sheds and oyster barges occasionally used for community events and celebrations.

Modern challenges and resilience

Like many aquaculture businesses, Barclay’s has faced environmental and operational challenges, including:

Flood events affecting Wallis Lake salinity and oyster growth
Industry-wide disease and water-quality pressures
Infrastructure losses from fires and storms in the broader oyster precinct (including recent severe fire incidents at the Little Street oyster sheds)

Despite these events, the business has remained operational and continues to play a major role in NSW oyster production.

Today

Today, Graham Barclay Oysters remains:

A major producer of Sydney Rock Oysters (Saccostrea glomerata)
A direct-to-public seafood retailer
A cornerstone business of the Little Street waterfront precinct
One of the most recognised oyster brands in Australia

It continues a lineage that connects early Wallis Lake oyster gathering, mid-20th century family aquaculture, and modern industrial-scale oyster farming—all anchored in the same stretch of Forster shoreline.
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Digital Photography School

Digital Photography Tips and Tutorials

The Secret Lives of Camera Bags

The post The Secret Lives of Camera Bags appeared first on Digital Photography School. It was authored by Sime.

I own several camera bags, and I’m increasingly convinced they gossip when I’m not looking.

The sling bag thinks it’s adventurous because it once visited Iceland. The roller case won’t stop mentioning airports. The backpack believes it’s carrying the entire weight of modern photography despite containing three lenses, two muesli bars from 2023, and approximately seventeen lens caps that fit nothing.

If camera bags could talk, mine would probably stage an intervention. “Simon,” they’d say, “you’re taking six lenses to photograph your 12yo son’s football game. Perhaps… maybe… calm down.”

The Secret Lives of Camera Bags

I’m pretty fortunate when it comes to camera bags, I’ve worked with/for a camera bag company now for about 16 years and I have many! Gotta love options, but because I have those options, the one thing I do consistently is overpack! “Just take a bigger bag!”

There are scenarios when you have NO clue what you’re going to need, so you tend to pack in everything you own, but then, as per my example above, I’ve photographed my kid’s football for many years now and I know what I’ll use, but still pack more than I need.

What is it about photographers that makes them overpack?

Q. Do you tend to over pack your camera bag when it comes to photography gear, or are you in the “only what I need” camp? Let me know in the comments!

NOW, speaking of over-packing, let’s touch on the “look after your body!” side of shooting, because that certainly relates to having too much weight on the one shoulder (pack evenly, if it’s too heavy, use a backpack) This post from Suzi is still very relevant.

If you have self-care tips as a photographer, leave ’em in the comments!

Hope you had a fun 4th of July.

The post The Secret Lives of Camera Bags appeared first on Digital Photography School. It was authored by Sime.

Rijnmond - Nieuws

Het laatste nieuws van vandaag over Rotterdam, Feyenoord, het verkeer en het weer in de regio Rijnmond

Hard en spectaculair: Rotterdamse vrouwen beuken erop los bij deze bijzondere sport

Met een flinke klap wordt Ashley Ramsey door haar Tsjechische tegenstander tegen de boarding gebeukt. De helm van de speelster knalt tegen de doorzichtige plastic omheining. Ze zakt even door haar knieën, schudt wat met haar hoofd, pakt haar stick weer op. En door! Dit is box lacrosse.