"A story widely accused on social media of being written using AI has gone on to win the overall Commonwealth short story prize," reports the Guardian.
In mid-May the story had been selected as a regional winner, but with critics on X and Bluesky "claiming it showed 'obvious markers' of AI use."
In the wake of the controversy, the Commonwealth Foundation conducted a review of the regional winners, which it said involved looking at drafts, time-stamped documents and notes. "We are satisfied with the testimonies of our writers and their confirmation that AI was not used in their writing," said foundation director-general Razmi Farook... Judging chair Louise Doughty described Nazir's piece as "an original, poetic and deeply moving story...." In a film released by the Commonwealth Foundation on Tuesday, Nazir... adds that he wrote six or seven drafts of his prize-winning story, and also speaks about his use of speech-to-text software, explaining that he could only see three or four lines of text on his phone screen at any one time, so he would perfect each line before moving on, which is how his story ended up being "highly polished"...
Initial social media reactions to the Commonwealth Foundation's announcement of Nazir's win were negative, with one X user writing: "immensely disappointing and disheartening. it feels like they wanted to stick to their guns after the entire GenAI uproar. I might think twice now before submitting my stories here". After Nazir was announced as the regional winner in May, some social media users reported running his story through AI-detection software. "Pangram flags at 100% but also, come on, if you know you know", said Wharton professor Ethan Mollick. However, the reliability of AI-detection software has been called into question.
In a statement to the Guardian, Farook said that "rather than surrender our judgment to AI-detection software, we asked our winners to show their working drafts, outlines, the evidence of an artistic journey. That software, it must be said, is not infallible: it returns inconsistent verdicts and, in doing so, corrodes the very trust on which a prize depends."
"When the machine's default voice is the metropolitan one, the writer who does not fit the expected mould is the first to fall under suspicion," she added. "The more startling her gift, the more her unfamiliar brilliance unsettles, the more readily she is accused of being a machine. A young writer in Kingston or Kolkata, in Kuala Lumpur or Kigali, must now prove not only her talent but her very humanity."
Nazir's story beat 7,806 other stories, the video points out (adding that their prize "demonstrates that in a world increasingly driven by algorithms, the human voice still matters.")
The Guardian notes that the winning story "includes multiple 'not x, but y' constructions and lists of three, which some consider to be signs of AI use," and that critics also drew attention to particular lines like "Sun on galvanise is a cruel instrument" and "Marsha lived two bends down."
In a new interview with the Times of India Nazir says "Now I'm frightened about publishing new work because the attacks haven't stopped."
Q: Which passages attracted the most criticism, and why do you think they were misunderstood?
Nazir: People criticised a line where I wrote: 'She had the kind of walking that made benches become men.' That's magical realism. Think Salman Rushdie or Gabriel Garcia Marquez. It's a literary technique. In my story, the character 'Zoongie' believes she is so beautiful that even when no men are around, she imagines the benches becoming men who admire her. It exists only in her imagination. People interpreted it literally. There was another line about light reflecting from a sink. That came directly from my childhood. Our kitchen faced east, and my mother liked to keep everything spotless. We used to polish the sink, and when the morning sun hit it, it glittered brightly. People claimed that the image must have been AI-generated. But it's from my lived experience...
I've lived with diabetes for 62 years, which has damaged the nerves in my fingers and feet, and I'm currently undergoing chemotherapy. That's why I began using speech-to-text on my Android phone... I hope this episode leads to a better understanding of the difference between assistive technology and AI-generated writing...
Q: Many acclaimed writers like Ursula K Le Guin, Mary Shelley, and JRR Tolkien have also been falsely flagged by AI detectors. Where does this leave writers?
Nazir: What these AI detectors are saying is that if a piece of writing is too polished, it must have been written by AI. I refuse to accept that. AI was trained on human writing. Large language models, to me, are tools, much like a word processor. They don't replace the human spirit behind creative writing. Ask an AI to write a prize-winning story on its own and see what it produces. You still need human imagination and judgment to create literature.
Nazir added, "What I don't understand is why people continue to question the judges' decision."
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