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Schiphol is een stukje Nee-DDR-land waar nog minder mag dan in, we noemen maar wat, een commissievergadering vol VVD'ers. Op Schiphol reageert men als door een adder gebeten wanneer iemand een eerlijk in Amsterdam gevonden huisdier wil meenemen op reis. Een Canadese vrouw probeerde het helemaal niet ingewikkeld te maken en zoveel mogelijk grip op de zaak te houden door haar crush, een koningspython (kunnen 2 meter lang worden), in haar bh te draperen, maar de autoritaire boa's (BOA'S) van de Voedsel- en Warenautoriteit bleken giftig: "Je mag niet zomaar beschermde dieren meenemen op reis, ook niet als je ze op straat hebt gevonden." Het 'dierenwelzijn' is volgens de NVWA nu het belangrijkst, terwijl de slang misschien juist graag 13 uur tegen de warme boezem van madame aan had gelegen om Wereld Slangendag (TOEVAL?) in het veel slangvriendelijkere Canada te vieren.

Giovanni Castellucci among 32 people convicted over the 2018 Morandi Bridge collapse, which killed 43

Thirty-two people, including the former chief executive of Italy’s motorway operator, have been convicted over the 2018 collapse of a Genoa bridge in which 43 people died.

In a hushed courtroom on Thursday in the north-western Italian city, Giovanni Castellucci, a former boss of Autostrade per l’Italia, was sentenced to 12 years in prison, the highest in the case.

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Buxton festival
Francesca Caccini’s 1625 work – the earliest surviving opera by a woman – is wildly imaginative, even without the original horse ballet

There is magic in the air at this year’s Buxton festival – and it’s not just the hops from the local brewery. Wizards, sorceresses and fairies curse and charm their way through a trio of operas from three different centuries. Handel and Pauline Viardot take care of the 18th and 19th respectively, but setting the cauldron bubbling is Francesca Caccini’s 1625 La Liberazione di Ruggiero – the earliest surviving opera by a woman.

Premiered at the Medici court – then under the rule of regent Maria Maddalena of Austria – it is no coincidence that the work’s take on Ariosto’s Orlando Furioso is more girl-power than most. Warrior Ruggiero has been reduced to a lovesick captive, while sorceresses Alcina (wicked) and Melissa (good) do battle over him. Add in a chorus of Alcina’s former lovers (now transformed into plants and shrubs) and you have a deliciously semi-serious, mythical romp whose premiere apparently ended with a horse ballet.

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Forrester warns that customers should brace for bigger software bills next year as software and AI vendors raise prices and pile on usage charges. Working from a survey of more than 2,600 business and technology decision-makers, the tech research company said software budgets were expected to rise "as vendors increase prices or add usage charges to pass their AI costs to customers." In the last six months, Anthropic, OpenAI, and GitHub have shifted some services away from flat-rate subscriptions toward usage-based billing, prompting cost concerns among users. Forrester added Microsoft to the list, citing its recent launch of the premium E7 license, which bolts M365 Copilot, Agent 365, and security tools onto E5. Last year, consultants Bain & Company estimated that the build cost for AI datacenters would hit $2 trillion by 2030. Forrester said that AI would drive increases in data and software spending, with 80 percent of decision-makers expecting those budgets to rise. Sharyn Leaver, chief research officer at Forrester, said: "The organizations that outperform in 2027 won't be those that spend the most on AI. They'll be the ones that invest in the foundations that make AI effective: trusted data, strong governance, organizational readiness, and the ability to continuously adapt as technology and customer behavior evolve." Forrester also found that personnel costs have yet to fall, despite the "AI washing of layoffs" in the tech industry. "While several tech giants, including Oracle, Microsoft, and Meta, have announced significant layoffs in recent months, IT staffing spend has not declined in recent years," the report said. Staffing accounted for 35 percent of IT budgets in 2025. For 2027, 67 percent of tech decision-makers expected to increase their staffing budget, while 23 percent said it would stay flat, and 10 percent expected it to decline. "The AI washing of layoffs will continue as vendors trim for financial and restructuring reasons. Guard against inflated promises that AI can replace employees across the board. Staffing for data/analytics-specific roles is expected to rise, with 68 percent of data technology decision-makers expecting this budget item to increase," the report said. Forrester said that organizations should adapt their FinOps practices to help manage the unpredictable costs associated with AI. "Traditional FinOps wasn't built for token-based, usage-driven AI costs, but that team is certainly best positioned to build these new capabilities and must make this leap in 2027. Fund runtime cost controls such as model routing, semantic caching, and usage guardrails to prevent runaway spend," the report recommended. In July, KPMG research found that nearly a third of corporate leaders reported difficulty understanding and controlling operating costs when implementing business AI at scale. "As usage-based pricing models become more common, many organizations are still building the capabilities required to forecast, monitor, and manage AI spending effectively," the consultancy said. ®

Imagine never having to reach for your mouse to navigate around Windows again. Sounds like a dream, doesn’t it? Well wake up: We have some peripherals to burn. Neverclick, from developer Lazo Velko, was published recently with the promise to allow users to perform mouse actions on every single object on their screen with nothing but keyboard shortcuts. Want to close a window, open an application, or click a particular spot on the screen with character-level precision? It’s capable of doing all that, along with selecting multiple spots to click at once to, say, close a bunch of windows at the same time. However, drag and drop and highlight don't work yet. What’s more, Neverclick is completely free, has no account signup, doesn’t serve any ads or collect user data, and works entirely offline, Velko notes in the GitHub readme (the repo is currently for issue reporting only and doesn’t contain the full Neverclick source code). Velko explains on the Neverclick website that he designed the app when he was dealing with a repetitive strain injury that made using a mouse difficult. “I recovered years ago, and I owe it to this software,” the self-professed C++ hater said of his project. “I still use Neverclick every day and can't imagine using my computer without it.” Foolish El Reg reporter, I can hear you saying. This app is nothing new and will have the same problems as other ones: It simply won’t work with software that wasn’t built with accessibility in mind. Velko has heard those complaints, which as he explains in a comment in the Hacker News thread about his app, he didn’t build it with accessibility APIs. He used a computer vision model to perform raw pixel analysis and identify individual elements on the screen instead. “I've had a poor experience with accessibility apis, they're clunky, slow, and unpredictable,” Velko wrote in the thread. “With computer vision you don't have to worry about that.” Velko told The Register in an email that he built the computer vision system himself without relying on any third-party libraries, and he claims that it works far faster than the UI Automation accessibility system in Windows. “I have users that use Neverclick on 10 year old hardware and they tell me that the [computer vision] runs instantly whereas UI Automation is super laggy for them,” Velko wrote on Hacker News. “I can't believe that accessibility APIs are so poorly optimized that raw pixel analysis is faster.” According to Velko, the computer vision model used by Neverclick is small, with the entire app only needing around 40 MB of hard drive space, and using around 200 MB of memory on a typical 1080p monitor when in use, though that varies by resolution and other factors. Neverclock doesn’t run in a continuous loop either, so shouldn’t eat up any CPU unless it’s called on for use. El Reg US Editor Avram Piltch tried Neverclick out on his Windows PC. As described in the documentation, he was able to activate the software by hitting Ctrl + Enter for left-click or Alt + Enter for Ctrl + Left Click (there's no right click mapped by default but you can configure one). After hitting one of those two key combos, his screen was covered in two-letter key combos that the software calls "hints" (e.g. ek, af, jj, etc). If he typed one of those combos, the cursor clicked in that exact spot, whether it was a button, a menu option, or just the middle of a word. Word hints click in the center of a word by default, but you can hit a number like 0 to get to a particular letter. There are also keyboard shortcuts for switching windows. And you get a choice of having the hints appear only in the active window or all throughout your screen. However, the UI can be overwhelming. It is nearly impossible to see all the menus and icons with the hints covering over them. And to make the overlay go away, you have to click. We also noticed that the default shortcut of Ctrl + Enter overrides the same shortcut in other apps. For example, Ctrl + Enter is supposed to send an email in Gmail, but with Neverclick running, it brings up the overlay instead. Neverclick is a Windows-only app for now. Velko said a macOS version is in the works, but he doesn’t have a timeline, he told us in an email. “I'm quite overworked and still need to release a few features for Windows,” he explained. Those features include window dragging and text highlighting by selecting two different hints, triggering whatever text editor is being used to highlight whatever’s between them. You can install Neverclick from its website and it's available now. Once it comes to macOS, you’ll be able to combine it with the AirPods app we wrote about last week that allows users to scroll their screens by tilting their heads up and down for a truly mouse-free experience. ®

If you were to rip open a tattered matchbox, what might you find hidden in its confines? And what’s lurking behind biological renderings and advertisements? Jason Limon imagines a playful world in which vintage illustrations are the colorful veneer concealing a vast, three-dimensional universe populated by skeletons.

The San Antonio-based artist has long painted otherworldly scenes dominated by life after death, when bony figures are stripped of their identities and instead function as anonymous entities. Tapping into emotion and personal experience, Limon continues to conjure the uncanny through a cheeky approach to one of the most universal symbols.

In his most recent works blending acrylic and oil paints, the artist homes in on illusion, opting for a trompe-l’œil technique. Many feature a torn element, as if paper has been ripped away to reveal an otherwise invisible world beneath. While Limon incorporated this effect in previous works, it’s propelled his practice as of late because it offers more space for experimentation.

“It took a bit to press the brakes on how I work, but I intentionally decided to slow the pace of how I create the art while also trying to keep a little bit of playfulness,” he says. “As I play with painting in the background, it has taught me to loosen up in a variety of ways. At some point in the future, the two identities will creatively and visually merge as one.”

Originals and prints are available in Limon’s shop, and you can follow his practice on Instagram.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Trompe-L’œil Paintings by Jason Limon Reveal a Hidden Skeletal World appeared first on Colossal.

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

handwritten on slide, “Dana, Babe and Dutchess" date stamped on slide June 1972

Een auto en brommobiel zijn donderdagmiddag met elkaar in botsing gekomen in Barendrecht. Het ongeluk gebeurde op de kruising van de Asserstraat en de Van het Hoffstraat. De bestuurders zijn nagekeken door ambulancepersoneel en hoefde niet naar het ziekenhuis, maar de voertuigen raakten wel beschadigd.