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Long exposure of votive candles burning in the Salisbury Cathedral, England
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Adelaide festival
This won’t be everyone’s cup of tea, but Huppert delivers an exacting performance in Robert Wilson’s hypnotic, incantatory play
Mary, Queen of Scots is one of those perennial figures trotted out as a universal signifier, often for femininity itself, an image of rectitude and self-sacrifice in the face of unimaginable deprivation. The problem is that the historical record doesn’t quite support this narrative: Mary possibly conspired to murder her second husband in order to marry her third, and despite protestations to the contrary, remained a serious threat to the reign of Elizabeth I until the moment she was executed. She was a political player who lost, not an ingenue caught in the crossfire of history.
Famed French stage and screen actor Isabelle Huppert has worked with equally famed (and now sadly late) American theatre maker Robert Wilson twice before this collaboration, and it’s easy to see why she would come back a third time, like Mary to the matrimonial bed. Wilson’s artistic rigour was legendary, and his uncompromising aesthetic – so absolute it seems almost brutalist – frames Huppert’s singular talent superbly. She shimmers on stage, a regal pride emanating from her body and the precision of her movements. This is undeniably Huppert’s show.
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HENI is thrilled to release ‘Third Eye Butterfly Mandala’, two limited-edition prints by Shepard Fairey and Damien Hirst. The prints are available in two different sizes and are based on new works currently on view at the ‘Triple Trouble’ exhibition at Newport Street Gallery.

’Third Eye Butterfly Mandala’ prints are available now until 17:00 GMT on March 16th via this link. The number of editions will be limited by demand during the release window. The small prints measure 107.1 x 80.9 cm (framed), while the large prints measure 227.3 x 167.7 cm (framed). All works are hand-signed by Shepard Fairey and Damien Hirst and hand-numbered on the front.


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