Tottenham Hotspur Stadium, London
Even though Beyoncé rumours prove unfounded, there are plenty of guests, from Idris Elba to Lauryn Hill – but this show doesn’t need cameos to lift it
Jay-Z’s first solo tour in nine years bills itself as a celebration: it marks the 30th anniversary of his debut album, Reasonable Doubt. But it feels less concerned with nostalgic reverie than a show of strength in the present day. Hip-hop is a genre predicated on constant forward motion, in which careers tend to burn brightly, then dim as the music moves on. Jay-Z may not be the only fiftysomething rapper out on a career retrospective tour in 2026, but he is, unequivocally, the only one who’s capable of doing it at this level: packing out the biggest stadiums in the world nearly a decade after he last released an album, his standing impressively undiminished by a retreat into semi-retirement.
Moreover, he’s doing it in considerable style. The show’s musical approach can clearly trace its origins back to 2001, the year Jay-Z solved the problem of how on earth a rapper was supposed to appear on MTV Unplugged by eschewing hip-hop’s standard DJ-and-backing-tapes approach and employing a live band: the Roots were apparently astonished to be asked, but the end result was pretty jaw-dropping. Back in May, his first solo gig in five years essentially recreated it – he headlined the Roots’ annual Picnic festival with Questlove and co in tow once more – but the Jay-Z 30 tour supersizes it, featuring not just a 10-piece band, but an 18-piece string section. The resulting sound can, very occasionally, feel a little de trop – the squealing metal guitar solo appended to Can I Live definitely seems surplus to requirements – but for the most part, it works extraordinarily well, amping up the cinematic sweep of Empire State of Mind and the lush 70s-soul inflections of Izzo (H.O.V.A), adding a thunderous heft to Public Service Announcement and 99 Problems. It also serves to underline Jay-Z’s technical skill: a lesser rapper would be swallowed up by the density of the sound, but the precision of his delivery consistently cuts through.
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