The Fifth Problem of Photography

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The Fifth Problem of Photography

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Een briesje over de buik en verder niks.


The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

Dismissal of Ukraine’s defence minister highlights wider issues for Zelenskyy

Mykhailo Fedorov, celebrated by many for innovative, tech-driven approach, was sidelined for military old guard

Volodomyr Zelenskyy’s abrupt dismissal of Ukraine’s youthful and innovative defence minister, Mykhailo Fedorov, at precisely the moment Kyiv appeared to be gaining advantages in several spheres of its war with Russia has exposed, not for the first time, a troubling flaw in the president’s leadership.

The move, which has startled senior European officials and caused consternation, and demonstrations, in Ukraine, is all the more shocking given Fedorov’s role in pushing a clear strategy to prosecute the war, leveraging Ukraine’s rapidly developing technological advances in drone and missile technology.

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Chastity, nodding and enormous pores: will women also love Nolan’s Odyssey?

Christopher Nolan’s epic adaptation has been met with almost universal acclaim – from mostly male film critics. Might women find the journey less comfortable?

Long ago, almost as long ago as Homer composed The Odyssey, I was a film critic on the Sunday Telegraph. People sometimes ask me how sexist the scene was then, back in the bronze age mid-noughties, when male critics outnumbered female by about eight to one. Well, there wasn’t any sexism. It was actually totally fine and everyone was really nice.

They were nice in Soho, anyway. Farther afield, less so. Particularly certain readers, when it came to certain films, made by certain directors. Quentin Tarantino, obviously. Ken Loach, weirdly. And Christopher Nolan. Question their genius and prepare for epic correction by a legion of self-appointed bouncers.

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Trump administration drastically cuts length of foreign journalist visas

Visas will be shortened to 240 days, down from five years, and Chinese journalists will be limited to 90 days

The Trump administration has said it will drastically shorten visas for foreign journalists in the US to 240 days, down from five years, and cut those for Chinese journalists to only 90 days.

The rule announced by the Department of Homeland Security (DHS) will do away with the “duration of status” system, which allows foreign journalists to stay and work in the United States as long as they meet eligibility requirements.

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Football Daily | Donald Trump gives himself starting role in the bigliest occasion of all

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Donald Trump has largely steered clear of the Geopolitics World Cup: he is yet to attend a game and appear on screen with his good pal “Jonny” Infantino. Oh, though there was that time Trump rang Fifa to lobby for a review into Folarin Balogun’s red card against Bosnia and Herzegovina, with the reversal of the USA USA USA forward’s last-16 suspension crushing the integrity of the competition. An impactful cameo off the bench, you could argue.

Re: naming the 2030 World Cup (Football Daily letters passim). May I suggest ‘The Carbon Footprint WC’ or simply ‘El Carbonaro’” – Krishna Moorthy.

Brian Saffer’s suggestions for letting everyone join in the next World Cup and splitting into three divisions surely must lead to it being called the Swiss Model World Cup – SMWC” – George Paterson.

You could always stop trying to be too clever by half and just refer to it as ‘the World Cup’” – Alan Burgess.

Oh, you thought the STOP FOOTBALL campaign might last two days but, no, Major League Soccerball is back, baby! Four matches were played last night as the league announced, via its back-to-action campaign: ‘Thanks, World; We’ll Take It From Here’” – JJ Zucal.

This is an extract from our daily football email … Football Daily. To get the full version, just visit this page and follow the instructions.

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England rugby players may walk off pitch in Argentina if racist abuse is repeated

  • Jamie George promises ‘the strongest of reactions’

  • England players were racially abused by fans last year

England’s rugby players are threatening to walk off the pitch in protest against Argentina on Saturday if there is any repeat of the racial abuse aimed at black squad members on their last visit a year ago. Further incidents will not be tolerated and, according to England’s captain, Jamie George, will prompt “the strongest of reactions”.

George was also present in San Juan last July when his replacement prop forward Asher Opoku-Fordjour and Chandler Cunningham-South were the target of racist slurs from a group of home supporters during the warm-up and the first half of the second Test. World Rugby later confirmed England had made a complaint, but, despite an investigation, the individual perpetrators could not be identified.

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The Hunt for Gollum is being criticised for its all-white cast. Blaming Tolkien is the wrong answer

The Lord of the Rings author’s debt to Norse mythology is simply irrelevant when it comes to the appearance of hobbits and elves on screen today

Casting has come a long way since the early 1980s when it was somehow still acceptable to sign up Max von Sydow to play Ming the Merciless in Flash Gordon in 1980, or hire Peter Ustinov as the lead in Charlie Chan and the Curse of the Dragon Queen in 1981 (despite protests at the time). These days, film-makers will have to defend an all-white cast in a medieval fantasy flick, which appears to be what has happened this week to The Lord of the Rings: The Hunt for Gollum’s Andy Serkis.

Asked by the BBC why every major casting for the new film has been a white actor, Serkis appeared to lay the blame on his literary source material. “Tolkien himself was influenced a lot by Norse mythology, there’s a lot of that feeling,” he said. “The Shire feels very, very much like a very, a very white, you know … They’re not very concerned about what goes on beyond the borders of the Shire, but they know they don’t want people coming in.

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Colossal

The best of art, craft, and visual culture since 2010.

‘Voices in the Mirror’ Honors the Legacy of Pioneering Photographer Gordon Parks

‘Voices in the Mirror’ Honors the Legacy of Pioneering Photographer Gordon Parks

From portraits taken around Harlem in the 1940s to assignments for Life magazine to the 1963 March on Washington, Gordon Parks (1912-2006) wielded his camera as a tool for social justice. He captured civil rights activists like Malcom X and Martin Luther King, Jr. in addition to artists and celebrities such as Helen Frankenthaler and Ingrid Bergman. But he may be best known for his candid portraits of families and communities in the segregated South during the era of Jim Crow. All of these and more will be on view in Voices in the Mirror at Jack Shainman Gallery in mid-September, also marking the 20th anniversary of The Gordon Parks Foundation.

Parks was spurred to pursue photography in 1937 after seeing photos taken for the Farm Security Administration (FSA), which held a mission to document American life. “I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs,” he said. “I knew at that point I had to have a camera.” In 1942, he became the first Black photographer hired as part of the initiative, introducing him to Washington, D.C., where he noted that “discrimination and bigotry were worse there than any place I had yet seen.”

a black-and-white photograph by Gordon Parks of Martin Luther King, Jr., speaking in Washington, D.C.
“Martin Luther King, Jr., Washington, D.C.” (1963), gelatin silver print, 16 x 20 inches

Among the images included in Voices in the Mirror are seminal portraits like “American Gothic, Washington, D.C.” (1942), which captures a government worker named Ella Watson with a broom and mop. The work nods to American Regionalist painter Grant Wood’s likewise iconic “American Gothic” painting, created 12 years earlier as an ode to American values. Parks’ image represented a starkly contrasted reality.

After speaking with Watson about her life and experience in D.C., Parks recalled that it was “so disastrous that I felt that I must photograph this woman in a way that would make me feel—or make the public feel—about what Washington, D.C., was in 1942.” He positioned her in front of a flag with a symbolic mop and broom. “I didn’t care about what anybody else felt,” he said. “That’s what I felt about America and Ella Watson’s position inside America.”

The exhibition is accompanied by numerous anecdotes and reflections by some of those who appeared in the photos or had close relationships with those who did, such as Malcolm X’s daughter, Qubilah Shabazz, and Cora Taylor, who was one of the women standing near a pair of segregated water fountains in “Segregation in the South” (1956).

Voices in the Mirror opens on September 18 and continues through November 7 in New York. You might also be interested in the works of other FSA photographers who documented the South during the 1930s and 1940s, such as Russell Lee and Marion Post Wolcott.

an iconic black-and-white photograph by Gordon Parks of a Black woman standing in front of an American flag, holding a broom and mop in a nod to Grant Woods' painting 'American Gothic'
“American Gothic, Washington D.C.” (1942), gelatin silver print, 16 x 20 inches
a color photograph by Gordon Parks of a shop with many signs in the window for ice cream and other treats, with water fountains labeled "colored only" and "white only," with Black people using the one labeled "colored only"
“At Segregated Drinking Fountain, Mobile, Alabama” (1956), archival pigment print, 34 x 34 inches
a color photograph by Gordon Parks of a Black family at a "colored" window of a drive-in restaurant
“Untitled, Shady Grove, Alabama” (1956), archival pigment print, 48 x 48 inches
a black-and-white photograph by Gordon Parks of Malcom X speaking at a podium in front of a crowd, backgrounded by a large sign illustrating the billions of non-white people in the world
“Untitled, Harlem, New York” (1963), gelatin silver print, 16 x 20 inches
a color photograph by Gordon Parks of two young Black girls in nice dresses, playing in a puddle in front of a small house in Alabama
“Untitled, Alabama” (1956), archival pigment print, 42 x 42 inches
a black-and-white photograph by Gordon Parks of a Black woman leaning out of her window in Harlem next to her small dog
“Woman and Dog in Window, Harlem, New York” (1943), gelatin silver print, 34 x 34 inches
a color photograph by Gordon Parks of an elderly Black couple seated on the couch in their home
“Mr. and Mrs. Albert Thornton, Mobile, Alabama, 1956 (1956), archival pigment print, 50 x 50 inches
a color photograph by Gordon Parks of a small storefront with Black families sitting outside eating ice cream and treats
“Store Front, Mobile, Alabama” (1956), archival pigment print, 48 x 48 inches

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article ‘Voices in the Mirror’ Honors the Legacy of Pioneering Photographer Gordon Parks appeared first on Colossal.

VK: Voorpagina

Volkskrant.nl biedt het laatste nieuws, opinie en achtergronden

Trump mengt zich met importheffingen in Braziliaanse verkiezingen

Een modderstroom van voetbal die alles en iedereen meesleurde

Brussel geeft grote vervuilers meer tijd voor verduurzaming, maar wil wel daden zien

Rijnmond - Nieuws

Het laatste nieuws van vandaag over Rotterdam, Feyenoord, het verkeer en het weer in de regio Rijnmond

Feyenoord buigt weer een achterstand om in een oefenduel en wint met 3-1

Feyenoord heeft in een oefenwedstrijd tegen het Belgische Charleroi met 3-1 gewonnen. De Rotterdamse goals werden gemaakt door Gaoussou Diarra en de verdedigers Mats Deijl en Tijme Wessels.

Vliegensvlug smeren dieven de hand van bejaarde vrouw (81) in, plots zijn al haar ringen weg

Voordat een bejaarde vrouw (81) uit Sliedrecht het doorheeft, is ze al bestolen van haar sieraden. Niet door inbraak of een babbeltruc, maar de juwelen worden op klaarlichte dag op straat van haar hand gegrist. “Zeer brutaal en geraffineerd”, aldus de rechtbank, die dader E.A. (31) één jaar celstraf oplegt.

Hoe leer je atleten wie ze zijn zonder hun sport?

Na de vermissing van shorttracker Roes vraagt Marijn de Vries zich af: Hoe leer je atleten dat ze er ook mogen zijn als mens?

Gracie Abrams blijft op het stijlvolle ‘Daughter from Hell’ zoeken naar een eigen geluid

De Amerikaanse singer-songwriter Gracie Abrams heeft een sterrenstatus. Op haar derde album ‘Daughter from Hell’ maakt ze soms indruk, maar te vaak blijft ze hangen in de stijl van haar grote voorbeeld Taylor Swift.

Andy Burnham belooft in eerste toespraak als Labour-leider ‘de hoop terug te brengen’, vanaf maandag is hij de Britse premier

De voormalige burgemeester van Manchester volgt maandag Keir Starmer op als nieuwe premier van het Verenigd Koninkrijk.

Wat doet The Economist op de site van NRC?

Gen Z kreeg onder uit de zak, begin juni in de opiniesectie van nrc.nl. De huidige jongvolwassenen, betoogde de auteur, zijn socialisten.

The Register

Biting the hand that feeds IT — Enterprise Technology News and Analysis

Microsoft gives admins Exchange Online breathing room

Microsoft has delayed the removal of the -Credential parameter from Exchange Online PowerShell until December 2026, giving administrators more time to update affected scripts and automation. The -Credential parameter is used when connecting to Exchange Online PowerShell. It allows an administrator to supply stored username and password credentials. These days, it is heavily discouraged, particularly when more secure authentication methods are available. Microsoft had designated the parameter for removal in July 2026 as part of its move away from password-based authentication. The trouble is tracking down automation scripts that use it, updating them, and validating the changes – assuming a fix is even possible. Once the parameter is gone from the Connect-ExchangeOnline and Connect-IppsSession cmdlets in the Exchange Online PowerShell module, any scripts still relying on it will break, potentially taking carefully built workflows down with them. However, Microsoft has opted to push back the retirement beginning December 2026 – a festive gift for administrators. The company stated: "If your organization uses the -Credential parameter in PowerShell scripts or automation workflows connecting to Exchange Online or Security & Compliance PowerShell, those scripts will break when you update to an Exchange Online PowerShell module version released beginning December 2026." As such, the retirement won't take effect until an update is performed. The server-side retirement of the underlying authentication flow is planned "for a later date." "When that occurs, the -Credential parameter will stop functioning even on older module versions." Microsoft said it delayed the retirement due to "customer feedback," although it came late in the day. That said, a few extra months will be welcomed by affected administrators dealing with the impact of the change. And the change is still coming. Microsoft added: "While our published timeline extends to the start of December 2026, we strongly recommend that all customers transition away from the -Credential parameter as soon as possible and not wait until the deadline." ®

Politie Amsterdam: 'Achie de Somaliër woont hier niet, beschiet en bombardeer aub een ander huis'

Moderne problemen vragen om moderne oplossingen. Het adres aan de Bos en Lommerweg in Amsterdam west werd afgelopen tijd getroffen door o.a. een beschieting en explosie. De politie vermoedt dat ene 'Achie de Somaliër' het beoogde doelwit was. maar wat blijkt? DIE WOONT HIER NIET. Dus ducttapet Politie Amsterdam het maar gewoon op de voordeur:

"Achie de Somaliër wont NIET op dirt adres. Er is sprake van een vergissing met betrekking tot het adres. De bewoners hebben geen enkelere elatie met of betrokkenheid bij Achie."

AT5 schrijft: "Er vielen nog geen gewonden bij de aanslagen, hoewel een bewoner bij de beschieting thuis was. Wie Achie de Somaliër is, anders dan het beoogde doelwit, kon de woordvoerder nog niet zeggen." Wij weten ook niet wie Achie is, maar we durven wel aan dat hij uit Somalië komt.