Thomas Hawk posted a photo:
Thomas Hawk posted a photo:
Mykhailo Fedorov, celebrated by many for innovative, tech-driven approach, was sidelined for military old guard
Volodomyr Zelenskyy’s abrupt dismissal of Ukraine’s youthful and innovative defence minister, Mykhailo Fedorov, at precisely the moment Kyiv appeared to be gaining advantages in several spheres of its war with Russia has exposed, not for the first time, a troubling flaw in the president’s leadership.
The move, which has startled senior European officials and caused consternation, and demonstrations, in Ukraine, is all the more shocking given Fedorov’s role in pushing a clear strategy to prosecute the war, leveraging Ukraine’s rapidly developing technological advances in drone and missile technology.
Continue reading...Christopher Nolan’s epic adaptation has been met with almost universal acclaim – from mostly male film critics. Might women find the journey less comfortable?
Long ago, almost as long ago as Homer composed The Odyssey, I was a film critic on the Sunday Telegraph. People sometimes ask me how sexist the scene was then, back in the bronze age mid-noughties, when male critics outnumbered female by about eight to one. Well, there wasn’t any sexism. It was actually totally fine and everyone was really nice.
They were nice in Soho, anyway. Farther afield, less so. Particularly certain readers, when it came to certain films, made by certain directors. Quentin Tarantino, obviously. Ken Loach, weirdly. And Christopher Nolan. Question their genius and prepare for epic correction by a legion of self-appointed bouncers.
Continue reading...Visas will be shortened to 240 days, down from five years, and Chinese journalists will be limited to 90 days
The Trump administration has said it will drastically shorten visas for foreign journalists in the US to 240 days, down from five years, and cut those for Chinese journalists to only 90 days.
The rule announced by the Department of Homeland Security (DHS) will do away with the “duration of status” system, which allows foreign journalists to stay and work in the United States as long as they meet eligibility requirements.
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Donald Trump has largely steered clear of the Geopolitics World Cup: he is yet to attend a game and appear on screen with his good pal “Jonny” Infantino. Oh, though there was that time Trump rang Fifa to lobby for a review into Folarin Balogun’s red card against Bosnia and Herzegovina, with the reversal of the USA USA USA forward’s last-16 suspension crushing the integrity of the competition. An impactful cameo off the bench, you could argue.
Re: naming the 2030 World Cup (Football Daily letters passim). May I suggest ‘The Carbon Footprint WC’ or simply ‘El Carbonaro’” – Krishna Moorthy.
Brian Saffer’s suggestions for letting everyone join in the next World Cup and splitting into three divisions surely must lead to it being called the Swiss Model World Cup – SMWC” – George Paterson.
You could always stop trying to be too clever by half and just refer to it as ‘the World Cup’” – Alan Burgess.
Oh, you thought the STOP FOOTBALL campaign might last two days but, no, Major League Soccerball is back, baby! Four matches were played last night as the league announced, via its back-to-action campaign: ‘Thanks, World; We’ll Take It From Here’” – JJ Zucal.
This is an extract from our daily football email … Football Daily. To get the full version, just visit this page and follow the instructions.
Continue reading...Jamie George promises ‘the strongest of reactions’
England players were racially abused by fans last year
England’s rugby players are threatening to walk off the pitch in protest against Argentina on Saturday if there is any repeat of the racial abuse aimed at black squad members on their last visit a year ago. Further incidents will not be tolerated and, according to England’s captain, Jamie George, will prompt “the strongest of reactions”.
George was also present in San Juan last July when his replacement prop forward Asher Opoku-Fordjour and Chandler Cunningham-South were the target of racist slurs from a group of home supporters during the warm-up and the first half of the second Test. World Rugby later confirmed England had made a complaint, but, despite an investigation, the individual perpetrators could not be identified.
Continue reading...The Lord of the Rings author’s debt to Norse mythology is simply irrelevant when it comes to the appearance of hobbits and elves on screen today
Casting has come a long way since the early 1980s when it was somehow still acceptable to sign up Max von Sydow to play Ming the Merciless in Flash Gordon in 1980, or hire Peter Ustinov as the lead in Charlie Chan and the Curse of the Dragon Queen in 1981 (despite protests at the time). These days, film-makers will have to defend an all-white cast in a medieval fantasy flick, which appears to be what has happened this week to The Lord of the Rings: The Hunt for Gollum’s Andy Serkis.
Asked by the BBC why every major casting for the new film has been a white actor, Serkis appeared to lay the blame on his literary source material. “Tolkien himself was influenced a lot by Norse mythology, there’s a lot of that feeling,” he said. “The Shire feels very, very much like a very, a very white, you know … They’re not very concerned about what goes on beyond the borders of the Shire, but they know they don’t want people coming in.
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From portraits taken around Harlem in the 1940s to assignments for Life magazine to the 1963 March on Washington, Gordon Parks (1912-2006) wielded his camera as a tool for social justice. He captured civil rights activists like Malcom X and Martin Luther King, Jr. in addition to artists and celebrities such as Helen Frankenthaler and Ingrid Bergman. But he may be best known for his candid portraits of families and communities in the segregated South during the era of Jim Crow. All of these and more will be on view in Voices in the Mirror at Jack Shainman Gallery in mid-September, also marking the 20th anniversary of The Gordon Parks Foundation.
Parks was spurred to pursue photography in 1937 after seeing photos taken for the Farm Security Administration (FSA), which held a mission to document American life. “I saw that the camera could be a weapon against poverty, against racism, against all sorts of social wrongs,” he said. “I knew at that point I had to have a camera.” In 1942, he became the first Black photographer hired as part of the initiative, introducing him to Washington, D.C., where he noted that “discrimination and bigotry were worse there than any place I had yet seen.”

Among the images included in Voices in the Mirror are seminal portraits like “American Gothic, Washington, D.C.” (1942), which captures a government worker named Ella Watson with a broom and mop. The work nods to American Regionalist painter Grant Wood’s likewise iconic “American Gothic” painting, created 12 years earlier as an ode to American values. Parks’ image represented a starkly contrasted reality.
After speaking with Watson about her life and experience in D.C., Parks recalled that it was “so disastrous that I felt that I must photograph this woman in a way that would make me feel—or make the public feel—about what Washington, D.C., was in 1942.” He positioned her in front of a flag with a symbolic mop and broom. “I didn’t care about what anybody else felt,” he said. “That’s what I felt about America and Ella Watson’s position inside America.”
The exhibition is accompanied by numerous anecdotes and reflections by some of those who appeared in the photos or had close relationships with those who did, such as Malcolm X’s daughter, Qubilah Shabazz, and Cora Taylor, who was one of the women standing near a pair of segregated water fountains in “Segregation in the South” (1956).
Voices in the Mirror opens on September 18 and continues through November 7 in New York. You might also be interested in the works of other FSA photographers who documented the South during the 1930s and 1940s, such as Russell Lee and Marion Post Wolcott.








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Moderne problemen vragen om moderne oplossingen. Het adres aan de Bos en Lommerweg in Amsterdam west werd afgelopen tijd getroffen door o.a. een beschieting en explosie. De politie vermoedt dat ene 'Achie de Somaliër' het beoogde doelwit was. maar wat blijkt? DIE WOONT HIER NIET. Dus ducttapet Politie Amsterdam het maar gewoon op de voordeur:
"Achie de Somaliër wont NIET op dirt adres. Er is sprake van een vergissing met betrekking tot het adres. De bewoners hebben geen enkelere elatie met of betrokkenheid bij Achie."
AT5 schrijft: "Er vielen nog geen gewonden bij de aanslagen, hoewel een bewoner bij de beschieting thuis was. Wie Achie de Somaliër is, anders dan het beoogde doelwit, kon de woordvoerder nog niet zeggen." Wij weten ook niet wie Achie is, maar we durven wel aan dat hij uit Somalië komt.