Fat Burns ☮ has added a photo to the pool:
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Lake Dunn, more commonly known as The Lake, is a freshwater lake 68km north-east of Aramac. Lake Dunn's Aboriginal name is pajingo bola, meaning "Big Fella Waterhole" and is 3.21km long and 1.6km wide. It was named after James Dunn, who was a head stockman at Mt Cornish Station and discovered it when he tracked a mob of cattle there. Lake Dunn is a birdwatchers paradise and is home to over 80 different species of birds.
(Source:www.explorethebarcaldineregion.com.au/Explore-Experience/... )
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© Chris Burns 2026
All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying and recording without my written consent.
マシューマシュー has added a photo to the pool:
Nikon FM2n
Nikkor 28mm f2.8 AIS
Kodak Pro Image 100
2024-09
Development: カメラのアマノ栄店
Scan: Filmlab App Desktop
The blues you can get with Pro Image 100 are probably my favorite part of using it. Even in this photo which I have chosen to have a warmer leaning look to, the blues still look fantastic, and have a nostalgic feeling to them.
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Pro Image 100で撮れる青の色合いは、このフィルムを使う楽しみの中でも、特に気に入っているところです。今回の写真は少し暖色寄りの雰囲気に仕上げましたが、それでも青がとても美しく、どこか懐かしさを感じさせてくれます。
Read more of this story at Slashdot.
New recruitment campaign to target adults in their 30s and 40s in bid to create 10,000 new foster care places
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Continue reading...Research shows that the best linguists process unfamiliar foreign speech sounds more like non-speech sounds
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At first glance, the structure resembles a kind of elongated igloo or a giant, white snail. One one hand, it’s an immersive, pop-up room with a futuristic, bubble-like texture. It’s also a giant, walk-in camera (there are 221 lenses to be exact).
Premiering late last month at MODE Festival, a celebration of global photography, “Compound Camera 3” is the latest work by Pneuhaus, the Rhode Island-based studio known for its large-scale, architectural inflatables. Dozens of tiny cameras comprise the installation, which covers more than 700 square feet and invites visitors to walk around inside of a projection powered entirely by the sun. The images visible through the tiny apertures land on bulbous surfaces, and visitors can push on the soft material inside to distort what Pneuhaus describes as a “bug’s-eye view” of the sky and urban surroundings.

In our era of information, it’s impossible to describe Pneuhaus’ multi-lensed work without thinking about recent, crucial conversations about surveillance, especially when it comes to license plate readers and doorbell cameras that are tethered to enormous private data networks. In this case, though, the “information” is about being present. Nothing is recorded.
In “Compound Camera 3,” visitors step inside of a luminous viewing room, but there are no LED screens here; the sunlight simply illuminates everyday scenes through an essential analog method. Lenses pointing upward portray the sky across dozens of interior facets not unlike the structure of an insect’s eye. Those directed sideways show trees, buildings, and other people walking around. Everything appears multiplied, encouraging us to slow down and examine details more closely than we might if we were seeing the same scene just outside.
See more on Pneuhaus’ Instagram.





Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article 221 Camera Obscuras Fill Pneuhaus’ Immersive, Inflatable, Image-Capturing Installation appeared first on Colossal.