LONDEN (ANP) - Tallon Griekspoor is er voor het tweede jaar op rij niet in geslaagd de tweede ronde te bereiken van Wimbledon. De 29-jarige Haarlemmer verloor in vier sets van de Australiër James Duckworth: 4-6 6-4 5-7 4-6.
Voor Griekspoor is het de vijfde keer op rij dat hij verliest in de eerste ronde van een grandslamtoernooi. De laatste keer dat hij een partij op een grand slam won, was op Roland Garros in 2025, toen hij de vierde ronde haalde. Op Wimbledon is het de vierde keer dat hij verliest in de eerste ronde.
CARACAS (ANP/RTR/DPA) - Het dodental door de zware aardbevingen van vorige week in Venezuela is gestegen naar 1943. Dat meldde parlementsvoorzitter Jorge Rodríguez, die ook sprak over ruim tienduizend gewonden door het natuurgeweld.
De bevingen hebben in het Zuid-Amerikaanse land geleid tot grootschalige verwoestingen. Er wordt nog steeds gezocht naar slachtoffers in het puin van ingestorte gebouwen. Het officiële dodental stond maandag op 1719.
Hoewel de voor reddingswerkers cruciale periode van 72 uur achter de rug is, worden ook nog steeds overlevenden gevonden. De autoriteiten deelden dinsdag beelden van de redding van een 3-jarig jongetje door hulpverleners uit Jordanië.
Winchester court hears accusations of offences by former petty officer Allan Grimson against males as young as 14
A former Royal Navy petty officer, jailed for life 25 years ago for murdering two young men, sexually assaulted four other boys and men in the same era, a jury has been told.
Allan Grimson was jailed in 2001 for battering Nicholas Wright, 18, and Sion Jenkins, 20, to death at his flat above a parade of shops in Portsmouth, Hampshire, in 1997 and 1998.
Preliminary analysis of satellite data suggests magnitude of natural disaster could dwarf official estimates
More than 58,000 buildings may have been damaged and destroyed by the twin earthquakes that hit Venezuela last week, according to a preliminary analysis of satellite data that suggests the scale of the destruction could dwarf official estimates.
Last Wednesday’s back-to-back quakes – which measured magnitude 7.2 and 7.5 – killed at least 1,943 people, injured more than 10,571, and left tens of thousands missing amid the rubble. The UN migration agency has said that up to 6.8 million people could be affected by the disasters, and would require shelter, water, sanitation, healthcare and essential relief items.
Candice Carty-Williams, Patrick Freyne and Guardian readers discuss the titles they have read over the last month. Join the conversation in the comments
I just finished reading Wimmy Road Boyz by Sufiyaan Salam. I absolutely adored this book, a fantastic combination of violence and vulnerability set on Manchester’s Curry Mile. I became completely attached to the three main boys, and I loved all of the perspective shifts to different characters throughout the book. I fully weeped at the end – it was an unexpected but completely understandable ending. 10/10, everyone should read this.
Queenie Is Working on It is published on 2 July by Trapeze. To support the Guardian, order your copy from guardianbookshop.com.
Pontiff warns that defiance by Society of Saint Pius X would be ‘schismatic act’
Pope Leo has made a last-ditch attempt to persuade a rebel group of ultra-conservative Catholics to abandon plans to ordain its own bishops without Vatican approval, calling the “schismatic act” a “sin of extreme gravity”.
The Society of Saint Pius X (SSPX), founded in the Swiss village of Ecône in 1970 to oppose liberalising reforms in the Catholic church, plans to ordain four new bishops at its seminary there on Wednesday.
An anonymous reader quotes a report from Ars Technica: South Korea's government and top tech companies are committing $1 trillion to several flagship megaprojects that could bolster global memory chip supply, build new AI data centers and spur commercial deployment of humanoid robots by 2028. [...] "We must secure the core elements of AI faster than any other country," said South Korean President Lee Jae Myung in a televised speech on June 29, as reported by BBC News and other media outlets. "Semiconductors, physical AI, and AI data centers are the triple axis for a great leap forward." [...]
The most costly of the megaprojects involves Samsung and SK Hynix committing $585 billion to building new chip fabrication plants in the southwest provinces of South Korea, along with boosting semiconductor fab construction in the Seoul capital region, according to Reuters. The government's goal is to double South Korea's production of dynamic random-access memory (DRAM) within five years. [...] The second flagship megaproject involves a $357 billion investment by the South Korean tech companies SK Group, GS Group, and Naver into building large-scale AI data centers in more outlying provinces, including South Chungcheong Province in the west, Gangwon Province in the east, and the North and South Jeolla Provinces in the southwest corner of South Korea.
The third flagship megaproject revolves around the South Korean government assigning a "national strategic industry" designation to physical AI -- the AI systems that enable robots and self-driving vehicles to interact more autonomously with the real world. The government aims to develop a Korean "general-purpose foundation model" based on a world model to support robots within three years, according to The Chosun Daily. Hyundai Motor Company has also committed $5.8 billion to build a robot manufacturing facility and AI data center in the Saemangeum region of North Jeolla Province in the southwest, The Chosun Daily reported.
The South Korean automaker has already been helping Boston Dynamics -- the US robotics company it acquired in 2021 -- use the South Korean supply chain in scaling up manufacturing to produce 30,000 Atlas humanoid robots each year by 2028. Similarly, the South Korean government announced it would aim to commercialize humanoid robots in 10 major industries by 2028, along with training 10,000 human workers as "AI robotics specialists" over the next five years, Reuters reported.
Okee nog één keer Amsterdam vandaag. De normaalste (enige normale?) D66'er van Amsterdam vertrekt, soort van zelf / soort van omdat D66 Amsterdam niet zo'n leuke club (meer) is, naar Almere. Dat krijg je er nou van met een lijsttrekker (Melanie van der Horst) als het aangelijnde keffertje van vrouwenhater Zita Pels, Elise Moeskops die eigenlijk alleen maar dingen napapegaait die ze vorige week op de opiniepagina van Karel Smouters spookhuis heeft gelezen, golden boy Rob Hofland als pedante CUCK en al die andere naar links afgedreven slomo's van die zogenaamd sociaal-liberale partij waar men de godganse dag bezig is om zo diep mogelijk in de reet te kruipen bij de extreemlinkse havermelkidealisten en halvegaren van PRO. Daar geilen ze in Amsterdam namelijk allemaal op. Enfin, Jan-Bert Vroege gaat dus naar Almere (lol), en dat speelde kennelijk al voordat hij door de Triple Entente van radicaal-links-Amsterdam werd weggebonjourd als stadsdeelbestuurder. In zijn woorden: "Dit liep dus al voordat Melanie van der Horst, Zita Pels en Femke Halsema de decentrale democratie in de achterkamertjes van die ivoren toren kapotmaakten." Sowieso een heerlijk interview in Het P. Hoe erg het Amsterdamse ambtenarenapparaat (22.000 ambtenaren) is vastgeroest: "Voor de kwaliteitsimpuls rond het slavernijmonument had ik met veertien directies te maken, en drie of vier wethouders." En het mooiste, over D66 Amsterdam: "Vroeger waren wij een partij van eigenzinnige mensen, en werd dat als iets positiefs gezien. Dat is best weggeëbd in de partij. (...) Ik voel me meer thuis bij het D66 van Rob Jetten van nu dan bij het D66 van Melanie van der Horst van nu. Dat is niet alleen te links, maar ook te weinig eigenzinnig, te volgzaam." Pats boem kledder, tot later Jan Bert.
Meta just released a new ad for its creeper glasses. In the video, Kylie Jenner, the new face of the glasses called Starfire, goes through a day-in-the-life style video from her point of view. Mostly, she’s led around her own house in a haze by various vendors and assistants. Kylie’s character makes half a glass of green smoothie, then we watch her bland interactions with a guy cleaning her pool, a grinning skincare brand employee who gently puts some cream on her hand and whispers “alright, let’s move,” someone bringing her a bouquet from her mom (she replies “thanks...”) and people moving a huge weird sculpture around her cavernous home.
The most emotion she displays in the ad is when she grabs a Persian cat and hoists it in a way I’d stop a toddler from doing. In a jarring transition away from the cat and the movers, we see her start inexplicably grabbing black spray paint from her massive closet (???) and jumping in an unbranded black SUV, then speeding to a billboard of her own face. In another unsettling transition that would work in an Ari Aster horror movie, the perspective is no longer from her own eyes, but from about 30 yards behind the car. We watch as she gets out, saunters to the blank space on the weirdly low-set billboard, and sprays “XO, KYLIE.”
Meta has endured years of brand crises with its smart glasses. In the years since Ray-Ban Meta glasses have been available to the public, we’ve almost exclusively seen them associated with cops, various gestapo-type stooges, unemployed creeps, and that guy at happy hour who wants to show you how the light turns on when it’s recording. During that time, 404 Media has documented all of this, and in the course of that reporting, heard time and time again from Meta that the glasses are NOT that creepy and definitely NOT cop-glasses.
When Jason broke the story about a Customs and Border Control (CBP) agent wearing Ray-Ban Metas to a raid, a Meta spokesperson asked 404 Media a series of questions about the framing of the article, stressing that Meta does not have a contract with CBP. The spokesperson asked why 404 mentioned Meta in this story — again, a story about Meta’s glasses seen on the face of an immigration officer. “I’m curious if you can explain why it is Meta will be mentioned by name in this piece when in previous 404 reporting regarding ICE facial recognition app and follow up reporting the term ‘smartphones’ or ‘phone’ is used despite ICE agents clearly using Apple iPhones and Android devices,” they said. I actually can’t parse this statement to this day. But Meta has seemed pretty stressed about the image of its smart glasses and slick Ray-Ban partnership for a long time. For them to sell to a mass market, the company desperately needed them to stop being associated with loser behavior, fast.
Each of us here have wondered aloud at various points in the last few years about whether Ray-Bans, the once-cool, hipster-coded, mid-luxury sunglasses brand, would keep tolerating this slow image suicide by association with Meta’s depraved quest for a more complete consumerist surveillance state. In October, Emanuel wrote: “I wonder how long Ray-Ban will want to be associated with this product, and if it’s going to tank the reputation of one of the most iconic fashion items in the world before it pulls out.” Ray-Ban hasn’t pulled out from its other offerings, as far as I can tell, and those glasses have reportedly made Meta and Ray-Ban’s parent company a boatload of money. There are many different brands and types of smart glasses being sold by Meta now, with other glasses brands. But it’s noteworthy that for this new It-Girl iteration, Ray-Ban is not along for the ride.
So: Meta’s in a coolness crisis, cops and stalkers are tainting the concept worse than Google Glassholes ever did, they had one chance. In comes Kylie. With the Starfire glasses, we have a few decades-long arcs coming full circle.
Meta’s products have been accused and found guilty of damaging young people’s self esteem, especially girls’ confidence and mental health, year after year to the point that it can only be described as a business strategy. Just this week, the company lost its bid to dismiss a lawsuit brought by 29 attorneys general who claim that “research has shown that children's use of Facebook and Instagram could lead to depression, anxiety, insomnia, interference with education and daily life, and self-harm including suicide,” Reuters reported. Meta has built the world’s most profitable and popular panopticon; Smart glasses that turn everyone into an influencer, narc, and walking data collection apparatus are the logical next step. Meta’s original mistake was aiming for middle aged men, the primary market for Ray-Bans. No one thinks that demographic defines coolness; women aged 18-24, however, have been right there all along. They just had to make the glasses slightly less nerdy looking, and put them on the world’s most recognizable, aspirational, brand-safe face.
They had a lot of these to choose from, and I’m not saying other influencers, or the celebrity influencer pool in general, is pure of heart apart from Kylie Jenner and the Kardashian extended universe. And the Kardashian name has its own poisonous brand associations that would rule Kim or Kylie’s other sisters out of the running for Meta’s new glasses product spokesperson. The Kardashians, while controlling and at times subverting the ways reality television and our parasocial culture prey on women’s bodies, could shake hands with Meta’s influence on girls’ body image. They’ve dictated the course of beauty standards unsubtly and effectively for years, to the point of becoming an endless research topic for social scientists, psychologists and anthropologists. Being like Kylie is seen as being cool, effortless, skinny, rich, unopinionated and unproblematic. And lonely.
The lifestyle in Meta’s latest glasses ad portrays an unattainably wealthy and kind of bored existence where Kylie never sees another person who isn’t on her payroll. These Meta glasses are anti-social from the jump. If all we have is this ad to judge the product, they’re not about capturing memories with your friends at the bar or a party. They’re about packaging one’s life and then viewing it as an out-of-body experience, like you’re already dead. As a piece of media, the ad is the inverse of Chris Samra’s “stealth” Waves smart glasses video, which portrayed the social life of a total fuckhead.
Contrast these with projects like Jenny Zhang’s Computer Angel, a hair clip camera prototype that records her life from her point of view. She records nights out, passes it to other people, takes it off and sticks it on railings to record herself dancing. The important part is that it looks like a camera on the wearer’s head, and isn’t trying to disappear. It reminds me of the very early days of lifecasting, the early 2000s genre of online live stream pioneered by Jennifer Ringley’s Jennicam and also countless early webcam models. I won’t romanticize that time, however: Justin Kan’s Justin.tv, a 2007 experiment in livestreaming, famously caught him getting swatted in his San Francisco apartment while on stream and was funded by Y Combinator and sponsored by companies like Zipcar and Bawls energy drinks (RIP). It grew into what we now know as Twitch.
Maybe it doesn’t matter that the Starfire glasses, or the Ray-Ban Metas, are an attempt to hide the camera from the subject. We assume the camera is everywhere now, anyway, and we all act like it. The primary emotions I feel watching the new ad are sadness and a vague, quiet discontentment. Meanwhile, Instagram is already full of young people, primarily women, unboxing, reviewing, and promoting the glasses. With Kylie’s star power behind these glasses, we risk losing our grip on the last shred of privacy, autonomy, and control of our own images online.
