Musk’s midterm donations, mostly for rightwing candidates and causes, surpass his contributions to Trump in 2024
Elon Musk has become the biggest political donor of the 2026 US midterm elections cycle, funneling about $366m into political groups and campaigns as he backs conservative candidates and rightwing causes. The world’s richest person has poured more than $276m into politics since July alone, some of the most rapid political spending in US history. He’s targeting key races that will determine which party controls the US Senate.
The New York Times first reported the spending numbers, which will be released in a federal filing on Thursday. Musk’s spending outpaces his 2024 presidential election contributions, in which he sunk nearly $300m into Donald Trump’s re-election campaign.
Richardson ‘disappointed’ to miss world championships
‘I understand the seriousness of what has been raised’
Matt Richardson has promised to cooperate with a British Cycling investigation into allegations of serious misconduct after he was withdrawn from this week’s Track Cycling World Championships in Shanghai.
In an Instagram post on Tuesday, Richardson said that he understood the seriousness of the allegations, which the Times reported were related to his behaviour to other riders, and promised that he would act with contrition to anyone he had offended.
Hello and welcome to live, minute-by-minute coverage of England v Greece at the King Power Stadium in Leicester. It should be a comfortable night for England, who lead 3-1 from Friday’s first leg in Crete, but the venue for tonight’s game is a reminder that the strangest things can happen in football. Greece are extremely long odds to shock England and win this World Cup playoff, but they’re not 5,000-1. Stranger things have most definitely happened.
The winners of this tie will meet Ukraine – who beat Slovakia 1-0 this afternoon to complete a 4-1 aggregate victory – in a decisive playoff. What England really want, aside from the bleedin’ obvious, is to improve on a mixed performance in the first leg. Sarina Wiegman was constructively critical after the game, saying that England weren’t tight enough and didn’t move the ball as quickly as she would have liked.
Embalming is one of the most common options for temporarily preserving bodies after death – but what exactly does it entail?
Most people don’t like to think about what happens to people’s bodies after they die. Victoria Bilstein is an exception.
“I’ve actually wanted to be an embalmer since I was 10 years old!” says the funeral director, embalmer and author based in the midwest. As a child, Bilstein had two leg surgeries that incorporated bones from two deceased donors. After that, she wondered about the people who had helped save her life and the families who had lost them.
Maatschappelijke problemen sijpelen de buitengebieden in en komen zo op het bordje van boswachters terecht. Drugsdumpingen zijn een groeiend probleem, op sommige plekken komt stroperij voor en ook wonen er steeds meer dakloze mensen in het bos. „Zolang zij geen plek hebben, blijven ze terugkomen.”
Auto- en spoorwegen in Nederland voldoen op veel plekken niet aan de NAVO-eisen voor infrastructuur, waarschuwt de Algemene Rekenkamer. Dat kan in oorlogstijd grote gevolgen hebben voor zowel militaire transporten als het dagelijkse verkeer van burgers.
Bij een beleggingsfondsencrisis in Turkije zijn sterke vermoedens van koersmanipulatie, waarbij ook mensen aan de top van president Erdogans AK-partij in beeld zijn gekomen. „Dit gebeurde met methoden die iedereen kon herkennen. De autoriteiten hebben veel te laat ingegrepen.”
Een breed gesteunde motie van defensiewoordvoerder Peter de Groot (VVD) roept het kabinet op maatregelen te nemen tegen hybride aanvallen. Het Kamerlid denkt vooral aan samenwerking binnen de EU. „Snelheid is geboden.”
AI-brillen maken van de publieke ruimte een wingewest van pestkoppen, gluurders en techbedrijven. Een samenleving waarin iedereen zich continu bespied voelt, zal geen prettige zijn om in te leven.
LUXEMBURG (ANP) - De Ierse minister Thomas Byrne (Europese Zaken) ontkent dat een paar landen een heel nieuw voorstel voor een nieuwe EU-meerjarenbegroting willen. De ministers van een aantal landen, waaronder buitenlandminister Tom Berendsen, hebben dat dinsdag tegen de pers gezegd. Die geluiden heeft Byrne in de vergaderzaal niet gehoord, zei de Ier na afloop van de vergadering.
Naast Nederland willen ook onder meer Duitsland, Zweden en Oostenrijk een nieuw voorstel, zeiden deze ministers dinsdag tegen de pers. De zaterdag door Byrne gepresenteerde onderhandelingsbox biedt volgens hen geen basis voor serieuze onderhandelingen.
"Deze landen, die meer aan de EU afdragen dan ze ontvangen, zien ons onderhandelingskader niet als basis voor een akkoord", zei Byrne. "Wij hebben nooit gezegd dat er al een basis voor een akkoord zou liggen. De opdracht was om een basis te creëren voor verdere onderhandelingen."
Nieuwe meerjarenbegroting
Volgens de Ierse minister hebben de ministers tijdens de vergadering "onderhandelingen voortgezet op basis van het onderhandelingskader dat wij hadden voorgesteld. In die zin is ons onderhandelingskader dus een succes geweest."
De EU-leiders spreken donderdag op hun top over de nieuwe meerjarenbegroting. Verschillende EU-bronnen verwachten dat de voorzitter van de EU-leiders António Costa de besprekingen met de lidstaten over de meerjarenbegroting van de Ieren gaat overnemen.
De EU-landen zijn nog steeds erg verdeeld over de hoogte van het budget en de verdeling van het geld over de EU-beleidsterreinen. Nederland en de andere netto-betalers willen een kleinere begroting met nieuwe prioriteiten. Landen als Spanje en Polen willen een veel hogere begroting en het budget voor landbouw en arme regio's behouden.
De vrachtwagen die dinsdagmiddag het fietspad van de Merwedebrug (A27) opreed, is er inmiddels weer vanaf. Het voertuig werd niet afgesleept, maar kon zelf achteruit de brug af. Daarbij werd wel nog schade gemaakt: op beelden is te zien dat er een lantaarnpaal in de berm ligt.
Sorry for the late newsletter today, we’re still a little sleepy. To ease you into this afternoon, I have an interview with the guy who coined the term “smutstep,” and has become a sensation among a very specific section of dark romance BookTok — as well as a lot of haters. I thought he had some interesting things to say about the content creation game and not taking yourself too seriously while respecting your own craft and audience. Enjoy.
Last week, a video came across my feed of a man saying horny lines over a dubstep beat. “On your knees,” he snarled. As the beat dropped, he growled, “Mmm, now look at me.”
“Instagram reels just showed me a guy who makes 'smutstep' for the booktok crowd and it is the funniest thing I have ever watched,” the person reposting the video on X wrote. The replies are predictably harsh: “I think this is actually the worst thing I have ever heard.” “Who the FUCK is demanding this 😭”
People demanding this is why it exists. DARQ DAGR, whose real name is James, is a dubstep musician and voice artist who’s been working in the voice acting world for years. But smutstep is what’s made his work go viral, in large part thanks to the people who hate it so much. Smutstep emerged as a reaction to BookTok, a subculture within TikTok built by book lovers and their various followings. Within BookTok, the romantasy book genre thrives, with series like The Fourth Wing and A Court of Thorns and Roses (ACOTAR) gaining massive readerships for their blend of elven high fantasy and dragon-based erotica. The romantasy genre is not a quaint fandom. It’s a billion-dollar industry.
Like so many online communities devoted to things a little horny and misunderstood, the wider world tends to scrutinize and discredit romance readers, especially when Fae fucking is involved. James, who wants people to know he does read the books too, saw a way into two niches that could compliment each other.
“I think what I like about the whole culture — the BookTok culture and dubstep culture — it's just letting your freak flag fly in a way,” he told me in a call. “It’s accepting and embracing what you're into within a safe and healthy space. I think that's a really beautiful thing.”
Sentry mode? The “security protocols” on a Tesla stopped a Homeland Security Investigations agent from placing a tracking device on it, according to a warrant reviewed by 404 Media. On Halloween of 2025, an HSI Special Agent filed a more than 60 page application to place a tracking device on the Tesla of a suspected drug trafficker in Milwaukee. Agents had been watching alleged drug dealer Sam Stair — a local landlord they believed was using his rental properties as the front for a drug trafficking operation — for months when they asked a judge to let them install a tracker on his car. According to the warrant application, Stair went everywhere in a white Tesla and the agents wanted to see where it was when they couldn’t keep eyes on it.
FROM AROUND THE WEB
Ghosting much... SpaceX will testify before the New York City Council this week about AI safety risks. This is after Elon and co ditched a hearing on Oct. 5.
Last week, a video came across my feed of a man saying horny lines over a dubstep beat. “On your knees,” he snarled. As the beat dropped, he growled, “Mmm, now look at me.”
“Instagram reels just showed me a guy who makes 'smutstep' for the booktok crowd and it is the funniest thing I have ever watched,” the person reposting the video on X wrote. The replies are predictably harsh: “I think this is actually the worst thing I have ever heard.” “Who the FUCK is demanding this 😭”
People demanding this is why it exists. DARQ DAGR, whose real name is James, is a dubstep musician and voice artist who’s been working in the music industry and voice acting world for years. But smutstep is what’s made his work go viral, in part thanks to the people who hate it so much – and the ones who demand more of it.
Smutstep emerged as a reaction to BookTok, a subculture within TikTok built by book lovers and their various followings. Within BookTok, the romantasy book genre thrives, with series like The Fourth Wing and A Court of Thorns and Roses (ACOTAR) gaining massive readerships for their blend of elven high fantasy and dragon-based erotica. The romantasy genre is not a quaint fandom. It’s a billion-dollar industry.
Like so many online communities devoted to things a little horny and misunderstood, the wider world tends to scrutinize and discredit romance readers, especially when Fae fucking is involved. James, who wants people to know he does read the books too, saw a way into two niches that could compliment each other.
“I think what I like about the whole culture — the BookTok culture and dubstep culture — it's just letting your freak flag fly in a way,” he told me in a call. “It’s accepting and embracing what you're into within a safe and healthy space. I think that's a really beautiful thing.”
James and I talked about modern artistry in a world where interactivity and engagement rule, why he doesn’t take all of this too seriously, and the value of escapism in a time when everything else sucks. And yes, I ask him to do the growl.
This interview has been edited for length and clarity.
SAM: I will admit just off the bat, I'm not in the BookTok world personally.
DARQ DAGR: Uh-huh.
I have nothing against BookTok. Beautiful community. But I can't get into it. I've tried like, ACOTAR. I haven't found my romantasy, I suppose. So I might ask you some dumb questions, but hopefully you can also serve as a little bit of an explainer for those of us who are not super in that world. Tell me how you got into this?
Yeah. So the thing is, it wasn't like when I was a kid, I was like, when I grow up I wanna growl. You know? I've been a trained professional vocalist for a really long time. I've done metal and I've done theatre, I've done pop, I've done rock. The reason I'm in Nashville right now is because I spent eight years in a country band that was touring the world. I just kinda do everything there is to do with my voice. I've been a professional performer and vocalist for a really long time. My wife is really into the BookTok world. And so I was exposed to the community and the books through her.
The first video that went viral for me was when I had just left my country band. And all I wanted was for the way I was presenting myself and expressing myself to be true to the things that I was into, which is dubstep. I had fallen in love with dubstep. I think it's the most beautiful community in the world. And then, I've always been a huge fantasy fan. I've always been really into Lord of the Rings and The Witcher and all that stuff. So getting into romantasy was not a big step for me, because I'm already a fan of fantasy. Making that video was me kind of saying, ‘I feel like a lot of these BookTok boys are getting the growl wrong.’ And then I did a growl that I did from back in my metal days. And it just blew up and it created this whole community of people who were really into the growl. But I was not the first person to do the growl.
There's another creator who was doing it long before me. His name's Michael Ayok. I can't take credit for being the first to BookTok growl, but I definitely get a lot of recognition for it.
Obviously I wanted to be producing dubstep music, but my community all wanted me to growl, so it was like, how do I make this make sense? And so I just started growling in my dubstep and inadvertently created a subgenre of dubstep called smutstep. It's all community driven though. Honestly, even the name smutstep was a comment on one of my videos.
Somebody had requested that I growl ‘sit down’ and I did a video growling it that did really well. So I was like, well, let's just make a dubstep drop out of this. It's community driven, and it's fun. I'm glad that people are liking it.
I think the biggest issue though is that... I'm having fun. I do not take this seriously. Again, it wasn't a dream of mine to grow up and growl at people. I took two very niche communities — the dark romance BookTok niche community, and the dubstep community — that are not designed to be exposed to general culture. So there's a lot of hate that comes with that and a lot of negativity. People react very strongly to what I do. And I think that that's as an artist, I think that's effective art. You want people to be moved to an extreme. You know? But you cannot control what that extreme is gonna be.
There are people that treat me like Marilyn Manson in the nineties. His art is meant to be taken seriously. He is making a social commentary where he's putting a mirror up to society and showing how ugly it is. Whether you love that or you hate it, it's meant to be taken seriously. Smutstep is not meant to be taken seriously. If you enjoy it, that's awesome. You know what I mean? I'm having fun with it. I love the community I've created around it. We're all having fun. But it's not meant to be taken as seriously as so many of the haters take it.
Yeah, it's broken containment from these specific niche communities, into the wider world. Which is the curse and blessing of social media, I guess. Something breaks out and becomes viral and then everybody's aware of it, even people who maybe are not the audience.
I sent you the link to the video that's got a million views now on X, and all the comments and replies are really rude. So just be warned. People are like, ‘I'm never gonna unmute this. I would never unmute this to save my life,’ that kind of thing. And like you said, it’s not that serious. If it's not your thing, that's okay. Move on.
But what do you think about those comments? The ones that are like, ‘this is gigacringe.’
That's been a lot of what I deal with on other platforms. Facebook and TikTok are way better. On Instagram, l have my comments limited to people who follow me because it's just so much hate.
People are crazy on Instagram. People will say the most sideways shit on Instagram.
Yeah, and that's that's the thing. Like obviously, as much as we're all just having fun, of course it does mentally take a big toll on you.
You said this is community driven. Were people waiting to have this sort of thing enter their already-existing BookTok community, or where do you think it comes from? Why are people resonating with this?
Men in BookTok is not a new thing. Making it dubstep is my brand. But for me, smutstep is like the KISS makeup. It's a gimmick. Everybody needs something that makes them stand out. So right now, smutstep is what makes me different, it's what makes me unique.
Most of my content is based off of people making requests in the comments. I think that may be why it's taken off the way it has. Obviously it has to do with me, but it has so much to do with the people who are enjoying it. This is something that I think in a lot of ways is actually a much more modern take on entertainment. From its inception, it’s community demand, and giving people what they want within what I wanna do. I'm not doing something I don't wanna do. It's like, all right, you guys want this? Well, I'm gonna make it, but I'm gonna go the dark romance route and make it super aggressive, because I want to make dubstep out of it, and people are like, ‘That's fucking dope.’
Are you familiar with like the romantasy theme park videos?
No. No.
Oh my god. You would get a kick out of this, and probably your wife would also, but it's part of SeaWorld. You know how around Halloween, theme parks will do like horror nights, and characters come out and chase you? It's that, but it's BookTok boys.
I'll send you a link. But it has gotten a really big reaction from wider culture, where people are like, ‘this is so cringe and weird.’ The execution is really cringe and weird, but it is responding to something people wanted, which was: romantasy in a more interactive way. Is there anything that people are demanding from you more than other stuff?
There's a book series called The Fourth Wing and there's a dragon in it called Tairn. Somebody said that Tairn should be Scottish, because his name is Tairneanach, which is a Scottish name. So I did a growl, but in the Scottish accent.
I do another series with masked growls. I'm supposed to do one today, if the mask gets here in time. It’s a Scream mask 'cause we're in spooky season, and people have been wanting that for as long as I've been doing this.
I think what I like about the whole culture — the BookTok culture and dubstep culture — it's just letting your freak flag fly in a way. It’s accepting and embracing what you're into within a safe and healthy space. I think that's a really beautiful thing. Maybe it's just as I get older, but I'm just so disillusioned with reality and I constantly want more escapism for myself, and want to give others more escapism as well. So that's kind of my goal as an artist is just escapism.
That’s a huge appeal of fantasy and romance in general. I'm also a big Lord of the Rings fan. That type of fantasy I can get with. I wonder if Lord of the Rings launched today, if we would be calling it romantasy. I guess there's not enough sex in it though.
The thing about romantasy is, there does need to be pretty pretty graphic scenes in it. But Lord of the Rings has none of that. I do read the romantic stuff too. I don't wanna be somebody who just does it for the views. I do read both.
Do you think people have picked up on the smutstep genre since you started? Are there new people doing it?
I haven't noticed, but that doesn't mean someone's not out there trying and just hasn't had a video hit yet. And to be honest, I'm not surprised. I think that it's one of those things... It's human nature to have an aversion to something new that they don't understand. It’s still in the phase where I think it's more ‘what the fuck’ than something that is socially acceptable. Which again, it was never meant to be broadly socially acceptable. It was meant to be niche-acceptable, which it already is. I don't think there's a lot of people trying to do it because I think people are too afraid of having to deal with the same stuff I deal with.
I would be remiss in letting you go if I didn't make you do a growl. Would you be willing to offer us a growl?
I can. It's not going to be that loud, because I don't have a mic, but I can do one. Ready?
[Growls]
Did you hear it? Did it pick it up?
It was like a growl in the distance. I'll practice mine. I'll do it on the podcast maybe and you can critique my growl.
Nothing sells AI products as well as fear. Using new research, Anthropic claims that self-replicating AI worms could be just months away from spreading across vulnerable IoT devices, which would be a problem if it came true. The frontier lab published a research report Monday suggesting that AI models could eventually self-replicate without relying on datacenter hardware, with a 9-billion-parameter model successfully setting up inference on eight of the nine hardware types Anthropic tested. “A replicator like this would be challenging to shut down, since there’s no centralized point to shut off,” Anthropic warned, adding that such an AI worm could also suss out the workings of unfamiliar devices, potentially making it more adaptable than conventional botnets like Mirai, Kimwolf (the representative IoT botnet threat model used in the study), and others. Anthropic’s researchers managed to get a distributed instance of Gemma4-26B-A4B running across 15 generic Android set-top streaming boxes - a common target of traditional botnet malware due to their lax security. Once up and running, the distributed Gemma4 model was able to conduct inference tasks at a blistering 0.39 tokens per second. That, says Anthropic, proves that AI models can conduct inference with their various layers distributed across cheap hardware, but it doesn't prove such a model could self-replicate. For that, the researchers turned to Z.ai’s GLM 5.2. GLM was used to propagate a copy of Llama3.1-8B across eight Google Cloud instances running an Android 15 emulator in a virtual private cloud, which Anthropic said it was able to do with a high degree of success, with the model successfully spreading to all eight nodes in four out of five trials, and seven of eight in the other. “It appears that GLM-5.2 is able to propagate Llama3.1-8B well, which suggests that future small models of the same capability level could also complete the network enumeration, payload delivery, and inference standup steps of the replication process,” Anthropic explained. Sanity check: This isn’t going to end the world, either Frontier AI labs have become adept at publishing findings that portend doom that only they can prevent. Doing more than a cursory reading of this report suggests that this threat is just as deserving of a big, honking asterisk as the rest. Take, for example, what is needed for an AI model to exploit vulnerabilities and spread to various systems. One would think that such an element would be an important part of demonstrating the danger of a self-replicating AI botnet, but Anthropic decided it didn’t need to worry about that for this study. “We largely ignore the cyber exploit element of the replication process, since earlier papers CyberGym, ExploitBench, and adaptive worms already show that small models are capable of cyber exploits, especially when given the right tools,” Anthropic explained in the writeup. In other words, the replication these models managed to achieve was done on nodes that were custom-built for this project and deliberately left open to attack, although the draggingly slow inference demonstration ran on real, inexpensive Android TV boxes. As Anthropic notes, AI models can also benefit from being given the right tools to turn them into capable cyberattack agents. There was a custom-built harness called Memento involved in this scenario too. Are IoT nodes that get hijacked by botnets famously insecure? Yes, but it doesn’t take much to prevent the most common ingress routes – that’s just good security hygiene that has nothing to do with the involvement of AI. Anthropic acknowledged that its deliberately simplified exploitation tests provided “an upper bound on real-world success.” Then there’s the aforementioned speed. Anthropic says such AI worms would be challenging to shut down, but estimates that they might take days to double in size. When Mirai appeared on the scene in 2016, it was doubling in around an hour. Anthropic points out that speed is a factor in detection and mitigation, too. AI models are not simple malware packages: They’re massive things that would eat up tons of bandwidth and quickly point to their sources. As an AI botnet grew, that traffic could become more noticeable, making infected devices easier to detect. Finally, end-to-end replication may have been successful with GLM-5.2, but that’s it. Anthropic tested other open-weight models, and they all “fail[ed] reliably,” according to the report. Anthropic didn’t mention how many models it tested. The report also mentions that GLM’s unique success has another important condition: It assumes its capabilities “could be packed into Llama3.1-8B,” stacking another assumption onto this latest house of doomsaying AI cards. “Models of 30B parameters and under can already complete many of the individual steps for replication today, though they make mistakes when composing them end to end,” Anthropic said, while noting that GLM-5.2 was capable of end-to-end replication, conveniently leaving out all the important caveats. Anthropic further admits that it has no idea "exactly what form autonomous AI replication will take,” or when it might arise, if ever. “If small models improve at their historical rate, they’ll match this capability level by the end of this year,” the company added – again imposing an essential condition on this supposed threat. “As a prediction that goes beyond our experiments, we expect a future awash with agents running on all types of hardware, including some that aren’t under human control,” the company said at the end of its report. “We should aim to harden our systems to make it difficult for such replicators to spread, but also prepare to deal with a world where they are here to stay.” Here to stay for a given value of not existing yet, of course. Yet again, a frontier lab is warning us of a threat that doesn’t exist yet – at least in this case, basic security measures could make life harder for any future AI-powered botnet. ®
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