Hoe voorzie je het Tourpeloton van voldoende water tijdens een etappe in veertig graden? Mee met de neutrale wagen achter de kopgroep, waar ze merken hoe de hitte de chaos in de koers vergroot. „Pfff, wat een stress, jongen.”
SergioQ79 - Osanpo Photographer - posted a photo:
A Uguisudani la strada tiene insieme funzioni diverse senza fare troppo rumore: centri massaggi, love hotel, izakaya, piccoli locali, persone che passano. Non è una Tokyo nascosta perché sia difficile da trovare. È nascosta perché molti la attraversano senza guardarla davvero. Anche qui la vita quotidiana continua, tra insegne accese, entrate strette e soste brevi.
鶯谷では、いろいろな場所が同じ通りに並んでいる。マッサージ店、ラブホテル、居酒屋、小さな飲食店、そして通り過ぎる人たち。見つけにくいから隠れている東京ではない。多くの人が見ないまま通り過ぎるから、隠れているように見える。明かりのついた看板、狭い入口、短い立ち寄りの中で、ここでも日常は続いている。
In Uguisudani, the street holds different functions together without making much noise: massage shops, love hotels, izakaya, small places to eat, people passing through. This is not a hidden Tokyo because it is hard to find. It is hidden because many people cross it without really looking. Daily life continues here too, among lit signs, narrow entrances, and short stops.
Thomas Hawk posted a photo:
Prahok ktiss: pork belly slowly simmered in coconut milk, fragrant kroeung, prahok, palm sugar, chilies. served with crunch seasonal vegetables An essetial dip for every Cambodian meal.
Fun thread: “sodas with a doctorate” (e.g. Dr. Pepper).
The lively flora and fauna of a tiny Filipino island commingle with harrowing memories of California prisons in the surreal works of Gil Batle. Entirely self-taught, Batle honed his skills while incarcerated over the course of 25 years, drawing and eventually tattooing in a clandestine practice. Today, he’s immigrated to his parents’ native country, where he continues to reflect on the decades he spent in confinement.
Batle’s Double Life is a new body of work that explores these dual experiences. On white porcelain plates, the artist renders strange, unsettling compositions in which violence and a desire for freedom pervade every inch. Bird cages—common symbols for incarceration— are aplenty, while chains, barbs, and shivs haunt the scenes.

Utilizing such a commonplace, fragile, and even prized material, Batle sets a poignant backdrop for considering his blue acrylic paintings. The delicate porcelain both nods to the precarity and breakable nature of life, while also symbolizing traditional ideas of civility and propriety. Juxtaposing these domestic objects with scenes rife with struggle and brutality offers uncanny insight into one of humanity’s continually barbarous acts.
Double Life is on view through August 21 at New York’s Ricco/Maresca, a contemporary gallery representing outsider, self-taught, and folk artists.





Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article The Longtail of Incarceration Unfolds in Gil Batle’s Surreal Narratives appeared first on Colossal.

Ja mogen we ons even zes kwartier achtereen doodlachen en driehonderdeenenveertig keer 'goh' zeggen om dat idiote ideetje van de Amsterdamse politie: de politiepaal. De ontwikkeling van deze faalpaal duurde jaren, jaren die helemaal niemand meer terugkrijgt nu het prestigieuze project tegen etnisch profileren al na één jaartje faliekant is mislukt. Niemand in de hoofdstad kon kennelijk vooraf bedenken dat het hier niet ging om de allerbeste uitvinding sinds de airfryer. De Telegraaf stelde de politie vragen over de resultaten, maar de politie beantwoordde die niet. Zou zomaar kunnen dat er helegaar geen resultaten te overleggen zijn. In ieder geval staan burgemeester Halsema, de Amsterdamse politie en de Amsterdamse politiechef Holla stokstijf voor paal (ja ja we gaan al, net als die paal dus). Douw die faalpalen dus maar snel diep een donker hol in, praten we nergens meer over. Doe alleen wel weer gewoon ouderwets preventief fouilleren, in plaats van willekeurige omaatjes van 89 je politiepaal te laten toucheren. Scheelt weer!