From Drag Race to Eurovision to Strictly, La Voix is going stratospheric. And Chris Dennis, the man behind the crimson coiffure, is thrilled. He talks about his cruise ship highs, doing panto with Cilla – and starring in Annie

‘I’ve done more cruises than Jane McDonald,” says Chris Dennis with a hoot. About 130 in all, he reckons, which his agent said surpassed McDonald, the most famous cruise ship singer there is. You won’t find Dennis’s name on any billing, though, and most of the thousands of people who have seen him perform won’t know it either. But they will know his alter ego, La Voix, a “northern powerhouse” of show tunes, sharp quips and bright crimson coiffure. Perhaps you’ve seen her slaying the runway on RuPaul’s Drag Race, dancing a pasodoble to Beethoven’s Fifth on Strictly, or appearing as a “spokesqueen” on the recent Eurovision. And now she’s about to sashay into her first role in a musical – as Miss Hannigan in Annie.

La Voix is an amalgam of the women Dennis knew growing up in Stockton-on-Tees: quick wit, warm heart, belter of a voice, and always in possession of a sparkly top for a night out. After 17 years of Drag Race on TV, we’ve seen the vast range of what drag can be, from high fashion to political to performance art. But La Voix is classic old school light entertainment. Who, I ask Dennis, are your comic influences? “Ken Dodd,” he says without a beat. “The terrible jokes that just make you laugh. Bang, bang, bang, joke, joke, joke.” Barry Humphries’ Dame Edna and Paul O’Grady’s Lily Savage are big influences, too. And when TV’s Loose Women asked La Voix about dancing with Strictly partner Aljaž Škorjanec, her reply – “To be flung round the room by a muscular Slovenian, you’re not going to say no, are you?” – was pure Victoria Wood.

Continue reading...

The great showman has spent the last 50 years on stage, followed by his adoring “fanilows” - but he’s not slowing down yet. Here, he talks about cancer, ridicule and roaring success

His name is Barry, he is a showman – as we all know. But late last year, after more than 50 years of constant performing, it began to look like the Manilow show was coming to an end. In December, the 82-year-old singer announced he was about to undergo surgery for lung cancer, and postponed his planned live shows. Thankfully, the cancer had not spread and the treatment was successful. But around the same time he released a new single, ominously titled Once Before I Go. The accompanying video showed him saying goodbye to his palatial quarters at the Las Vegas Westgate resort, where he has had a residency for the past eight years, and wistfully reminiscing over old costumes, intercut with footage of him in his 80s prime. It sure looked as if he was shutting up shop.

But no: “That was just an accident,” says Manilow of the video. Really? “Yeah, we didn’t do that on purpose.” The song was actually written in the early 80s by veteran songwriter Peter Allen, he explains, but he felt he was too young to sing it when he first heard it. “It’s a beautiful song and it’s got nothing to do with me. It’s saying goodbye to a romance, you know. But it just so happened that it sounds like I’m talking about myself.” Far from going anywhere, Manilow’s got a new album out next week, and a string of new tour dates lined up.

Continue reading...

Bonolo Selelo and Tsholofelo Kumile are going to court for right to wed but face fierce opposition from church groups

Bonolo Selelo was at Botswana’s national museum for a Gaborone Pride event when she spotted Tsholofelo Kumile and was struck by her good looks. The two initiated a conversation and when Kumile expressed anxiety about what a tarot reading at the event might hold, Selelo thought nothing of offering her a hug. The reading turned out positive but Kumile claimed her hug anyway and they talked for hours.

That was 1 October 2023. Two months later, they moved in together. Then, on a hike during the Easter holidays in 2024, Selelo proposed to Kumile. A year later, they visited a local government office to register their intent to marry and were told it wasn’t legal.

Continue reading...

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

Thomas Hawk posted a photo:

The baby owl that Bart Richwalski picked up in the fall was unlike anything the wildlife rehabilitator had seen. The bird had become trapped in a truck-mounted concrete mixer, leaving hardened concrete caked across the owl's small body, from his face to his tail feathers... But there was a problem that stopped rescuers from returning the owl to the wild: His right wing made a whooshing sound when he flew. (WaPo gift link, archive)

AI "crashed the party" at this year's Cannes Film Festival, writes The Hollywood Reporter. The festival exposed "the fault lines reshaping cinema," their article argues, including how "AI is here — and the industry has stopped pretending otherwise."

A humanoid robot spotted marching up and down the Croisette seemed to sum up the worst AI fears of the film industry — the machines have arrived and they are taking your place. But inside the Palais and the market tents, the conversation over artificial intelligence had moved beyond fear into something more like uneasy acceptance. Fighting AI "is a battle we will lose," said Demi Moore, a Cannes jury member this year, at the festival's opening press conference, suggesting the film industry needs to "find ways in which we can work with it."

That's not the official Cannes line. The festival has banned films using generative artificial intelligence from its competition lineup. But at the Cannes film market, and in discussions at industry events over the past two weeks, the tone has shifted. AI-friendly tech giant Meta signed on as an official partner to the festival in a multiyear deal. Its AI tools were used to help produce an [out of competition] festival entry: Steven Soderbergh's documentary John Lennon: The Last Interview. [Meta's press release announcing the partnership touts "our creator partnerships," their Meta AI assistant, and "our latest AI and wearable technologies" including Ray-Ban Meta AI features for smartglasses like "AI-powered translations that break down language barriers in real-time".] At the Marché du Film [film market], there was an "AI for Talent Summit" that took the AI revolution as given, focusing instead on ethical AI use, data sovereignty and on the ways the technology can be used to enhance, rather than replace, creativity.

For the indie film industry, it felt like a turning point.

Read more of this story at Slashdot.