Passing the buck, and the blame, down the road shows lack of AI companies' maturity

OPINION  AI vendors: "You need to use AI to fight AI threats (and do everything else in your corporate IT environment)." Also AI vendors: "That's not a security flaw; it's working as intended."…

Actor who worked with the great French auteurs in the 1970s and 80s and starred in Spielberg’s Catch Me if You Can died of Lewy body dementia, says family

The French film star Nathalie Baye, who starred in Steven Spielberg’s Catch Me If You Can, has died at the age of 77, her family said on Saturday.

Baye, a stalwart of French cinema, starred in about 80 films and took home the best actress César, France’s equivalent of the Oscars, four times, including three years running from 1981 to 1983. She died on Friday evening at her home in Paris from Lewy body dementia, her family told AFP.

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Baking cookies or making stock with the lid off; visiting the smallest room and making use of all the rooms; we each have ways of turning a house into a home. Generally speaking, though, we tend to refrain from inviting round hated former neighbours in the hope of smashing them up in front of a worldwide audience; good old football.

Of course, in such context, such behaviour makes perfect sense: the thing that most firmly anchors us to a place is shared experience. Except those can be both positive and negative and so far, Everton’s record in their new digs is spotty – they’re 14th in the home table – as it is in home derbies – they’ve won one since October 2010 and just four in the league this century. Which is to say can invite the hated former neighbours in, but there’s no guarantee they won’t wreck the gaff and you with it.

Americans having less kids plus an ageing population could be a recipe for disaster that further erodes social stability

Remember environmentalist Paul Ehrlich’s 1960s-vintage prediction about how overpopulation would deplete the Earth’s resources and condemn millions to starvation? His Malthusian condemnation of humanity’s voracious appetite has kept a grip on the debate over the future of the planet, even scaring the young out of having children.

Ehrlich was wrong. Yet as we have come around to the thought that overpopulation won’t kill us all, we are being walloped by another demographic emergency: we are not having too many kids, we are having too few. This problem is real.

Our minds evolved to minimise unpredictability. But if we learn to live with doubt, a world of opportunities opens up

It can feel as though the world is tilting towards chaos: political shocks, economic instability, technological upheaval and a constant stream of bad news. Faced with so much uncertainty, many of us default to a sense of impending doom. But is that reaction hardwired – or can we train ourselves to keep a more open mind?

A useful starting point is humility. Every generation, it seems, believes it inhabits uniquely turbulent times, as literary epics down the ages testify. Uncertainty has always been part of the human condition, and none of us can really know what tomorrow holds.

First there was the double tragedy that tore the family apart – then came a deadly diagnosis. The writer reflects on life after the death of her novelist husband

I am alive. My husband, Paul Auster, is dead. He died on 30 April 2024, at 6.58pm here in the Brooklyn house where I am now writing these words. He was diagnosed with non-small cell lung cancer in January 2023. But before that, in early November 2022, Paul had a CT scan in the emergency room at Mount Sinai West hospital. The radiologist spotted a mass in his right lung and noted it might be cancer.

We all die, but only some of us know our lives could end soon. Although I had often thought about what it would mean to live without Paul, I began to imagine it more often. I imagined walking around the house alone. I imagined grieving. If your father dies, I said to our daughter, Sophie, I will lose my every day.

The singer is not only a hero for gay men. For a young lesbian like me in the 1990s, she was an object of desire and an inspiration

Recently, when Madonna deleted every post from her Instagram profile, it was as if a gay flare had been fired around the world.

Cue a flurry of texts from gay male friends, with one declaring that this “purging of the Sistine Chapel” meant the release of Confessions on a Dance Floor: Part II was imminent, 20 years after her original disco masterpiece, because Madonna had pulled the same stunt on Instagram in 2023 before announcing our gay Christmas: the Celebration tour.

Tiff Bakker is a New York-based writer who specialises in arts and culture