europeanspaceagency posted a photo:

At 17:07 local time (Pacific) on 10 April (01:07 BST/02:07 CEST on 11 April), NASA's Orion spacecraft and its crew splashed down safely in the Pacific Ocean, marking the successful end of the Artemis II mission, humankind's first journey around the Moon since Apollo 17 in 1972.

ESA's European Service Module powered the spacecraft over 1 million kilometres through in deep space, providing air and water for the astronauts, generating electrical power via its four solar arrays, maintaining thermal control and delivering propulsion.

Mostly built by European industry under ESA leadership, the European Service Module was assembled by Airbus Defence and Space in Bremen, Germany, with contributions from companies across 13 European countries, involving 20 main contractors and over 100 European suppliers.

Throughout the mission, European engineers supported operations around the clock from ESA's centres in the Netherlands and Germany, as well as alongside NASA teams in Houston, ensuring Orion and its crew completed their journey safely around the Moon and back home.

Credits: NASA

A killer itch and a trapped group of strangers make for a tense, if uneven, horror that balances grisly shocks with sketchy character drama

This horror is set in a world where a highly contagious disease causes itching so severe that the scratching proves quickly fatal; finally, a film targeting the under-served eczema community! The body horror elements are realised extremely effectively, with a woman literally tearing at her skin being the most effective set-piece. Alas, the film doesn’t have the scope (on what was clearly a modest budget) to indulge in very many of these. Much of the rest of the runtime is the pressure-cooker conversation that occurs between a motley crew of so-far-uninfected civilians caught out at a department store. While the reason they are trapped is horrific, this makes the film at least as much a character study as it is a horror, with variable results.

Scenarios from classic films which the film-makers may have had in mind include the hard-pressed band of isolated scientists confronting a shape-shifting monster in John Carpenter’s The Thing, the mismatched duo defending a defunct police station under siege in John Carpenter’s Assault on Precinct 13, or even a non-John Carpenter film, Night of the Living Dead, in which survivors hole up in a farmhouse. The key to these types of films is a blend of genre excitement and character dynamics. It would have been great to see more of this from Itch!: on the one hand, a slightly bigger budget for more of the gnarly effects it pulls off so well in some brief scenes, and on the other, a sharper script to serve the human aspect.

Continue reading...

Exclusive: Victoria and Albert Museum has deleted maps and images deemed sensitive by Beijing censors from exhibition publications

One of the UK’s leading museums has accepted demands by a Chinese firm that publishes its catalogues to remove images that fall foul of the country’s censorship laws.

The Victoria and Albert Museum has agreed to requests by the Chinese printing company it uses to delete maps and images from at least two recent exhibition catalogues, according to documents released to the Guardian under freedom of information.

Continue reading...

When your boss asks to meet, do you assume you’re about to get fired? Experts explain this common pattern

Your boss asks you for a meeting later in the week; you have never received negative feedback, but you automatically assume you’re about to get fired. Thoughts begin to swirl as you imagine the consequences: soon, you’ll be unemployed and unable to pay your rent.

Or, perhaps, when your partner is a little late coming home, you visualize a terrible accident on the motorway, their car crushed in the pile-up.

Continue reading...

Paper says a single binary operator could replace a lot of scientific heavy lifting

Every now and then, a researcher comes up with something that sounds either wrong or unoriginal to outsiders – yet carries just enough of a chance of being correct, novel, and consequential to demand a closer look.…

Amin Abou R. verschijnt in de rechtszaal met een speldje op: ‘Free Palestine’. Als hij voor de rechter plaatsneemt, pakt hij zijn gebedssnoer. “Ik probeer mijn volk, de Palestijnen, te helpen waar ze ook zitten.” Het gaat om miljoenen euro’s. Waar ging het naartoe? Volgens het Openbaar Ministerie naar Hamas.

Verkiezingswinnaar Péter Magyar wil de banden van Hongarije met Brussel herstellen, en de miljarden aan stopgezette Europese subsidies losweken. Maar daar moet hij wel eerst wat tegenoverstellen. „Alleen het feit dat hij niet Viktor Orbán is, is niet genoeg om het geld te krijgen.”

This is a current list of where and when I am scheduled to speak:

• I’m speaking at DemocracyXChange 2026 in Toronto, Ontario, Canada, on April 18, 2026.
• I’m speaking at the SANS AI Cybersecurity Summit 2026 in Arlington, Virginia, USA, at 9:40 AM ET on April 20, 2026.
• I’m speaking at the Nemertes [Next] Virtual Conference Spring 2026, a virtual event, on April 29, 2026.
• I’m speaking at RightsCon 2026 in Lusaka, Zambia, on May 6 and 7, 2026.
• I’m giving a keynote address and participating in a panel discussion at an ICTLuxembourg event called “Europe at the Crossroads of AI, Power & the Future of Democracy.” The event will be held at the University of Luxembourg’s Belval Campus on May 12, 2026.
• I’m speaking at the Potsdam Conference on National Cybersecurity at the Hasso Plattner Institut in Potsdam, Germany. The event runs June 24–25, 2026, and my talk will be the evening of June 24.

The list is maintained on this page.