Rollback of government’s ability to limit climate-heating pollution from vehicles will make families ‘sicker and less safe’, environmental advocate says
The Trump administration has revoked the bedrock scientific determination that gives the government the ability to regulate climate-heating pollution. The move was described as a gift to “billionaire polluters” at the expense of Americans’ health.
The endangerment finding, which states that the buildup of greenhouse gases in the atmosphere endangers public health and welfare, has since 2009 allowed the Environmental Protection Agency (EPA) to limit heat-trapping pollution from vehicles, power plants and other industrial sources.
Continue reading...Canadian authorities seized firearms from the residence approximately two years ago but later returned them
Police have said they were called on multiple occasions to the home of the teenage suspect behind one of Canada’s deadliest school shootings after concerns were raised regarding mental health problems and weapons.
Six people, including a teacher and five children, were killed in a school shooting on Tuesday in the western Canadian town of Tumbler Ridge. About 25 other people were injured and two of them remain in critical but stable condition.
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MHKBB posted a photo:
Camera: Hasselblad 503CW
Lens: Carl Zeiss C-Planar T* 2.8/80
Film: Ilford XP2 super 400
Szilveszter Makó’s enigmatic photographs carry layers of mystery and introspection. Standing inside curious block-like backdrops and lain against two-dimensional fields of color and texture, his subjects seamlessly meld into stories in which every detail carries intention.
Taking inspiration from art history, the Milan-based artist references Surrealism and grotesque art through his use of chiaroscuro effects via light exploration and contrasting earth tones. Similar to 20th-century Surrealist paintings, Makó’s images delve into uncanny realms and evoke a dreamlike sense of unfettered imagination. It’s no surprise that the photographer was once a painter and has suggested that these impulses may be a subconscious homage to his earlier chapters.
Mystery presents itself in Makó’s photos through tactility that’s difficult to pinpoint. Subtle but moody elements—such as grain and halation surrounding moments of brightness—point to the possibility of filmic qualities achieved by chemical reaction, rather than digital manipulation. While the photographer doesn’t divulge his specific post-production techniques, he explains, “I would not call it a secret but more of an unorthodox process… those who understand the history of analog photography could probably recognize what I am doing.”
Makó’s strong sense of style can be attributed to his distinct mise en scène, consisting of handmade props made with recycled materials, carefully constructed theatrical environments, and bold yet often sculptural garments that add visual interest through elongated lines and exaggerated silhouettes. Often highlighting designer pieces by Schapiarelli, Maison Margiela, Prada, Bottega, and more, the artist has also teamed up with more commercial names, such as Zara, and most recently, Adidas.
“When we come into the studio, everything that my team and I have prepared, like the props, the costumes, and the designs, pile up in one room,” Makó shares in a conversation with Artribune. “I like to see it all collide. As what we imagine beforehand does not always want to come together in the way we planned.”
One of the most distinguishable motifs across the artist’s images is a box. This cubic element appears in many forms—a confined space that models find themselves in, the repeating shapes that make up checkered floors, house-inspired headpieces, or, more recently, its evolution into a two-dimensional compositional element in playful flat-lay photographs. “For me, the box is both a restriction and a liberation,” Makó notes. “It centralizes the host whilst simultaneously amplifying it, preventing energy from scattering across the frame.”
While the box’s formally geometric characteristics lend itself to an evolution of order, structure, and guidance, the photographer also enthusiastically welcomes spontaneous moments, explaining that “control makes images cold and calculated, leaving much without meaning. A shoot should breathe, it should evolve, it should shock even those who are making it.”
Although Makó regularly works with a slew of well-known celebrities—such as Elle Fanning, Bad Bunny, Michelle Yeoh, Willem Dafoe, Cate Blanchett, and more—he possesses a unique ability to transcend the veil of fame, artfully translating even the most recognizable faces into something entirely of his own. He shares, “I do not treat celebrities differently from anyone else. We enter the room as equals. The set is not a hierarchy, it is a space where we work together.”
See more from the photographer on Instagram, and find his images published in editions of Vogue, The Cut, Acne Paper, Vanity Fair, GQ, and more.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Szilveszter Makó’s Surreal Photographs Reconstruct the Boundaries of Portraiture appeared first on Colossal.
