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Music publisher Primary Wave said to have bought rights to pop star’s music, including Toxic and Baby One More Time
Britney Spears has sold the rights to her music catalog, which includes hits such as Toxic, Baby One More Time and Gimme More, according to media reports.
The music publisher Primary Wave is said to have purchased the pop star’s music rights on 30 December, TMZ reported on Tuesday, citing legal documents. An unnamed source “familiar with the deal” confirmed the sale to the New York Times.
Investigators are closer to uncovering the mystery of what happened to missing Belgian tourist Celine Cremer after a major discovery in the wilderness.
Five bones, teeth and a Honda car key were found by Tasmania police after a two-day search of the Arthur River area, where Cremer is believed to have disappeared.
An anonymous reader shares a report: The Trump administration wants some of the world's largest technology companies to publicly commit to a new compact governing the rapid expansion of AI data centers, according to two administration officials granted anonymity to discuss private conversations.
A draft of the compact obtained by POLITICO lays out commitments designed to ensure energy-hungry data centers do not raise household electricity prices, strain water supplies or undermine grid reliability, and that the companies driving demand also carry the cost of building new infrastructure.
The proposed pact, which is not final and could be subject to change, is framed as a voluntary agreement between President Donald Trump and major U.S. tech companies and data center developers. It could bind OpenAI, Microsoft, Google, Amazon, Facebook parent Meta and other AI giants to a broad set of energy, water and community principles. None of these companies immediately responded to a request for comment.
Jason Mitcham’s childhood home in Greensboro, North Carolina, is no longer standing. In 2011, the local government seized the house and the land he grew up on via eminent domain to widen what was then High Point Road into what’s now Gate City Boulevard. Mitcham last saw the site in 2023, when a paved highway blanketed where the neighborhood once stood, and fragments of garages and barns still marked the landscape.
To memorialize this beloved landmark, Mitcham hand-painted “Ever Behind the Sunset,” a touching stop-motion film that combines a series of expressive compositions with audio from the artist’s mother and his own home videos taken throughout the 1980s. Panels of thick, gestural brushstrokes animate a story of loss, grief, and remembrance as if viewed through a dreamlike haze.
Mitcham shares that the film reflects a series of compounding devastations, both personal and local: “the collapse of my father’s civil engineering and land-surveying firm after the 2008 housing crisis, my parents’ bankruptcy, his death, followed by my mother’s, and the community’s fight against the commercial development that would permanently alter their neighborhood.”
It’s worth watching the behind-the-scenes video that shares more of the artist’s process and thinking. Explore an archive of his films and works on canvas on his website and Instagram. You might also like the paintings of Jeremy Miranda.