The president called the ceremony ‘garbage’, but in reality it was a celebration of artists whose commercial success was matched by boundary-pushing boldness
Donald Trump, it seems, did not much enjoy the 2026 Grammys. Shortly after the conclusion of the ceremony’s live broadcast in the US, there he was on Truth Social, calling it “the worst”, “garbage”, “unwatchable” and threatening to sue host Trevor Noah.
Perhaps that was the reaction the Recording Academy wanted. You could, if you wished, divine a certain Maga-baiting intent not just in the decision to give the album of the year award to Bad Bunny – a Puerto Rican who attracted criticism from the Trump administration after he was booked to headline the SuperBowl LX half-time show – but the choice of the Buena Vista Social Club, a Broadway hit based on the 1997 album of the same name featuring veteran Cuban musicians, as the best musical theatre album: the latter two weeks after the New York Times reported that Cubans settled in Florida are being deported in record numbers.
Continue reading...British pop collective decry use of 1997 hit Tubthumping to promote the party’s ‘small-minded, hate-fuelled agenda’
The British pop collective Chumbawamba has asked Spain’s Vox to stop using their best-known song to promote “its small-minded, hate-fuelled agenda” after the far-right party chose its 1997 hit single Tubthumping to soundtrack a social media post railing against migration.
Santiago Abascal, who leads Vox, visited the north-eastern Spanish town of Caspe last week in the run-up to this weekend’s regional election in Aragón. He posted images of the visit to Facebook on Friday, along with the caption: “Great welcome yesterday in Caspe … for a street press conference. The locals are sick of the migratory invasion. And we stand with them.”
Continue reading...‘Christians complained about the stuffed buzzard wearing a crucifix round its neck. Birds can’t be Christians, they said. It’s the most complaints we ever got’
The first time I saw what was to become Shooting Stars was Vic Reeves – AKA Jim Moir – doing The Big Quiz during Vic Reeves Big Night Out live. I’d never seen anything like it. It was full of meaningless questions and had an attitude. I remember thinking: “There must be something we could do with that.”
Continue reading...In need of a February pep talk? Our fashion expert’s must-haves are here to lift your mood
• How to dress in cold weather
Let’s get real. Few of us look or feel at our most fabulous in February. It’s been cold and dark for, what, 18 months? Feels like it. Getting dressed feels less stylish self-expression than huddling for warmth.
But there are reasons to be cheerful – or, more to the point, things that can bring you cheer. There is Valentine’s Day. (I will never understand why people like to sneer about Valentine’s Day. A daft festival of joy in the bleakest moment of the calendar. Take the win!) I’ve also found a shirt that will be your new favourite layering piece. And a very fun jumper for £54. Read on for the lowdown.
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Microsoft rounded off January by adding more devices to the list of those affected by the hibernation issue it claimed had been fixed by an out-of-band update.…
Decades before the advent of photography, when European scientists and explorers were undertaking global expeditions and collecting flora and fauna from around the world, art and science converged in fields of medicine, anthropology, and natural history. During the Enlightenment, artists like Elizabeth Blackwell, John Gould, and Elizabeth Gould—among many, many others—documented botanicals, avians, insects, marine species, and more, many of which were published in hefty volumes and archived in museum collections.
Sarah Stone (1759-1844) was a British illustrator and the daughter of a fan painter, whose rich depictions of birds and artifacts highlight a singular talent during an era when women weren’t even permitted to be members of London’s prestigious Royal Academy. Nevertheless, she was invited to exhibit four drawings as an “Honorary Exhibitor” when she was 21.

In the 1770s, British businessman and collector Sir Ashton Lever commissioned Stone to paint items in his museum chock-full of natural and ethnographic objects he called the Holophusikon, also known as the Lever Museum. Stone painted objects at Lever’s Holophusikon well into the 1780s, creating a visual chronicle of objects and fauna acquired from all over the world.
Aristocratic private museums were a phenomenon of the Enlightenment, when Britain enjoyed wealth, prestige, and influence, much of which was derived from other parts of the empire and the transatlantic slave trade. Many of today’s institutions, such as the British Museum, began with individuals’ private collections.
Nearly two dozen of the artist’s paintings are currently on view in Sarah Stone’s Unseen World: A Rare Collection of 18th Century Ornithological Watercolours as part of the Master Drawings New York art fair. Surveying a wide range of incredible birds, from the Bornean peacock pheasant to the distinctive orange-and-black rufous treepie.
The exhibition shares its title with a book co-authored by Errol Fuller and art dealer Craig Finch of Finch & Co., which presents the paintings this month. “Like many women painters of her time, Stone produced exquisite watercolour landscapes,” says a statement. “However, she was exceptional in her commercial success, with her paintings sought after by connoisseurs and collectors. In an era when women’s contributions were often overlooked, Stone defied the norm and stood out as a prominent figure.”
Sarah Stone’s Unseen World continues at Peter Harrington Rare Books in Manhattan through February 7.







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