M&S Bank Arena, Liverpool
What Simon has lost in vocal power he has added in intimacy and authority – and this hushed performance makes for an arena concert like no other
In 2018, Paul Simon’s triumphant Homeward Bound: The Farewell Tour was intended as his goodbye to decades of full-scale touring. However, even chronic hearing loss hasn’t dimmed his desire to perform again. Here, assisted by partial recovery, specialised sound monitoring and sheer power of will, A Quiet Celebration is different from anything he – or perhaps anybody – has done before, certainly in arenas. Requiring silence and understanding, it’s a hushed and introspective reinvention rather than a euphoric victory lap. Drums are mostly stroked with brushes. The 84-year-old singer-songwriting legend’s voice has lost power and range, but frailty and vulnerability have brought intimacy and authority. Smiling as he addresses a cheering Merseyside audience for likely the last time, he calls it a “humbling experience”.
The evening begins with a complete performance of Seven Psalms, the 2023 song cycle which came to him in dreams. It’s a series of quietly haunting musings on life, love, God and death, laden with calm insights and occasional truth bombs, such as Trail of Volcanoes’ comment on the refugee crisis: “It seems to me we’re all walking down the same road, to wherever it ends.”
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It’s the Met Gala in New York on Monday and as photos stream out from the red carpet, the people I find myself thinking about most are three prominent holdouts. The annual ball, which raises money for the Costume Institute at the Metropolitan Museum, has always summoned a strong turnout from the have-your-cake-and-eat-it community, notably Alexandria Ocasio-Cortez a few years ago in her “tax-the-rich” dress. This year, that role was assumed by the actor Sarah Paulson, who wore a dollar bill covering her eyes in apparent reference to the “blindness” of the 1%, a protest she undertook while nobly taking one for the team by refusing to sit out the $100,000-a-head event.
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There is only one place to start with Brentford’s Michael Kayode: his unique baby gender reveal at an empty Gtech Community Stadium in February. The 21-year-old walked towards the West Stand, the frame of the goal covered in balloons, and after wiping the ball with a towel, it was time for his trademark long throw, though on this occasion only from the edge of the D. After the ball rippled the net, pink smoke confirmed his partner, Eleonora, is expecting a girl.
Given Kayode launched the ball 65.4 metres last September – further than any other player in the Premier League since Opta began recording such data in 2019-20 – it is hard not to think he was underselling himself. “I didn’t want to miss,” he says, breaking into laughter, “so I just kept it easy.” Family, friends, a videographer and photographer, plus the couple’s pomeranian, Kiri, were the only ones present. “It was a really special moment and celebrating like this was unbelievable … I just have to say thanks to Brentford for giving me use of the stadium.”
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