De plofkraak is terug in Nederland

Net nu contant geld een beetje ‘in’ is, vanwege de rol als achtervang bij rampen en als soevereine betaalmethode, hebben criminelen een nieuwe methode ontdekt om contant geld met grof geweld buit te maken.

De Speld

Uw vaste prik voor betrouwbaar nieuws.

Loaded spruitjes nice

​Loaded spruitjes weer nice vandaag. Dat vindt Jayden. “Lekker met truffelmayo en parmezaan bro”, zegt hij tegen zijn moeder. “Hier is de smeltkaas nog voor d’r over mop”, zegt zij. “En Sriracha?“, vraagt hij. “Ja”, zegt ze. “Balsamico.”

Hmmmm, loaded spruitjes.

&


Au Cheval

Thomas Hawk posted a photo:

Au Cheval

Raw

Thomas Hawk posted a photo:

Raw

Found Slide

Thomas Hawk posted a photo:

Found Slide

The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

Rare Rubens notebook sheet goes on display in artist’s home city of Antwerp

Double-sided page featuring a sketch and text sheds new light on the baroque master and his time living in Rome

More than 400 years ago, the up and coming Flemish painter Peter Paul Rubens toured the streets of Rome, notebook in hand, sketching images from Renaissance works adorning the city’s churches and palazzos.

Now a rare sheet, thought to be from his Roman sketchbook, has gone on display in his home city of Antwerp, shedding new light on the baroque master.

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No Winter Holidays review – haunting portrait of female companionship in Nepal’s frozen highlands

Two widows of the same man remain behind in an abandoned mountain village in Rajan Kathet and Sunir Pandey’s visually arresting documentary

In the valley of Dhorpatan in western Nepal, winter arrives with unforgiving intensity. Clouds of freezing mist gradually descend, making the rocky terrain look starkly barren, a lonesome void amid vertiginous mountain ranges. At this time of the year, most of the inhabitants migrate south to warmer regions – except for two. Unfolding at a languid pace, Rajan Kathet and Sunir Pandey’s feature-length documentary debut casts its gaze on Ratima and Kalima, elderly caretakers tasked with watching over the abandoned village. Widows to the same man, they make for an unusual yet beguiling pair whose dynamic wavers between warmth and discord.

The two women’s different temperaments make for an engaging contrast. The older, jaded Ratima spends her days in a haze of alcohol and regrets. Meanwhile, younger Kalima has a sunnier attitude, which she extends to creatures big and small; she even has pet names for the livestock. Once the second wife and hence a romantic rival, Kalima now takes care of the ailing Ratima with sisterly tenderness. Their daily routines – simple meals by the fire, reminiscences about their departed husband – are juxtaposed with expansive wide shots of the desolate landscape.

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The pet I’ll never forget: Tilly, the rabbit who taught us how to raise a family

This fluffy menace was harder work than either of our babies. But she did show us how to nurture a creature you can’t reason with

Tilly wasn’t our first choice: my wife and I had fallen for a grey lop-eared charmer in a local shop who was unexpectedly pulled from sale. But we were now determined to acquire a rabbit, so we traipsed from store to store around south-west London, until we saw this tiny ball of brown and white fluff. Suddenly we could imagine no other bunny.

Tilly was many things. When our landlord was around, she was at a friend’s. To the kale producers of Britain, she was a lifeline. To us, she was affectionate, but with a strong sense of personal space – you could tell when she wanted to be touched and when she did not.

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‘It’s showtime!’ Beetlejuice musical is a rave from the grave – in pictures

Tim Burton’s hit 1988 comedy horror is enjoying an all-singing, all-dancing afterlife on stage. After recent productions in the US and Australia, the musical opens in London this month. We braved rehearsals for a first look.

All photographs by Tristram Kenton

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Could this Japanese human washing machine save me from the tedium of cleaning myself? | Emma Beddington

The capsule, which costs £280,000, is ideal for those who find daily grooming exhausting. Imagine if it brushed your teeth for you, too ...

Still trying and failing to plan a trip to Japan, I have at least found one absolute must: a pilgrimage to see the Future Human Washing Machine. Following its unveiling last year, this JPY 60m (£280,000) capsule, in which a person is washed, thanks to the magic of microbubbles, and returned to the world in 15 minutes without moving a muscle is now on show in electronics shops in Tokyo.

It’s essentially a hi-tech car wash, but for humans: the dream. As my best friend says, “I have never needed anything more.” The two of us bond, frequently, over how unnecessarily exhausting getting clean is. She has long Covid; I’m just lazy and find getting clean such a drag I need a few minutes scrolling on the bathroom floor to recover (if this worries anyone, no, I’m not deficient in anything except moral fibre).

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