The Register

Biting the hand that feeds IT — Enterprise Technology News and Analysis

Microsoft faces down sueball, capacity problems in series of challenges

Microsoft is facing AI-related issues on multiple fronts. Disgruntled investors have flung a sueball at the company over its Copilot claims, while it is reportedly turning to other cloud vendors to help with AI-induced scalability issues at its coding collaboration tentacle, GitHub. The sueball is a class action, filed by the City of St. Clair Shores Police and Fire Retirement System in the Seattle US District Court, that alleges that Microsoft bosses (including its CEO, Satya Nadella) made "materially false and/or misleading" statements about adoption of the company's Copilot technology. On the contrary, according to the complaint, "Microsoft’s flagship proprietary AI model ranked well below competitors on a number of benchmark tests," and "Microsoft had failed to convert a significant percentage of its commercial Microsoft 365 users to paid Copilot subscriptions and the Company's Copilot offerings had lost market share to rival products, a trend that was increasing." Some organizations are gung-ho for Copilot these days – NHS England, for example, announced plans last week to roll the technology out to more than half a million staff. However the class action alleges Microsoft's SEC filings did not clearly explain problems "regarding the development and customer adoption of Copilot products and Microsoft's proprietary AI models." On January 28, Microsoft announced results for its fiscal second quarter, which included a slowdown in Azure growth and an admission that paid Microsoft 365 seats had reached only 15 million out of 450 million Microsoft 365 users. The company's shares subsequently declined by more than $48 per share, around ten percent of their value at the time, according to the complaint. “We are aware of the complaint and believe the claims are without merit. Microsoft stands by the integrity of its public statements and will vigorously defend itself in court," a Microsoft spokesperson told The Register. Git thee to AWS? Microsoft's AI headaches are not limited to the sueball, which the company reportedly claims "is without merit." Its source-shack tentacle, GitHub, is also reportedly facing the possibility of being forced to leap into bed with a rival to address ongoing reliability and scalability woes. Microsoft acquired GitHub in 2018, but the source site has sometimes struggled with availability amid a surge in AI-assisted workflows. The site has attempted to shift workloads to Azure, but has, for many users, remained unreliable. Azure has, infamously, had its own capacity problems recently. According to reports, the source shack will be propped up with additional resources from AWS, although it is not clear whether this is a temporary measure to address immediate problems or something more permanent. After all, given the choice, few IT managers would entrust all their workloads to a single vendor, and a multicloud approach is sensible. "The context here is important: Our community is growing at a rate we've never seen before, and the incredible spike in agentic development that began late last year has tested our infrastructure's limits," a GitHub spokesperson told The Register. "To meet this demand, we are both accelerating our move to Azure and continuing to explore a multi-cloud strategy to ensure we have the future capacity, compute elasticity, and horizontal scale required to support continued growth." It is, however, a little embarrassing when your owner operates its own cloud service. ® Updated at 1631 with comment from GitHub.

The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

Everything Game of Thrones did, HBO series Rome did better – including not fumbling the finale

The short-lived series had blood, guts, sex and epic stakes. It also had a ride or die friendship in a pair of foot soldiers

A sprawling cast of richly flawed heroes. Epic stakes. Elaborate sets. A family-man hero whose definition of good is skewed by the cruel world he lives in. Animated opening titles with a catchy theme song. Blood, guts, sex and a bit of incest: everything Game of Thrones did, Rome did better.

Rome was one of the most expensive TV shows ever made when it launched in 2005; its two-season run was shot on a massive, immersive outdoor recreation of the ancient city in Italy’s famous Cinecittà studios, and spared no expense on costumes, props or fake blood. When it came out half a decade later, Game of Thrones would follow in Rome’s footsteps with its puzzle wheel of plotting across factions and alliances, shocking betrayals and Shakespearean dialogue punctuated with c-bombs.

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A Baltic adventure and a musical duo – readers’ best photographs

Click here to submit a picture for publication in these online galleries and/or on the Guardian letters page

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Naked cycling: is it ever acceptable to ride a rental bike in the nude?

The World Naked Bike Ride is designed to draw attention to the vulnerability of cyclists in the city. But this year’s London event is in the news after half the riders used rental bikes

Name: World Naked Bike Ride.

Age: 22.

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UK social media ban could cut lifeline for disabled children, campaigners warn

Activists say blanket ban could prevent teenagers from discovering peers and role models with similar conditions

Disability activists have said banning under-16s from social media risks cutting off a “lifeline for friendship” for disabled children and could push them into social isolation by preventing them from making connections online.

Charities and high-profile figures in disability advocacy said they were concerned that a blanket ban on social media would disproportionately affect teenagers who may not be able to meet people easily in real life or find peers with similar conditions.

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US lawmakers fight Trump administration cuts to $386m ocean monitoring program: ‘supreme stupidity’

Lisa Murkowski, a Republican senator, joins Democrats in bid to stop dismantling the Ocean Observatories Initiative

A group of Democratic senators and one Republican, as well as two Democratic House committees, sent letters on Monday to the National Science Foundation asking it to reverse course on its plan to dismantle a sprawling ocean monitoring network, with House lawmakers going further and accusing the agency of acting illegally.

The Ocean Observatories Initiative is a network of more than 900 ocean sensors built at a cost of $386m. Over the last decade it has tracked ocean circulation, marine ecosystems, climate change and extreme weather, producing data freely available to the public and informing more than 500 scientific publications. The project was slated to run another 15 to 20 years.

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Milieudefensie grote afwezige bij ondertekenaars manifest 'Groene ruimte, koele steden'

Mogelijke foto actie Natuur & Milieu (eerst nog door de OSINT-redactie van de NOS laten checken, red.)

Belangrijke dag vandaag voor iedereen die van bomen houdt, bang is voor hittestress en/of gewoon graag meedoet aan geweldige acties van Natuur & Milieu en andere clubs die door de Postcodeloterij worden betaald om zich met de politiek te bemoeien: achttien verschillende clubs lanceren het manifest Groene Ruimte, Koele Steden, vóór groene ruimte en vóór koele steden. Echt iedereen is erbij: Natuur & Milieu, maar ook Jantje Beton, en zelfs de FNV, de JOGG (GI wie dat zijn, red.), de ANWB (de ANWB!), Werklandschappen van de Toekomst (tuurlijk), Gemeente voor Duurzame Ontwikkeling, Aedes, het Nationaal Huidfonds, noem maar op, je kunt het zo gek niet verzinnen of die club is erbij. Behalve: Milieudefensie! En dat, terwijl Milieudefensie wel gewoon meedeed met Natuur & Milieu aan die vorige geweldige actie Samen Verkleinen We de Afstand, om de afstand te verkleinen (zijn wij ook enorm voor, verschrikkelijk al die grote afstanden altijd overal). Maar nu dus. Niks nakkes. Nada. Hebben ze bij Milieudefensie iets tegen bomen in steden ofzo? Willen die alleen maar bomen planten in steden waar alleen maar blanke mensen wonen? Vinden ze dat bomen en mensen apart van elkaar zouden moeten leven? Wie is er daar eigenlijk de baas?

Is that her?

DirtyGlassEye has added a photo to the pool:

Is that her?

I AM BACK IN BUSINESS! And before I get started, thank you all for waiting patiently for me to set up another disk and remake some of these photos from the ground up cause i needed new editing software. Also appreciate the comments left on the temporary announcement post, thank you guys so much.
Now onto the shot. This Kitanomaru shot looked beautiful but a little melancholic, as if I was waiting for someone special and she's late. There's a sea of umbrellas along this gorgeous pathway but she's nowhere in plain sight. I hope she gets here soon cause she has no idea what she's missing.
I debated whether to keep those umbrella folks cause I I could've spent another hour trying to find conventional means to crop them out but on the other hand the closer white one provided enough of a contrast to be a distant subject, and a leading line with a reflection that is just as beautiful. In editing I toned down the highlights on the blossoms cause their color would draw enough light as it is.
This isn't as cutting edge as I would've hoped as I already fixed up this image in my old software, I used this image as a test run using this new software attempting to get as close to my older edit as possible (it's pretty close). I can confidently say that after almost 20 edits (I've been very busy this past week hehe) I think I got the hang of it. Point is, DirtyGlassEye is back for more.

Colossal

The best of art, craft, and visual culture since 2010.

Ant Hamlyn Taps into the Optimism of Y2K in Squished Floral Sculptures

Ant Hamlyn Taps into the Optimism of Y2K in Squished Floral Sculptures

Glossy, synthetic, and very compressed, Ant Hamlyn’s botanicals are unlike anything you’d find in nature. He taps into the aesthetic of Y2K and the early 2000s, when early computer graphics, sci-fi, and teen punk melded into a kind of optimistic, tech-forward visual experience. Think early flip phones, polyurethane miniskirts, and Now That’s What I Call Music on CD.

Better Go South, which presents the artist’s current solo exhibition Soft // Chrome, describes the artist’s approach as “celebrating our human capacity to find beauty and connection even within the most manufactured environments.”

an artwork of cartoonish sculptural flowers made of poylurethane that are squished between two panels of Plexiglas
“Soft // Chrome Pink Daisies” (2026), hand-sewn metallic fabrics, fiber stuffing, polyurethane-coated fabric, upholstered architectural fiberboard, extruded acrylic, stainless steel fixings, 60 x 40 x 7 centimeters

Hamlyn’s playful, cartoonish works center around stuffed and squished polyurethane flowers, invoking a kind of “liquid metal” redux that nods to our past optimism about technology while acknowledging the anxieties that have evolved and continue to grow in the post-digital age.

See the works by appointment in Stuttgart, and check out more on the artist’s Instagram.

an artwork of cartoonish sculptural flowers made of poylurethane that are squished between two panels of Plexiglas
“Soft // Chrome Forget-Me-Nots” (2026), hand-sewn metallic fabrics, fiber stuffing, polyurethane-coated fabric, upholstered architectural fiberboard, extruded acrylic, stainless steel fixings, 60 x 40 x 7 centimeters
an artwork of cartoonish sculptural mushrooms made of poylurethane that are squished between two panels of Plexiglas
“Soft // Chrome Mushrooms” (2026), hand-sewn metallic fabrics, fiber stuffing, polyurethane-coated fabric, upholstered architectural fiberboard, extruded acrylic, stainless steel fixings, 120 × 35 × 7 centimeters
a detail of an artwork of cartoonish sculptural mushrooms made of poylurethane that are squished between two panels of Plexiglas
Detail of “Soft // Chrome Mushrooms”
an artwork of cartoonish sculptural flowers made of poylurethane that are squished between two panels of Plexiglas
“Red Hot Pokers” (2026), hand-sewn metallic fabrics, polyurethane-coated fabric, upholstered architectural fiberboard, extruded acrylic, stainless steel fixings, 60 x 40 x 7 centimeters
an artwork of cartoonish sculptural flowers made of poylurethane that are squished between two panels of Plexiglas
“Soft // Chrome Fly Traps” (2026), hand-sewn metallic fabrics, fiber stuffing, polyurethane-coated fabric, upholstered architectural fiberboard, extruded acrylic, stainless steel fixings, 60 x 40 x 7 centimeters
an artwork of cartoonish sculptural flowers made of poylurethane that are squished between two panels of Plexiglas
“Daisy Bouquet” (2026), hand-sewn metallic fabrics, polyurethane-coated fabric, upholstered architectural fiberboard, extruded acrylic, stainless steel fixings, 75 x 44 x 7 centimeters
an artwork of cartoonish sculptural flowers made of poylurethane that are squished between two panels of Plexiglas
“Soft // Chrome Purple Asters” (2026), hand-sewn metallic fabrics, fiber stuffing, polyurethane-coated fabric, upholstered architectural fiberboard, extruded acrylic, stainless steel fixings, 60 x 40 x 7 centimeters

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Ant Hamlyn Taps into the Optimism of Y2K in Squished Floral Sculptures appeared first on Colossal.

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