Marijn de Vries heeft niet de behoefte Marc Overmars nog eens door het slijk te trekken. „Het is verdrietig dat hij zijn werk moet neerleggen omwille van zijn gezondheid. Een slechte gezondheid wens je niemand toe. Zorgvuldige berichtgeving wel. En wat heb ik me daar boos over gemaakt. Wat zeg ik? Woedend zelfs.”

Cartoons. Gold stars. Terrible acting. It’s all there.

Le bleu secret, Dolorès Marat

With the release of Apple Watch Series 12, Apple has decided that it's ok to capture people's conversations without their consent. The latest Apple Watch comes with Audio Intelligence, a set of AI audio processing capabilities tuned for the company's S11 chip. Its features include: Sound Recognition, Music Recognition with Shazam, Live Rewind, and Siri Recap. "Live Rewind lets you instantly see the last 15 seconds of a conversation as text," Apple explains in its technical summary [PDF]. "Siri Recap summarizes conversations throughout your day and produces high-level Apple Intelligence-generated notes so you can stay present in the moment and catch up later." With the double-press of the Digital Crown – as Apple grandly refers to the button on its Watch – Live Rewind takes in an audio stream from the Watch microphone, processes it in a Secure Exclave on the S11 chip, and routes the data to the user's nearby iPhone, which runs a speech-to-text algorithm on the 15-second audio segment. The resulting text is saved and the audio is discarded. The wearer's Watch emits an audible tone, even in silent mode, to alert those in the vicinity and provides a visual cue for those able to see the face of the device. Nonetheless, bystanders alerted to the recording – to the extent they recognize the meaning of the tone – have not consented to being recorded, which is a legal requirement in 11 US states that have all-party consent laws. Apple characterizes its implementation of brief eavesdropping as respectful of personal privacy. It makes that claim in a section titled, "How Live Rewind respects those around you," citing the audible chime and visual on-screen animation. Siri Recap, meanwhile, "summarizes conversations throughout your day and produces high-level Apple Intelligence-generated notes so you can stay present in the moment and catch up later." This too, Apple describes as an act of respect. "By design, Siri Recap does not create a recording, does not produce a verbatim transcript, and does not identify and attribute speakers," Apple's technical documentation explains. "The output is a brief, high-level summary, comparable to notes a person might write after a conversation. There is no audible signal because no raw audio is retained, and there is no way to reconstruct the original audio from a Siri Recap or share raw audio with anyone." The implication here is that Apple's non-consensual audio processing is less contemptuous of the public than the middle finger Meta has raised with its AI Glasses. That may be the case, but privacy advocates are still not impressed. "Our right to conversational privacy must include freedom from other people, without our clear opt-in consent, using technology to document what we are saying," said Electronic Frontier Foundation privacy litigation director Adam Schwartz in an email to The Register. "Otherwise, people will self-censor, and conversation will lose its spontaneity and intimacy. "So, EFF is disappointed that Apple is releasing a new Audio Intelligence feature that reportedly can create a transcript or written summary of what people are saying in the vicinity of an Apple Watch. People don't really have a practical means to consent or decline recording. "We suggest people should think twice before using this technology, out of respect to the conversational privacy of others. While it remains to be seen how state eavesdropping laws will apply to this new technology, it is clear that always-on monitoring of our conversations is an unacceptable burden on our conversational privacy." ®

Tailwind CSS may still be open source, but it’s not independent anymore: It’s now a Shopify product. Tailwind Labs CEO Adam Wathan shared news of Shopify’s acquisition of his company in a blog post Thursday. Wathan said that he chose to sell to Shopify because the ecommerce platform was an early adopter of Tailwind CSS, and will serve as an ideal place for his open-source web development platform to “be developed in service of a real product.” “I believe deeply in Shopify's mission to help more people start, run, and grow their own business,” Wathan added. “Tailwind is a very important part of the stack at Shopify, and they're invested in making sure it's actively maintained and continues to improve and adapt for how the ways we build are changing.” For those unfamiliar with Tailwind CSS, it’s an open source framework that simplifies web development by providing utility classes that can be applied directly to elements in HTML documents. Traditional CSS, on the other hand, often involves maintaining separate stylesheets containing rules that are applied to HTML elements. It’s a useful tool, and one that’s installed over 110 million times a week, per Wathan, if you can believe that. But as we've seen several times, the rise of AI is making it hard for the platform's overlords to make ends meet. Wathan said in January that AI coding tools had started eating into Tailwind Labs' bottom line to the degree that he was forced to lay off three employees. He blamed the fact that vibe coding tools have begun to come between his product and potential customers, causing traffic to plummet and income to dry up. So Shopify has come to the rescue to save Tailwind CSS from languishing in maintenance hell like other open source projects. “We're joining Shopify to give Tailwind a stable long-term home where it will be actively maintained for the millions of people who depend on it,” Wathan explained in his blog post. The precise details depend on what type of Tailwind CSS user you are. “Nothing changes with Tailwind CSS or any of our other open-source projects,” Wathan said. “Everything will always be MIT-licensed, and our team will continue to lead and maintain these projects for the community with the support of Shopify.” But users of Tailwind’s premium services might find things changing, as Wathan said his team will no longer be trying to grow the business. That means Tailwind Plus, the company’s paid, UI-based package of templates and other tools, and ui.sh, Tailwind’s package of AI skills designed to help non-coders build user interfaces, are going the way of the dodo. “We're closing sign ups for new customers to focus on Tailwind CSS at Shopify,” Wathan explained. Existing customers who’ve paid for access to those tools and other paid Tailwind Labs offerings will still have access, Wathan stressed. We reached out to get more details on future support for those paid products, and will update this post if we hear back. ®

Aphrodite

Bij een steekpartij in Vlaardingen is donderdagavond een persoon gewond geraakt. Dat gebeurde tijdens een ruzie in huiselijke sfeer, zegt de politie. Er is één persoon aangehouden.

Venice film festival
The Venice fixture plays an illustrator haunted by his boyhood in Mario Martone’s part spooky, part sentimental oddity

It’s always good to see the veteran Italian star Toni Servillo at Venice; in fact, the festival is pretty much unthinkable without him. But this initially promising prospect – adapted from a novel by Domenico Starnone – is a minor, quibbling tonal oddity, unsure if it wants to be scary or sentimental. Servillo lends it as much gravitas as he can: his mere presence is valuable ballast and the streetscape scenes of Naples are handled with a connoisseur’s touch by director Mario Martone, whose previous Naples-set movie Nostalgia was far superior.

Daniele (played by Servillo) is a septuagenarian book illustrator whose old-fashioned, hand-drawn artistry is something he testily treasures. He has come back to his family home in Naples, to the gloomy apartment where he was brought up, just behind the train station, and where his grownup daughter Betta (Serena Rossi) now lives with her husband and their five-year-old son Mario (newcomer Lorenzo Perrotta), who is adorable and as bright as a button, but also borderline insufferable.

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