ELCAN KE-7A has added a photo to the pool:
2026年7月26日に開催された第58回豊田おいでんまつり花火大会より、紅屋青木煙火店によるおいでんスターマイン2「幻青風景」。”Phantom Blue Landscapes” by Beniya-aoku enkaten from 58th Toyota Oiden Matsuri Fireworks Festival on July 26, 2026.
ELCAN KE-7A has added a photo to the pool:
2026年7月26日に開催された第58回豊田おいでんまつり花火大会より、紅屋青木煙火店によるおいでんスターマイン2「幻青風景」。”Phantom Blue Landscapes” by Beniya-aoku enkaten from 58th Toyota Oiden Matsuri Fireworks Festival on July 26, 2026.
In Mesoamerican folklore, the jaguar is a prominent nagual, a being with the power to morph into an animal. Moving from one realm into another allows this hybrid creature to act as a spiritual guide through unknown territories. For Anna Ortiz, the jaguar is also a fitting metaphor for entering into a mythic borderland.
Drawing on her Mexican-American heritage, the artist renders remote landscapes through limited, yet vibrant palettes. Ortiz favors subtle shifts in tone and saturation, painting jungle terrain in shades of blues, greens, and pinks. The focused palette emphasizes the fantastic world we’ve entered into, one that appears variable and as a manifestation of myth.

In her new body of work, Shapeshifter, Ortiz expands upon her interest in the borderlands and what happens when time and space collapse. Recurring motifs of an explosive volcano, double moon, and reflective pools of water position this uncanny realm as one in which multiple realities coexist and change is inevitable.
Ortiz’s pieces feel like visual pairings to the work of feminist writer Gloria Anzaldúa, whose conceptions of mixed heritage, the borderland, and the nagual the artist echoes in paint. Anzaldúa’s 1992 essay “The New Mestiza Nation” is a fitting companion to Ortiz’s practice, particularly the following passage:
Certain aspects of identity don’t disappear, aren’t assimilated or repressed when they are not in the foreground. Identity is a changing cluster of components and a shape-shifting activity. To refer to a person who is changing identity I use the Náhuatl term nagual… We shift around to do the work we have to do, to creative the identities we need to live up to our potential.
Ortiz’s Shapeshifter is on view through October 31 at Chart Gallery in Tribeca. Explore more of the artist’s work on her website and Instagram.







Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Anna Ortiz Traverses the Multiple Realities of the Borderlands appeared first on Colossal.
French company Puy du Fou is planning a £600m history-themed park in Oxfordshire. A Guardian investigation has found the company continued working with associates of Konstantin Malofeyev, a pro-Kremlin oligarch under sanctions, on plans for a theme park in Russian-occupied Crimea for longer than it had previously disclosed, and later explored projects in Iran and China.
Business reporter Rob Davies explains his findings, including documents that raise questions about whether Puy du Fou’s activities tested the limits of EU sanctions imposed after Russia’s 2014 annexation of Crimea.
He also examines the far-right politics associated with Puy du Fou’s founder, Philippe de Villiers, and asks whether the company is a suitable choice to tell Britain’s national story
Continue reading...‘When I was at Mercedes we had written rules’
British driver held positive talks with teammate
Lewis Hamilton has said there remain no rules of engagement between the drivers at Ferrari, despite the 41-year-old calling for the team to employ them after he clashed with his teammate, Charles Leclerc, at the last round in Monza.
Hamilton was forced wide by Leclerc at turn two on the opening lap at the Italian Grand Prix, which he felt had been unacceptable. Speaking before the first meeting for the Spanish Grand Prix at the new Madring circuit in Madrid this weekend, Leclerc admitted he had been at fault and Hamilton said the pair had talked frankly and cleared the air in a forthright fashion.
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