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More than 180 Photographs Chronicle Brutalist Suburbs and Public Buildings in ‘Eastern Blocks II’

More than 180 Photographs Chronicle Brutalist Suburbs and Public Buildings in ‘Eastern Blocks II’

In the second half of the 20th century, “brutalism and the shall-we-call-it ‘marketplace modernism’…when it appeared in the East, was always about spectacle,” Zupagrafika founders David Navarro and Martyna Sobecka say in a blog post about Eastern Bloc suburbia.

Brutalist housing estates and public buildings of the post-war Soviet era were built on a massive scale, often from concrete and prefabricated panels, to accommodate growing populations and to demonstrate power, socialist values, and modernity. Sometimes blocked in color or complemented by murals, these hulking structures largely emphasized monolithic forms, an unmissable PR message about communist ideology.

a multi-story Jenga-like brutalist construction amid autumnal trees
Tbilisi

Brutalism is a study in contrasts—heaviness juxtaposed with balance; concrete set into the natural landscape. Eastern Blocks II, Navarro and Sobecka’s new book, captures some of these stark scenes, with expansive residential units rising above bucolic meadows or framed by nothing but snow. Functionality takes precedence over aesthetics.

Navarro and Sobecka have traveled the width and breadth of Eastern Europe, photographing the region’s unique architecture and expanding on the first volume published in 2019. Along with local photographers Alexander Veryovkin and Kseniya Lokotko, who captured views of Kaliningrad and Minsk, the authors chronicle a total of ten cities from Chișinău to Riga to Prague in more than 180 photos.

Find your copy on the publisher’s website. You might also enjoy Zupagrafika’s Kiosk, a survey of Eastern Europe’s disappearing tiny shops.

a figure in a red coat walks alongside a brutalist apartment block in an otherwise barren, snowy landscape
Tallinn
cows graze in a meadow with two large Soviet-era residential blocks in the background
Tbilisi
a spread from the book 'Eastern Blocks II' featuring two brutalist residential buildings in winter, each with colorful block murals on the sides
A spread featuring two images of Tallinn
a photo in winter of people playing in a snowy park, with a huge residential complex in the background
Prague
a brutalist, concrete, Soviet-era building with a large, swooping roofline, pictured in winter
Vilnius
a blocky Soviet-era building with large facades and columns, with colorful modernist paintings on the flat planes
Lviv
a photograph of windows in a large Soviet-era residential building
Chișinău
cover of the book 'Eastern Blocks Volume II," showing a Soviet-era brutalist building with a yellow stepped motif painted into a corner

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article More than 180 Photographs Chronicle Brutalist Suburbs and Public Buildings in ‘Eastern Blocks II’ appeared first on Colossal.

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WAREGEM (ANP) - Wielrenster Elisa Longo Borghini heeft Dwars door Vlaanderen op haar naam geschreven. De Italiaanse wielrenster van UAE Team ADQ kwam na 128,5 kilometer solo aan in Waregem. De Belgische wereldkampioene Lotte Kopecky werd op ongeveer een halve minuut tweede en Elisa Balsamo uit Italië derde. Puck Pieterse eindigde als vierde voor landgenote Mischa Bredewold.

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“HBO begged me to set this season in Gary, Indiana for budgetary reasons. They found this abandoned Best Western in downtown Gary that they insisted on shooting in. This one executive was leaving me voicemails, literally screaming at me. ‘Gary, Indiana is the same thing as Thailand. I’ve been to both places. Same fucking shit. You’re not being a team player, Mike. It’s so unfair you won’t give Gary a chance. You’re being a diva, Mike. I already got HBO to buy the Best Western. Deal’s done. It’s ours. And once you buy a Best Western, you can’t fucking ‘return’ it. There’s no going back. I put my job on the line to do that. I risked everything. Mike, I will ruin you if you push back on this.’ We compromised and agreed to do Thailand on the condition that I set the next season in Gary.” – Mike White, on the third season of The White Lotus taking place in Thailand

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“I was nervous because I’d never done motion-capture performance before, and I was so uncomfortable wearing that mo-cap suit in 100℉ weather for 12 hours at a time, but Mike [White] was utterly trusting and supportive. He always encouraged me to go off script and try new things every take.” – Alec Baldwin, on portraying Saxon’s protein shakes 

“One time a monitor lizard wandered into the middle of a shot, so Mike [White] yelled ‘Tạd!’—that’s Thai for ‘Cut!’—and then he beheaded the lizard with a clapperboard. He is a genius.” – Lalisa Manobal, on working with Mike White

“I was competing with Paula Deen to play Victoria Ratliff. I remember sitting across from her in the audition waiting room. I said hello. She didn’t smile or say anything. Just ignored me, eyes down on her script. A minute later, Paula glances up and whispers, ‘Bitch.’ I say, ‘Excuse me?’ She ignores me again, acts like nothing happened, keeps underlining random scene headings in the script and nodding as if she’s deep in thought. A few minutes later, she whispers again. ‘Hey you. Bitch. Paula’s going to Thailand. She ‘bout to rock this audition. Brought her A-game today. You outta luck, little girl. Run along now!’ I think she was trying to get in my head…but, yeah, apparently she bombed the audition so badly she had a nervous breakdown and got put in a mental asylum.” – Parker Posey, on the audition process

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“So Buddhism is like…it’s like jazz. It’s got its own rhythm and swagger, I think—I’ll be honest with you, I don’t think about religions. Any of them. I’m sorry. The food was very good in Thailand.” – Walton Goggins, on Buddhism’s influence on The White Lotus season 3 

“It was so hot in Thailand that I had to use deodorant!” – Aimee Lou Wood, on shooting in Thailand’s climate

“Every morning I wake up to messages from Sam Nivola saying stuff like, ‘Patrick, remember when we were brothers and I gave you a handjob? Wasn’t that so cool?’ At first I texted back, ‘Haha, yeah that was a fun gig, man,’ but he texted me again later, at like 4 a.m., “’Patrick, it was so fun when we were brothers and I gave you a handjob. So, so fun. That was the best! Miss you ma brotha (ha!)’ Didn’t reply to that one. Next day, another text from Sam: ‘Still thinking about how we were brothers and I gave you that handjob, Patrick. Classic. So, so awesome. My family and I keep rewatching that scene over and over together. What does your family think?’ Next day, another one. And it hasn’t stopped. This has been going on for six months.” – Patrick Schwarzenegger, on him and Sam Nivola playing brothers

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