Set across three interwoven timelines, this absorbing tale of an abandoned mining town explores courage, cowardice and how history is recorded
Téa Obreht’s novels teem with conflicting narratives, treacherous landscapes and speculative fictions. Her 2010 prizewinning debut, The Tiger’s Wife, examined themes of death, miracles and outsider status in the midst of a fictional Balkan war. Her fourth novel, Sunrise, returns to a western frontier haunted by ghosts and stalked by outlaws, a territory Obreht first explored in her second book, Inland.
It is August 2024. Nina Terzic has just jumped – or was she pushed? – from a crash-landing Cessna into a lake somewhere in the mountains of Wyoming. She manages to swim to shore. There is no sign of her boyfriend Ben, who was in the plane with her, and her phone – though miraculously intact – has no signal. Nina, a postgraduate student, was supposed to be on holiday from her job as a live-in nanny in New York. We get the feeling that her relationship with Ben might have a darker underside.
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