The Register

Biting the hand that feeds IT — Enterprise Technology News and Analysis

Hey, Siri: Plug into my app like you said you'd do way back in 2024

As of Tuesday, developers can explore expanded Siri AI integration for their Apple platform apps through beta releases of iOS 27.3, iPadOS 27.3, macOS 27.3, and visionOS 27.3. Next spring, nearly three years after announcing plans for deeper third-party Siri integration, Apple expects to begin accepting App Store submissions using the new capabilities. "This developer beta offers a sneak peek at Siri AI app intents for developers," Apple said in a developer news post. "With this early Developer Preview, your app can work directly with Siri AI, giving you a first look at new ways to reach and serve your customers." Anything is likely to be an improvement. Apple's Siri, a voice-activated assistant service, dates back to 2011 and gained limited third-party app access in 2016. In 2024, it became an interface for interacting with Apple Intelligence, its suite of generative AI features. Apple Intelligence has not been very intelligent – several advertised Siri capabilities were delayed, so much so that Apple was sued in 2025 over allegations of misleading marketing. After a shakeup of Apple's machine learning group in December 2025, Siri and Apple Intelligence received a makeover at Apple's Worldwide Developers Conference in June. "Before this year, Siri was a timer with a voice," said Roberto Gutierrez, Apple platforms staff engineer at a media company and author of the e-book On-Device Intelligence, in an email to The Register. "Weather, alarms, calls. Anything past that was a coin toss. "On the developer side, SiriKit covered a handful of domains and Shortcuts only worked if users memorized the phrase. Siri AI is the first version that understands context and can chain actions across apps. That's a real change." There is a catch, however, Gutierrez observed. Siri AI is available in a limited number of languages and regions. Support for Traditional Chinese is expected by the end of 2026, and EU availability remains a matter of negotiation – Siri AI is unavailable on iOS, iPadOS, and watchOS in the bloc as Apple works through interoperability concerns under Europe's Digital Markets Act. "Apple is working constructively with the EU in an attempt to find a path forward," the company said last month without committing to any concessions. Gutierrez said that he expects opening Siri to third-party developers will be useful to some extent. "Siri can only do what apps expose through App Intents, and SiriKit is on its way out," he said. "If your app's main actions aren't exposed, the new Siri can't see you. The bigger shift is letting Claude, Gemini and others plug in. Developers already choose between three options for every AI feature: Apple's system model, an open model through MLX, or a cloud API. Siri is heading the same way. It doesn't need to be the smartest model. It needs to be the best router. That's the right call." Apple has made choosing between those three options more difficult by failing to publish benchmarks that show how its Foundation Models compare with open-weight alternatives. The biz has published measurements of how its third-generation Foundation Models compare to their 2025 predecessors. But the company's commitment – to "[share] more details on our latest foundation models, including updated evaluations and benchmarks, in a technical report later this summer" – remains unfulfilled so far as we're aware. Gutierrez ran his own benchmarks to compare Apple's iOS system model (FM system, ~3B) to several open-weight models that are suitable for use on-device. "On an A17 Pro iPhone running iOS 26, I tested Apple's system model against Qwen3 1.7B and 4B, Llama 3.2 3B and Gemma 3 4B on a structured-output task," he said. "Speed: Apple's model ran at about 149 tok/s, roughly 3x the fastest open model (Qwen3 1.7B, about 46)." Quality, he said, was a tie, with every model passing five typed checks. But memory, he said, was where Apple's models had an advantage. "The system model's weights live outside your app's memory budget," he explained. "My app peaked at 12 MB during inference. An open 4B model costs 2.4-2.7 GB, and a 2.4 GB model plus your app plus a WebView is a crash report. So yes, it's competitive, and on iPhone it's the default I'd recommend. If you want your own model, Qwen3 1.7B is the one." But Gutierrez urged Apple to publish proper competitive benchmarks. "Their numbers compare against their own previous models," he said. "Developers aren't choosing between Apple 2025 and Apple 2026. We're choosing between Apple, Qwen and a cloud API. I had to build my own harness to answer a question Apple could settle with one table." The absence of competitive model metrics is not the only gap. Apple has also failed to accommodate web apps. "Web apps are locked out," said Gutierrez. "Foundation Models is a Swift API (and now Python). No JavaScript, no WebKit. A PWA's only option is to ship its own model into the browser and pay the full memory bill inside a WebView." And bringing your own model may pose performance problems. "On an A17 Pro iPhone, the 3-4B open models pushed the phone into 'fair' thermal state and dropped to 12-24 tok/s," he said. "In practice, your own model on iPhone means ~2B or smaller." With Siri AI unavailable on iPhones, iPads, and Apple Watches in the EU (and its rollout in mainland China subject to regulatory requirements), developers may need a fallback for global apps to handle regional restrictions. Apple's Private Cloud Compute offers eligible developers access to Foundation Models, Gutierrez observed, though it requires membership in the App Store Small Business Program, fewer than two million first-time App Store downloads across their apps, and the necessary entitlement. ®

Colossal

The best of art, craft, and visual culture since 2010.

Great Art Explained Traces the Incredible Story of Henri Matisse’s ‘The Red Studio’

Great Art Explained Traces the Incredible Story of Henri Matisse’s ‘The Red Studio’

In today’s art world, provocation and controversy are part and parcel of the market. Think recent pieces like Maurizio Cattelan’s “Comedian,” a.k.a. the duct-taped banana, or Damien Hirst’s diamond- and platinum-coated 18th-century human skull titled “For the Love of God.” And while art has never been immune to controversy, it hasn’t always been, let’s say, expected.

At the turn of the 20th century, art—especially the “high” mediums of painting and sculpture—were viewed and taught through the lens of deeply ingrained conventions about what made art good. Chief among these was representation: people look like people, landscapes look like landscapes, and rooms look like rooms. That is, until Henri Matisse created “The Red Studio.”

A prized painting in MoMA’s collection in New York, “The Red Studio,” or “L’Atelier rouge,” was so unexpected that, according to a wonderful new video from Great Art Explained, Matisse may not have really been able to grasp what he’d done either, at least not right away. The documentary short by art historian James Payne traces the history of this paradigm-shifting painting, from the artist’s personal influences to the societal and technological shifts experienced by the art-viewing public. “The painting seemed to break almost every established rule of Western painting,” Payne says.

No one else knew what to make of the work either, which stretches more than seven feet wide. Matisse flattened the picture plane, removing the usual cues about perspective and depth with a quickly applied swath of Venetian red. (Payne delves into an interesting story about that, too.) Here, color itself defines the composition in place of line and contrast, drawing on friend, mentor, and Symbolist painter Gustave Moreau’s advice that color, as Payne describes, “should be thought, dreamed, and imagined.”

“When Matisse painted ‘The Red Studio’ in 1911, it was one of the strangest pictures anyone had ever seen—a room almost completely consumed by red—furniture reduced to outlines, paintings hanging on walls that barely seem to exist, and a grandfather clock with 12 numbers but no hands,” Payne says. “Even Matisse wasn’t entirely sure what he had created, and nobody wanted to buy it.”

“The Red Studio” didn’t sell even at the famous International Exhibition of Modern Art, better known as the Armory Show of 1913, where it was in the company of experimental styles like Fauvism and Cubism, not to mention Marcel Duchamp’s proto-Dadaist “Nude Descending a Staircase (No. 2).” Although “The Red Studio” traveled to numerous exhibitions, it was broadly panned by critics. Matisse hid it away for about a decade before the piece experienced an unlikely stint at a London nightclub. It took decades for the unorthodox work to be recognized not as repulsive but revolutionary.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Great Art Explained Traces the Incredible Story of Henri Matisse’s ‘The Red Studio’ appeared first on Colossal.

The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

UK government considers smart glasses ban over secret filming concerns

Minister hints at restriction on selling technology ‘to certain users’ amid worries over surreptitious filming of women

The government is considering placing restrictions on smart glasses amid concerns the technology is being used to surreptitiously film women, a minister has said.

Speaking in the House of Commons, the safeguarding minister, Satvir Kaur, hinted at a ban on selling the technology “to certain users”.

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Serbia detains police officers over alleged use of force against protesters

Interior ministry claims suspects tortured and intimidated protesters detained in garage of government compound

Serbian authorities detained nine active police officers and one former officer on Wednesday for ⁠allegedly using excessive force against detainees during anti-corruption protests last year in Belgrade, the country’s interior ministry ⁠said.

Anti-corruption protests swept ⁠across Serbia, ​a candidate for European Union membership, in 2025 and 2026 after 16 people died when a concrete canopy ⁠on a renovated railway station in the city of Novi Sad collapsed on 1 November 2024.

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Trump boasts about ‘magnificent’ ballroom day after Republican rout

US president rhapsodized about ballroom features for more than 20 minutes, with no mention of Democrats’ ‘blue wave’

Less than 24 hours after suffering historic party losses in the US midterm elections, Donald Trump gathered reporters and network TV cameras at the White House to congratulate his team.

“The whole thing is a miracle, and it’s all because of you,” the US president said into a microphone on Wednesday afternoon.

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Trump’s wealth dented after Democrats trounce Republicans in midterms

Trump Media stock and WLFI coin saw declines but he is still $2.7bn wealthier than when he won election in 2024

Donald Trump’s wealth is falling along with his political fortunes.

Tradable investment assets that helped make the president more than $2bn during his first year in office are collapsing in value the day after the Democrats trounced the Republicans in the midterm elections. Trump Media and Technology Group stock, which trades on the Nasdaq exchange, was priced at just over $5 on Wednesday morning – its lowest mark ever, and down from an all-time high of $101. It lost 11% overnight, dropping from $5.90 once the election returns started coming in. Trump has reported he owns 114m shares of DJT.

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Sargasso

Hopeloos Genuanceerd

Closing Time | All You Fascists Bound To Lose

Gisteren was er hoop dat ‘Old man Trump’ een pak slaag zou krijgen, vandaag is hoop zekerheid geworden.

We kunnen dan ook, net als gisteren, weer een liedje van gouwe ouwe Woody Guthrie er bij halen. Bij leven was hij een die-hard anti-fascist, met zijn gitaar als wapen:

My big Gibson guitar has got a sign I painted on it, says, “This machine kills fascists” and it means just what it says too.

Bij hem begon dat in de Tweede Wereldoorlog, met liedjes als Tear The Fascists Down en  All You Fascists Bound To Lose.

All of you fascists bound to lose:
I said, all of you fascists bound to lose:
Yes sir, all of you fascists bound to lose:
You’re bound to lose! You fascists:
Bound to lose!

En zoals dat gaat met strijdbare klassiekers, die krijgen een nieuw leven wanneer de tijd daar om vraagt. In de aanloop naar de midterms-verkiezingen kwam Bette Midler met een door haar aangepaste versie van ‘All You Fascists Bound To Lose’. Meer daarover bij Rolling Stone.

We’ll battle ICE together
Until they cut and run
Just like in Minneapolis
And when the midterms come
You’re bound to lose
You fascists, bound to lose

Trying to distract us from the Epstein files
You gas and beat and murder us
protecting pedophiles
Let’s turn the screws
You pervs are bound to lose.

De Amerikaanse Democraten hebben gewonnen, maar daarmee is de strijd nog niet helemaal gestreden. Hopelijk is het wel een begin tot afscheid van de chagrijnige boze grimmigheid waarmee extreemrechts de wereld wil regeren.

Dus zullen we nog wel een tijdje onze stem moeten verheffen en dan wel met lichtheid en humor zoals Bette Midler dat doet. Vreedzaam en vastberaden. Zachtaardig en diep verontwaardigd. Liefdevol en strijdbaar.

Formula 1 News

Formula 1® - The Official F1® Website

Our early Bet Builder picks for Brazil

Our expert betting writers have picked a four-leg Bet Builder for the Sao Paulo Grand Prix, two podium finishes, a top six selection and a driver with points potential.

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Vernieuwen alsof het altijd zo is geweest: Janneke Bierman is met bureau BiermanHenket Architect van het Jaar

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GEOTHERMAL LAYERS ? Iceland


Abstract aerial studies of Icelandic geothermal terrain, where pale blue water, mineral crusts and altered clay form delicate channels, cracks and layered textures across the volcanic ground.