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Anthony Tommasini (LitHub, 9/10/26), "Beauty in Ambiguity: On Marian Anderson's Lifelong Love For Schubert": "When selecting songs ... she always looked first to Schubert, 'the composer I love best,' who wrote 'hundreds of them,' each 'more beautiful than the last.'" E.g.: Ständchen (No. 4 in D. 957); Der Tod und das Mädchen (D. 531); Ave Maria (D. 839); and Erlkönig (D. 328) i.e. Goethe's poem based on a ballad also adapted in Benedikte Naubert's 1792 "The Erl-King's Daughter." Classical Voice North America on Tommasini: Anderson "feared she would be remembered for breaking barriers rather than for her artistry." At LitHub, Tommasini discusses "Wohin?" and "Ungeduld" from D. 795, but also "Sometimes I Feel Like a Motherless Child." He mentions Roland Hayes singing Schubert as an influence. At Largehearted Boy, he makes more suggestions.
‘No wins, no goals scored … it is tough for the players’
Spurs in 17th place after 0-0 draw against Everton
Roberto De Zerbi says his Tottenham players continue to lack physical fitness and must “unblock” themselves in psychological terms after they drew their latest Premier League blank in a home 0-0 with Everton. It is now four games in the competition since the start of the season without a goal for Spurs; they sit 17th in the table with two points and were booed off by frustrated fans.
De Zerbi gave a number of explanations for Spurs’ slow start, chief among them the injuries that a clutch of players sustained on the long-haul pre-season tour to New Zealand and Australia. He lamented the impact of the World Cup on the return dates of certain players and mentioned how Sávio and Omar Marmoush had signed late in the transfer window.
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After showing early promise, George Russell was forced to settle for P6 in Qualifying for the Spanish Grand Prix.