Thomas Hawk posted a photo:

​Het liken van iemands Instagram Story: iedereen doet het weleens. Voor de meeste mensen is het liken van iemands Story een instrument om aan te geven: ik zie je, je ziet er goed uit en ik wil hete seks met je. Maar er zijn ook situaties waarin mensen niet per sé seks willen, beargumenteert socialmedia-expert Rosanna Krijntjes.

“In de meeste gevallen is het motief van de persoon die liked inderdaad gewoon neuken. Maar het kan juist ook héél onschuldig zijn”, zegt Krijntjes. “Het is ook een goed instrument om te laten blijken dat je de Story gezien hebt, enthousiast bent, maar niet zó enthousiast dat er middels een emoticon in de DM geslide hoeft te worden. Dan kan een simpele like heel goed werken.”

Krijntjes begrijpt wel waarom de meeste mensen het inzetten als iets geils. “Het heeft iets sneaky’s: je ziet het niet in je DM’s, dus je laat weinig sporen achter. Dat maakt dat het ondeugend voelt en dus geil.”

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Successful jokes are thin on the ground in the musty sixth installment of the once-popular parody franchise, taking aim at everything from Scream to Sinners

The Scary Movie series has always depended on timing. Not necessarily in its gagcraft, which has oscillated between occasional sharp jabs and many beyond-broad blows, but in its position on the release schedule. This was especially true of the first installment, which arrived in theaters just a few months after the 2000 release of Scream 3, capitalizing on the new wave of slashers while holding a spoofy Viking funeral for that just-concluded trilogy. A quarter of a century later, horror endures and there’s no reason to think spoofs can’t endure in parallel along with it as Backrooms and Obsession have ruled the early summer box office.

The sixth Scary Movie, repeating the first movie’s unnumbered title as a simultaneous nod to and act of reboot branding, is releasing too soon after those surprise smashes to incorporate them into its litany of gags (not even some last-minute ADR references, guys?). It’s stuck far further back, doing a composite of the fifth and sixth Scream movies from 2022 and 2023, respectively. On the other hand, with the recent Scream 7 largely abdicating its self-referentiality entirely, Scary Movie arrives as the last horror-comedy holding the torch for in-jokes that its self-serious cousin couldn’t bother with.

This memoir of a man who moved around China chasing low-paid work for 20 years is an indictment of a shocking system, read in a suitably austere way

Hu Anyan’s memoir about working in the Chinese gig economy began life as a blog before being turned into a wildly successful book that has sold nearly 2m copies in China. It chronicles the daily grind that is working a series of unskilled jobs for insultingly low wages and where there is no such thing as career progression.

Hu is one of 300 million so-called internal migrants in China, people who move around the country chasing work. Over 20 years, he does 19 jobs in six cities, many of them in terrible conditions. He works as a security guard, hotel waiter, delivery driver, bicycle salesman, bike courier, gas station attendant and at a logistics warehouse where he is given only four days off a month. There is a reason, he notes, why so many new recruits fail to make it through the three-day trial, which, of course, is unpaid.

Ibragimova/Tiberghien
(BIS)
Violinist Alina Ibragimova and pianist Cédric Tiberghien, on period instruments, offer zest-filled and elegant readings of four Beethoven sonatas

Alina Ibragimova and Cédric Tiberghien get their Beethoven cycle off to a flying start with zesty accounts of the Op 12 set alongside the evergreen Spring Sonata. They perform on period instruments – she, a 1570 Amati violin; he, a replica 1794 Walter fortepiano – but there’s nothing academic about these fresh-as-a-daisy interpretations.

Among the Op 12, the D major sonata crackles with an almost capricious theatricality. One moment they are teasing, the next goading each other into greater feats of athleticism. Ibragimova explores the widest of dynamic ranges, accompanied by Tiberghien, whose quicksilver right hand is matched by a percussive left that would give a timpanist a run for his money.

The ceasefire has held just enough to prevent a return to all-out war, but neither side is close to achieving peace

The US-Iran ceasefire is entering yet another round of escalation since it came into effect on 8 April. This week, there have been further strikes on Iran by the US, and Iranian retaliation on Kuwait and Bahrain, alongside Israeli escalation in Lebanon. Earlier flare-ups over the past two months were quickly contained. Both sides have tried to keep the balance between no war and no peace. But as this ceasefire drags on it risks becoming yet another Middle East stalemate, albeit one with international economic and political consequences.

Four obstacles are preventing progress. The first is trust. Iran does not believe Donald Trump can deliver a deal, much less stick to one. The fear is not only that Washington will walk away again but that the goalposts will keep moving, where first nuclear limits are imposed, followed by missiles, then regional policy and finally further political concessions dressed up as security guarantees.

Sanam Vakil is the director of the Middle East and North Africa programme at Chatham House

The star of The Fast Show and Father Brown – as well as the original Arthur Weasley – on friendly death eaters, famous Brummies and Chinese trains

What were the best and worst moments shooting the Harry Potter films? bumble1
The worst part was being away from home and the long hours. The best bit was the work and talking to the other actors. I look back with great fondness on that. I remember saying to Alan Rickman that the collective noun for actors is an anecdote.

Michael Gambon was the king of stories. He’d start a joke and you never knew where he was going. But he’d hone them; they were finely crafted – some of his best work was backstage. Richard Griffiths was also a great raconteur. His stories were brilliant, and completely unpublishable.

Want to spend less time on your phone? We asked psychotherapists, professors and specialists for practical (and achievable) ways to cut down

• The best screen-free activities

Everywhere you look, people are glued to their smartphones. If you haven’t noticed this phenomenon, it’s likely because you, too, are glued to the little dopamine-deliverer.

In March, Meta and YouTube had to pay a combined $6m after a US court found that the tech companies’ platforms were designed to be addictive. Put such tempting apps in a device that’s carried everywhere, and that’s a recipe for compulsive behaviour.

MONACO (ANP) - Max Verstappen weet nog niet precies wat hij van de Red Bull kan verwachten in de straten van Monaco. De viervoudig wereldkampioen in de Formule 1 is daarom voorzichtig in vragen over zijn kansen bij de Grand Prix van Monaco. "De kwalificatie is het hoogtepunt van het weekend. Daar moet je presteren", was Verstappen duidelijk.

"Ik weet niet hoe de wagen morgen aanvoelt", keek Verstappen op de persdag vooruit. "Monaco kan voor verrassingen zorgen en realistisch gezien is de wagen oké op lage snelheid, maar je moet hier goed zijn op de hobbels en kerbs en dat zijn we niet."

Verstappen haalde bij de Grote Prijs van Canada twee weken geleden zijn eerste podiumplaats. "In Montreal kwamen we op de rechte stukken tekort en in de bochten en over de hobbels waren we niet de beste. We willen meer grip, meer vermogen en dat de banden beter hun werk doen. Je wilt in alles verbetering."