Translucent Water Lily Macro

isteeves has added a photo to the pool:

Translucent Water Lily Macro

Translucent Water Lily Macro

Created with Midjourney
PP work in Adobe PS Elements 2024 Raw filters

A single translucent water lily with glass-like soft petals, gentle white glow, delicate curved shapes and organic micro-details. Petals slightly resemble jellyfish texture thin, fluid, semi-transparent, glowing edges, subtle iridescent reflections. Center of the flower warm luminous, soft pearly tones. Thin elegant stem, smooth and organic, also translucent. Black pure background, dramatic clean macro lighting, shallow DOF, hyper real softness. Style: ethereal, high-realism, cinematic macro, delicate biomorphic design. Shot on Sony G-Master 90mm macro, creamy bokeh, fine luminous bloom.
--chaos 25
--ar 3:4
--raw
--v 6
--stylize 1000
--profile wnzrnbm

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Thank you all for the visit, kind remarks and invites, they are very much appreciated! 💝

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Update April 02, 2025. Now I only accept new group invitation that allows all media types including videos.

Thanks for 8,536,101 views 🙏 August 23, 2026

De Speld

Uw vaste prik voor betrouwbaar nieuws.

Herman heeft een micro-oor

​Herman heeft een micro-oor. Hij wil dan ook het taboe op het hebben van micro-oren doorbreken. “Het is helemaal niet erg, ik hoor er prima mee. Soms vertel ik het mensen waarmee ik op date ga van te voren, soms niet. Het maakt niet uit. Het past gewoon bij mij, het is wie ik ben.”

&


The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

An AI ‘debt bomb’ crisis? No. This isn’t Enron 2.0 | Gene Marks

Fears of a datacenter buildout debt crisis are exaggerated. The risks are different than in the past and they are recoverable

Some experts are warning of a looming “debt bomb” crisis because big datacenter builders such as Meta, Oracle, xAI and CoreWeave are not only raising billions to construct these facilities but are also not recognizing these long-term debt obligations on their balance sheets.

Should we be concerned? No. I know because I’ve seen this movie before.

Continue reading...

‘I love it. It’s hope’: the mysterious self-willed wildflower meadow that seeded itself

Farmer Derek Sayer let a boggy field run wild and just one annual hay-cut has led to remarkable biodiversity

Tucked away on a country lane, a small field bursts with yellow and pink flowers. Quail and whitethroats call from the thick hedges and the plants, including common centaury, yellow rattle and marsh and common spotted orchids, bounce with hoverflies and butterflies.

More than 150 plant species have been recorded on Sayer’s Old Meadow, in north Norfolk, England, which is remarkable when there was just one – oilseed rape – growing there 21 years ago.

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Burnham stays away from No 10 North wedding after bride’s plea

Prime minister sends video message to newlyweds instead after bride Sarah Burwin asked him not to ‘ruin’ vibe at Heron House wedding

Andy Burnham fulfilled a bride’s wishes by not turning up for her wedding after she asked him not to spoil her big day as she got married at the building housing No 10 North.

Sarah Burwin had pleaded on TikTok in July for Burnham not to work from the building in Manchester that day, which hosts the government’s northern headquarters and the city’s register office.

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As You Like It review – French aristocratic trappings bring fresh comedy to Arden

Shakespeare’s Globe, London
In a lively and deftly designed production, gowns and wigs fit for Versailles give way to plainer disguises as banished courtiers pursue happiness in the country

For a play that pivots around the liberating disguises inside Arden’s bucolia, this production of the Bard’s pastoral comedy begins the dress-up long before its characters enter the forest for their games on gender and identity.

Duke Frederick’s court resembles that of Louis XVI’s Versailles, with flamboyant gesticulations that seem to belong to Molière. It is Shakespeare, but it could be a French period romp. Costumes become plainer and more earthy in Arden. Is there a suggestion that these characters live their courtly lives in a constant state of disguise?

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Chineke!/ Heyward/ Angel Blue review – belated premiere for forgotten Black composer

Royal Albert Hall, London
A suite of reconstructed dance pieces from 1918 by Edmund Thornton Jenkins made a moving start to Chineke!’s Prom, where soprano Angel Blue sang Barber’s nostalgic Knoxville and Dvořák’s Symphony No 8 made a breathless finale

Slowly but surely, our perceptions of what a composer looked like in the early 20th century are widening. Chineke!’s ongoing mission to unearth music by forgotten Black composers here brought about the belated premiere of Ballet by Edmund Thornton Jenkins, its incomplete manuscript parts reconstructed by his great-nephew Tuffus Zimbabwe.

Growing up in Charleston, South Carolina, Jenkins died in Paris aged only 32, having made a name for himself as a rising composer and band leader. In between he studied at the Royal Academy of Music in London, where in 1918 he wrote his three-movement Ballet. It sounded persuasive here, as conducted by Jonathon Heyward. A substantial opening Processional, ominous then light-footed, gives way to a second movement beginning with a bubbling flute duet and a florid viola solo; together, these repeatedly show a gift for weaving together melody and countermelody. The flaw is in the finale, where the waltz that dominates the movement sounds unavoidably slender and staid next to the trumpet fanfare that announces it. Still, Jenkins rounds things off with an exuberant, uptempo ending.

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Syrië biedt Israël een uitgestoken hand, gezant VS verdenkt Israël van uitlokken conflict met electoraal motief

The Register

Biting the hand that feeds IT — Enterprise Technology News and Analysis

How Cursor beat Git's scalability shortcomings

Developers recently burned by GitHub’s system outages should take note that there are other ways to manage Git at scale. One approach, recently put into action by Cursor, is to build the distributed version control system on object storage. A recent post from Cursor principal systems engineer Vicent Martí explains how the SpaceX subsidiary worked through its scaling issues with the notoriously fickle Git distributed version control system. The post explains how Cursor arrived at an architecture for its own Git-based repository service called Origin, which is powered by an internal engine called Continuity. A beta of the service is available with paid Cursor plans. “Agents have fundamentally changed the way we work with software, and in many ways they've made this situation worse. More code, more PRs, more CI runs. Version control is at the core of all of this, and it is possibly the hardest thing to change overnight,” Martí wrote. Martí speaks from experience, having worked at GitHub through much of the last decade when the company arrived at its own current architecture for managing Git. Synchronization is a bitch Git creator Linus Torvalds designed his software to work as a content-addressable data store, where all the objects are stored and indexed by the SHA-1 hash of their contents. Git sees a repository as a directed acyclic graph (DAG), with each commit being a node in a graph of nodes all connected by pointers. A Git server can look up an object directly by its SHA, but if it doesn’t have the SHA, then it “must actually walk the DAG step by step,” Martí noted. A client may just want to fetch or clone a consolidated packfile of the repository, or even get a list of recent changes, but to fulfill these requests, the server must traverse the entire graph only to assemble the necessary objects. Now, imagine providing such a service for over 400 million repositories, and you’ll get an idea of the scale at which GitHub operates (or struggles to do). After some fiddling about, GitHub engineers landed on what they called Spokes, which basically involves keeping at least three tightly synchronized copies of every repository on speedy NVMe disks. The approach became an industry standard, though over time its limits became apparent; the chief one is that the more replicas you make, the longer the synchronization takes. And Git does not play well with “eventual consistency,” Martí explained. Plus, these days agents bring their own mayhem. “When agents work with Git repositories at scale, they often operate outside of a monorepo by creating vast numbers of small repositories, many of them throwaway, and most of them barely touched,” Martí wrote. Object stores to the rescue When Cursor set out to build its own Git repository, it turned to object storage. Unlike file or block storage, object storage gives each chunk of bits its own unique identifier and files it with all the others in a single namespace (no directories). The most popular object storage today is Amazon Web Services’ Simple Storage Service (S3), which is increasingly used as a foundational layer for enterprise software such as databases, container registries and message brokers, thanks to its low cost, built-in redundancy and – for all practical purposes – endless scalability. With Origin, pushes are uploaded into S3 in a write-ahead log (WAL), capturing all changes as immutable objects. Wherever possible, changes are bundled together for faster throughput. Simultaneously, the pushes are written to the local “reference” copy of the repository (usually an NVMe disk). Once both actions complete, other replicas of the repository can download the changes as needed. “With the only requirement of having to synchronize the reference transaction with a single local repository instead of a quorum of replicas, we have a system that can ingest pushes as fast as our disk allows,” Martí wrote. Git will still have to do DAG traversal for many operations, but it is better to do it locally on a speedy solid-state drive than over a network. “Where does every repository live? The answer is ‘anywhere’. It doesn't matter! We treat repositories like a warm cache on disk, but the source of truth is always the write-ahead log,” Martí noted. We will see how well this approach plays out as Origin moves into being a production service. But if we don’t see stories about Origin outages, then Git managers will know to give object storage a serious look. ®