AMD plans to launch its Helios rack-scale architecture in 2026 as a direct challenge to Nvidia in the AI infrastructure market, pending successful integration of its next-gen GPUs and processors.…
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Bij een grootschalige internationale politieactie zijn achttien arrestaties verricht. Verdachten zouden ten minste 300 miljoen euro hebben ontvreemd.
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In the Malabar region of Kerala, India, an ancient Hindu ritual known as Theyyam exists in a continuum of ceremonial customs that date back hundreds, if not thousands, of years. The practice carries on today through elaborate costumes and dances during which a performer wears sacred garments and invites a deity to enter their body as a way to seek blessings. Theyyam season, which typically runs from October to May, sees hundreds of performances around the region, with many concentrated in November and December.
“Theyyam is a reminder that the divine exists within and around us,” says artist Navneet Jayakumar, whose lens-based practice centers around explorations of ethnography and the surreal. “In an age of disconnection, its wisdom has the power to ground us and heal a fragmented world.”
Now based in London, Jayakumar grew up in Malabar, and Theyyam was a memorable part of his childhood. For the first time in 12 years, he returned to Kerala during the ceremonial season and was struck by its intensity and time-honored connection to the region’s cultural heritage. “Witnessing the ritual reignited my curiosity about the broader spiritual and historical context of my culture, the role Theyyam once played in it, and the ways in which colonial narratives had distorted my perception of both,” he says in a statement.
Jayakumar’s series Beyond the Colonial Gaze documents the ancient custom through an ethnographic lens, aiming to highlight an event that’s little understood outside of the region, primarily due to its oral traditions, which make it challenging to research. “With a lack of traceable records exacerbated further by centuries of colonial intervention, I discovered there was very little information available about the ritual’s broader spiritual context,” he says.
Through the innately visual medium of photography, Jayakumar set out to record Theyyam to counteract its lack of recognition—especially as an Indigenous tradition that was seen by European colonizers as “uncivilized” or “primitive.” His energetic, glowing images portray meticulously designed costumes and face-painted performers.
Exhibited in different parts of Europe, Jayakumar’s images represent what he describes as “a symbolic victory of a culture that was destroyed and shunned as barbaric but lives on through me and many, many people back home.” Find more on Jayakumar’s website and Instagram.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article In India, Navneet Jayakumar Documents the Ancient, Elaborate Custom of Theyyam appeared first on Colossal.
MOSKOU (ANP/AFP/RTR) - President Vladimir Poetin heeft opdracht gegeven naar de mogelijkheden te kijken om weer nucleaire wapentests voor kernbommen uit te voeren. Het land heeft die proeven met kernexplosies niet meer gedaan sinds de ineenstorting van de Sovjet-Unie in 1991.
Poetins Amerikaanse ambtgenoot Donald Trump zei afgelopen week plotseling dat hij het ministerie van Defensie heeft opgedragen onmiddellijk nucleaire wapens te gaan testen op grond van dergelijke proefnemingen elders in de wereld.
De laatste Russische proeven met kernexplosies waren in 1990 en de laatste Amerikaanse in 1992. China en Frankrijk hebben in 1996 nog op die manier kernwapens getest. Noord-Korea doet de proeven met kernexplosies nog wel, voor het laatst in 2017.
