A painting from 1633 called Vision of Zacharias in the Temple has been newly identified by Rijksmuseum researchers as an authentic Rembrandt van Rijn. It had been decades since the painting was examined — art historians have access to all kinds of new techniques and information about Rembrandt’s methods and materials.
Vision of Zacharias in the Temple was shown at the major Rembrandt exhibition at the Stedelijk Museum Amsterdam in 1898. In 1960, however, it was excluded from Rembrandt’s oeuvre. A year later, a private collector purchased the work, after which it disappeared from public view. Only recently did the current owner contact the Rijksmuseum, allowing the painting to be examined again after 65 years.
The two-year investigation shows that all the pigments used also appear in other paintings by Rembrandt from the same period. The build-up of the paint layers and the handling are likewise consistent with his early work.
The painting is executed on two oak panels from trees grown in the south-east of Lithuania, a common wood source in the seventeenth century. The dimensions and construction correspond to panels Rembrandt frequently used. Dendrochronology (tree-ring dating) confirms that the inscribed date “1633” is plausible.
Here’s the back of the painting (the whole analysis is interesting):
Vision of Zacharias in the Temple goes on display at the Rijksmuseum tomorrow. (via the history blog)
Tags: art · rembrandt · rijksmuseum
