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As Emerald Fennell’s new adaptation hits the screens, the historian Dominic Sandbrook takes a deep-dive into the novel’s dark themes. Plus, how to battle phone addiction
The latest release from Goalhanger hears historian Dominic Sandbrook in English teacher mode, as he dissects classic novels with producer Tabitha Syrett. Luckily, it doesn’t feel like homework: their first episode, on Wuthering Heights, revels in Emily Brontë’s dark themes, confusingly-named protagonists, and the author herself – from her tragically tiny coffin to the graveyard water that may have led to her premature death. Hannah J Davies
Widely available, episodes weekly
The journalist and polymath probes the mysteries of the mind in this unsettling yet life-affirming investigation
The brain, wrote Charles Scott Sherrington, is an “enchanted loom where millions of flashing shuttles weave a dissolving pattern”. The British neuroscientist created this striking image more than 80 years ago, a time when mechanised looms, not computers, embodied the idea of technology. Even so, the symbolism feels relevant. We struggle to talk of our brains or minds without recourse to the machine metaphor: once it was clocks, then looms, and now computers. We say that our brains are hardwired; we talk of our ability to process information.
The quote appears as merely a footnote in Michael Pollan’s new book, A World Appears, a fabulous and mind-expanding exploration of consciousness: how and why we are self-aware. But the whole thing can be read as a lucid and impassioned riposte to Sherrington’s conception of the mind as a machine. In Pollan’s view, we have become imprisoned by such narratives, which have obscured the richness and complexity of human and non-human consciousness. Bridging both science and the humanities, Pollan mines neuroscientific research, philosophy, literature and his own mind, searching for different ways to think about being, and what it feels like.
Continue reading...Mimosas and violets are already out in the south of France, making it the perfect time for a pre-spring road trip
As I take my seat in Galimard’s Studio des Fragrances, in the Provençal town of Grasse, I limber up my nostrils for the task ahead: to create my own scent from the 126 bottles in front of me. Together they represent a world of exotic aromas, from amber and musk to ginger and saffron. But given that I have left the grey British winter behind to come here, I am more interested in capturing the sunny essence of the Côte d’Azur.
Here in the hills north of Cannes, the colours pop: hillsides are full of bright yellow mimosa flowers, violets are peeping out of flowerbeds and oranges hang heavy on branches over garden walls, even though it’s not yet spring. It is the perfect antidote to the gloom back home, and the chance to bottle these very scents is a joy.
Continue reading...Canadian experimentalist Isiah Medina’s latest flits between radical and grandiloquent, but deserves close reading and exasperated sighs in equal measure
‘If cinema was a 19th-century dream actualised in the 20th century through chemistry, then the auteur was a 20th-century dream that needs to be actualised in the 21st through digital.” Canadian experimentalist Isiah Medina is hellbent on that task in his latest feature, which almost entirely comprises a troupe of po-faced cineastes declaiming such theory-freighted slogans, and bemoaning what dogs the genuine auteur these days: western-centric power hierarchies, industry racism, the economic exclusion of serious artistic work, the tyranny of language.
It’s dense stuff, and staged at an ironic, if not quite playful, remove. Mark Bacolcol plays Clem, a director struggling to finance his next feature in the face of the system. Boyfriend Ez (Kalil Haddad) is an unblinking ideologue, who peps Clem up by telling him: “Be proud: regardless of race, most people don’t like your work.” Collaborators Nico (Jonalyn Aguilar) and March (Charlotte Zhang) are struggling to hurdle the same structural obstacles. A hipster collage in his office juxtaposes Mao’s Cultural Revolution with the title of Armond White’s 2020 book Make Spielberg Great Again. Needless to say it’s not the great white hope Clem is holding out for.
Continue reading...Grote kranten zijn bijna overal in het bezit van een relatief klein aantal rijke mensen. Welke invloed oefenen zij uit op personeelsbeleid en berichtgeving als deze bijvoorbeeld onwelgevallig is voor hun klasse?
Wordt het niet tijd voor (bijv.) een stewardship owned dagblad/krant of iets met een collectief model?
Ik ben abonnee van best wat kranten en nieuwsbladen omdat ik denk dat goede journalistiek de beste bescherming biedt tegen democratisch verval. Maar ik zou graag bijdragen aan een krant waar leden (lezers) en journalisten samen volledig in controle zijn over de bedrijfsvoering. In plaats van een paar veel te machtige Belgen, laat staan Jeff Bezos.
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UTRECHT (ANP) - CNV wil dat concessiewisselingen in het openbaar vervoer in de toekomst niet meer in december plaatsvinden, na de chaos rond het busvervoer in Utrecht. Volgens de vakbond zou het wisselen van vervoerder voortaan alleen nog in de zomer moeten gebeuren. De bond gaat hiervoor pleiten bij de provincies, die verantwoordelijk zijn voor de aanbestedingen.
"De zomer is een veel logischer moment voor ingrijpende wisselingen", vindt CNV-onderhandelaar Niels Rook. "Het is langer licht, mooier weer en het is een stuk rustiger in de bus. We willen geen concessiewisselingen in de winter meer. Als het dan misgaat, zoals nu in Utrecht, is de ellende niet te overzien."
Bijna twee maanden na het ingaan van de nieuwe dienstregeling in Utrecht heeft vervoerder Transdev volgens CNV de boel nog steeds niet op orde. "Het is ontzettend frustrerend, voor de chauffeurs en de reizigers", aldus Rook.
Google never asked its users before adding AI Overviews to its search results and AI-generated email summaries to Gmail, notes the New York Times. And Meta didn't ask before making "Meta AI" an unremovable part of its tool in Instagram, WhatsApp and Messenger.
"The insistence on AI everywhere — with little or no option to turn it off — raises an important question about what's in it for the internet companies..."
Behind the scenes, the companies are laying the groundwork for a digital advertising economy that could drive the future of the internet. The underlying technology that enables chatbots to write essays and generate pictures for consumers is being used by advertisers to find people to target and automatically tailor ads and discounts to them....
Last month, OpenAI said it would begin showing ads in the free version of ChatGPT based on what people were asking the chatbot and what they had looked for in the past. In response, a Google executive mocked OpenAI, adding that Google had no plans to show ads inside its Gemini chatbot. What he didn't mention, however, was that Google, whose profits are largely derived from online ads, shows advertising on Google.com based on user interactions with the AI chatbot built into its search engine.
For the past six years, as regulators have cracked down on data privacy, the tech giants and online ad industry have moved away from tracking people's activities across mobile apps and websites to determine what ads to show them. Companies including Meta and Google had to come up with methods to target people with relevant ads without sharing users' personal data with third-party marketers. When ChatGPT and other AI chatbots emerged about four years ago, the companies saw an opportunity: The conversational interface of a chatty companion encouraged users to voluntarily share data about themselves, such as their hobbies, health conditions and products they were shopping for.
The strategy already appears to be working. Web search queries are up industrywide, including for Google and Bing, which have been incorporating AI chatbots into their search tools. That's in large part because people prod chatbot-powered search engines with more questions and follow-up requests, revealing their intentions and interests much more explicitly than when they typed a few keywords for a traditional internet search.
"The insistence on AI everywhere — with little or no option to turn it off — raises an important question about what's in it for the internet companies..."
Behind the scenes, the companies are laying the groundwork for a digital advertising economy that could drive the future of the internet. The underlying technology that enables chatbots to write essays and generate pictures for consumers is being used by advertisers to find people to target and automatically tailor ads and discounts to them....
Last month, OpenAI said it would begin showing ads in the free version of ChatGPT based on what people were asking the chatbot and what they had looked for in the past. In response, a Google executive mocked OpenAI, adding that Google had no plans to show ads inside its Gemini chatbot. What he didn't mention, however, was that Google, whose profits are largely derived from online ads, shows advertising on Google.com based on user interactions with the AI chatbot built into its search engine.
For the past six years, as regulators have cracked down on data privacy, the tech giants and online ad industry have moved away from tracking people's activities across mobile apps and websites to determine what ads to show them. Companies including Meta and Google had to come up with methods to target people with relevant ads without sharing users' personal data with third-party marketers. When ChatGPT and other AI chatbots emerged about four years ago, the companies saw an opportunity: The conversational interface of a chatty companion encouraged users to voluntarily share data about themselves, such as their hobbies, health conditions and products they were shopping for.
The strategy already appears to be working. Web search queries are up industrywide, including for Google and Bing, which have been incorporating AI chatbots into their search tools. That's in large part because people prod chatbot-powered search engines with more questions and follow-up requests, revealing their intentions and interests much more explicitly than when they typed a few keywords for a traditional internet search.
Read more of this story at Slashdot.
De vier grootste woningcorporaties van Rotterdam mengen zich opvallend actief in de gemeenteraadsverkiezingen. Niet om een partij te steunen, maar wel om een punt te maken.
De vier grootste woningcorporaties van Rotterdam mengen zich opvallend actief in de gemeenteraadsverkiezingen. Niet om een partij te steunen, maar wel om een punt te maken.