If in Argentina squad, Prestianni would miss two games
Benfica winger banned for racial abuse of Vinícius Júnior
Prestianni has one Argentina cap, from November
Fifa confirmed a global ban Wednesday for Gianluca Prestianni that will rule the Benfica winger out of two World Cup games in the United States if he is selected in Argentina’s squad.
Uefa imposed a six-game ban – with three games deferred on probation – on Prestianni two weeks ago for his verbal abuse of Real Madrid’s Brazilian forward Vinícius Júnior in the Champions League. Prestianni covered his mouth with his jersey while using the insult.
Continue reading...Suit says director used Q’orianka Kilcher’s features without permission after seeing her in advert for The New World
James Cameron and the Walt Disney Company are facing a lawsuit that claims the director based a key character in the Avatar franchise on a teenage actor without her permission.
The suit, filed by actor Q’orianka Kilcher, alleges that Cameron “extracted her facial features” and “directed his design team” to base the key Avatar character Neytiri on her appearance after seeing her in an LA Times advert for Terrence Malick’s 2005 film The New World. In the film Kilcher, who is Native Peruvian, played Pocahontas among a cast that also included Colin Farrell and Christian Bale.
Continue reading...A follow-up to 2021’s gory big-screen adaptation of the much-played fighting game might finally show us the tournament but it’s all far too unexciting
A sequel to 2021’s gory, garish big-screen transfer of Mortal Kombat was an inevitability not just because of how the industry typically works and not just because video game IP is arguably hotter than ever right now but because of something far more crucial. While the film – the second attempt to bring the game to the big screen after a dodgy Christopher Lambert-led 1995 version - was a predictable string of fight scenes pieced together with what could generously be described as a plot, it pulled a major, and to some rather shocking, punch. For all of the fight scenes it did show, it stopped short of showing us those one would naturally expect, denying us an actual Mortal Kombat tournament.
It was all laboured scene-setting, one reason why it didn’t connect with many critics and fans, other than it also not being very good, another little problem. The film was part of Warner’s Christopher Nolan-alienating Covid year, when its slate was launched on both the big screen and HBO Max simultaneously, and while it did so-so theatrical numbers, it was the platform’s most-streamed movie of the year, beating out grander titles such as Dune. The sequel is receiving a splashier rollout but its predecessor’s outsized small-screen success wasn’t just a sign of that particular strange time but also where fans might best enjoy these films, on TV late at night, expectations that much lower. Treated like a premium format blockbuster does not do a film like Mortal Kombat II any favours, its junkiness less charming and more distracting, a street fighter suddenly forced to go pay-per-view. While this one might actually be true to its title – there is a Mortal Kombat in Mortal Kombat II - there’s still nowhere near enough here to warrant an Imax screen.
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