UTRECHT (ANP) - De NS bevestigt dat door de staking van FNV woensdagochtend geen treinen rijden tussen 04.00 en 08.00 uur. Daarna moet de dienstregeling weer worden opgestart en kunnen ritten de rest van de ochtend ook anders lopen dan reizigers gewend zijn, waarschuwt NS.
Ook werknemers van bus-, tram- en metrovervoer staken. Treinvervangend vervoer aanbieden is dus niet mogelijk, aldus NS.
kellypettit has added a photo to the pool:
An iconic landmark in Vancouver, Canada. Recently, they covered it with a jacket that looks like a soccer ball. World cup soccer is going off in North America so I wanted to share this.
On June 9th, Anthropic released its Fable generative AI model. Three days later, the US government classified it as a dangerous munition, and used its export-control authority to prohibit any foreign nationals from accessing it. Unable to differentiate between Americans and foreigners, the company shut off access for everyone.
The government’s actions won’t help. The problem isn’t any one particular model; it’s the general trend of increasing AI capabilities. And any real solution requires the sort of collective action that just isn’t possible right now.
Fable is the constrained version of Mythos, the AI model Anthropic announced in April. Anthropic only released it to a few selected organizations, because the company claimed it was so good at finding and exploiting vulnerabilities in computer code that releasing it more generally would be dangerous.
It was an obviously self-serving announcement, and because few were able to verify Anthropic’s claims they were met with some skepticism. Those with access used Mythos to find and patch many vulnerabilities in their own software. But one UK group found the latest, already public, OpenAI model to be just as powerful.
Fable is just another incremental improvement in the years-long climb of AI capabilities. But just as important as the AI model is the “harness.” This is typically not AI. It’s ordinary computer code that interfaces with the user. It stitches together AI models, decides how and for what purposes they can be used, and gives them useful tools such as web search and the ability to run their own computer code.
When Mythos first entered limited release, there was widespread debate whether its power came from the model or the harness. With Mythos demonstrating that it was possible, the open-source community scrambled to build harnesses that could steer other AI models towards similar capabilities. Harness improvements don’t need massive data or data centers.
They largely succeeded. For example, a Prague company was able to replicate Anthropic’s few verifiable cybersecurity capabilities with a much smaller and cheaper model—and a more sophisticated harness. Last week, a group showed that multiple cheaper models harnessed in concert matches Fable’s performance.
The broader community had only a few days with Fable, but that time we learned some about its capabilities. Its difference is less the new model’s raw analytical and problem solving capabilities, and more that the model doesn’t need that sophisticated harness.
Fable requires much less expertise and detailed prompting from the human user. You can give it a difficult goal and it will figure out novel and unexpected ways to satisfy it, finding loopholes in whatever constraints you or the system have imposed on it.
“Relentlessly proactive” is how AI researcher Simon Willison described it. Another descriptor might be “creative.” Experienced AI developers have had that combination of creativity and proactivity since last year, but Fable puts it within easy reach of everyone.
In the hands of someone with a legitimate problem that needs solving, that can be an incredibly useful capability. But in the hands of someone who wants to do harm, it can be equally dangerous. AIs don’t have a moral compass in the same way that people do. They are agents of the wants and desires of the people who prompt them.
That points to the real problem with relentlessly proactive AI. In language, wants and desires are always underspecified. If I ask you to get me some coffee, you would probably pour me a cup from the coffeepot, or buy one from a nearby coffee shop.
You couldn’t buy me a pound of raw beans, or a coffee plantation. You wouldn’t order a cup of coffee for delivery next month. You wouldn’t find a nearby person, rip a cup of coffee out of their hands, and bring it to me. I wouldn’t have to specify any of the million limitations to my request; you would just know.
Human stories are filled with warnings about underspecified desires. King Midas wished that everything he touch turn to gold, forgetting to add “but not my food, drink, and daughter.” And genies are notorious for granting your wish in a way you wish they hadn’t.
The deeper point is that it’s impossible to list all limitations and restrictions, and like a malicious genie, a creative AI will find the ones you forgot. Block a database you don’t want it to have access to, and it might figure out how to bypass your control. Ask it to book a flight, and it might hack the airline because the website says the flight is sold out. Ask it to save money on your cellphone plan, and it might cancel it altogether—or get someone else to pay for it. As far as we know now AI has not done any of this yet, but you get the idea.
Malicious intent is not required. To an AI model, constraints are just things to get around and not general truisms about the world. They are creative problem solvers and natural rule breakers. They “hack” in the sense that they find and exploit loopholes.
Human systems rely on so many norms that we scarcely recognize the existence of until they are broken. AIs naturally think outside the box, because they don’t have any real conception of what the box is or why it’s there in the first place.
There is no foolproof way to prevent people from using AI models to complete harmful tasks. There is no way to prevent the models from incidentally causing harm while completing benign tasks. AI models are no longer isolated from the real world. They browse the internet and answer emails.
They trade stocks and make purchases. They control physical systems. They are, in effect, robots that affect life and property. We have no technical mechanisms to verify the integrity of an AI system. This level of capability and creativity in the hands of us untrustworthy humans will have both great and terrible results.
The problem is not unique to Anthropic. Mythos/Fable might currently be the most capable rules hacker, but more sophisticated harnesses give other models similar capabilities. And we should assume that the other frontier models are no more than a few months behind, and that open-source models are less than a year behind. At best, any ban only serves to delay the problem for a short while.
That delay might be useful if we—as a society, as a planet—would use that time to come together and figure out what to do. This isn’t a US/China arms race problem; this a species-level problem that requires coordinated action at that scale. Unfortunately, we have no mechanism to do that. I first wrote about this problem five years ago, but it was all too futuristic.
Today, when its right in front of us, there is no world government that can impose constraints on the for-profit corporations currently controlling AI models and research. The US has no appetite to effectively and even-handedly regulate those corporations, even as they do catastrophic damage to the environment, democracy, and—in this case—society in general.
This all makes an AI public option all the more necessary, and urgent. Today’s AIs can be fast, smart and secure, but only two of the three are possible for any given system. These safety tradeoffs are tightly held secrets of companies racing to beat one another, and they tell us we have to trust them. Instead, the choices and their consequences need to be brought out into the sunlight.
We should be funding open-source harnesses that balance capability and safety—that achieve useful goals without so much power—and open-source AI models whose provenance and biases are public and well understood. We have opened the AI Pandora’s box. Now we have to make the best of it.
This essay originally appeared in The Guardian.
Andy Serkis has picked the perfect actor for the next iteration of the Lord of the Rings franchise. But if Tolkien didn’t linger over this subplot, should we?
Let’s be honest: Anya Taylor-Joy would make a great elf. If any human being could flit from tree to tree as if woven from gossamer and starlight, or appear on a moonlit branch looking as though she had just been summoned by a haunted lute, it would be the star of The Queen’s Gambit, The Witch and Furiosa. She is perfect for Lord of the Rings, and it is no surprise whatsoever that she has been cast as the elf Seren in the forthcoming Andy Serkis-directed The Hunt for Gollum, as confirmed this week by the Hollywood Reporter.
You’ll probably have heard about the movie: Serkis is back as Gollum, Ian McKellen returns as Gandalf, and the whole thing is about a barely mentioned, if crucial, section of LotR in which Aragorn is charged with chasing down the snivelling, one-time owner of the One Ring before Sauron’s forces can get to him.
Continue reading...The Chinese-Danish artist wrote nine 10ths of Larsson’s breakout album then got a Grammy nod. It’s a fine springboard for her own revelatory pop
From Aarhus, Denmark
Recommended if you like Caroline Polachek, Zara Larsson, Grimes
Up next Debut project coming later this year
You could hardly make a better professional songwriting debut than co-writing nine 10ths of a moment-defining album – namely Zara Larsson’s Midnight Sun – then getting a Grammy nod for it. It’s an enviable springboard for the relaunch of Helena Gao’s solo career. Over the past few years, the Chinese-Danish artist has released a handful of singles and EPs – standout God’s Favourite split the difference between NewJeans and R&B, and comes with an excellent Sims-referencing video – but her new music feels like a real flourishing, sidelining her older sweetness for a freakier braid of heavy bass, stuttering trance and a pitch-bending falsetto to rival that of Caroline Polachek, singing in English and Mandarin.
Continue reading...Depending on AI can also potentially decrease the ability to discern misinformation, research says
A new study from the Massachusetts Institute of Technology is the latest research to find that relying too much on chatbots can diminish critical-thinking skills, and potentially decrease our ability to discern misinformation for ourselves.
As AI tools are becoming more sophisticated and accessible, manipulated images and misleading headlines are becoming more common. AI can be part of the solution, and has proved useful in helping users identify fake content – but there’s a cost to using it this way, the new research suggests. An over-dependence on AI to help figure out what’s real on the internet can lead to trouble making those judgments.
Continue reading...The Pinnacle by Abir Mukherjee; A Violent Masterpiece by Jordan Harper; Murder on the Red River by Marcie R Rendon; The Devoted by Catherine Cho; The Repentants by Kate Foster
The Pinnacle by Abir Mukherjee (Harvill, ÂŁ16.99)
In the eponymous Mumbai apartment block, the immensely rich and those who serve them exist side by side but worlds apart. Fading American actor George Abercrombie, married to superstar Sweety Sahota, finds himself advertising Indian whiskey while his younger wife’s acting career continues its stellar trajectory. Waking on the sofa with a hangover and only hazy memories of the night before, George discovers Sweety stabbed to death in the marital bed and one of his shirts, blood-stained, in the laundry basket. He knows he will be the prime suspect, but not only have Sweety’s phone and laptop disappeared, so has his assistant, Amit … Told from the points of view of George, Amit and Sweety’s put-upon PA Gemma – with Amit and Gemma both having secrets of their own – and laced with dry humour and social commentary, this is a tense, fast-paced tale of class, power and corruption.