Thomas Hawk posted a photo:

Traverse theatre, Edinburgh
Malaika Kegode delivers a supernatural story about the strange disappearance of a maudlin folk singer

Playwright and performer Malaika Kegode tops and tails this show for Theatre Royal Plymouth with a message about the allure of storytelling. In a festival city bursting at the seams with stories, it is an unnecessary observation. A more important question is about which stories we choose to tell, which resonate and which pass us by. Why, for example, did Kegode want to write a story – and it is a story rather than a play – about the strange disappearance of a maudlin folk singer?

She focuses on the subsequent investigation by Meles Costas, an under-qualified true-crime podcaster, living in the shadow of a high-achieving and terminally ill mother. And she laces her story with gothic fairytale imagery: folk songs with dark-magic properties, human-to-animal transmutation and a hint of witchcraft.

At Traverse theatre, Edinburgh, until 30 August; Theatre Royal Plymouth, 2–5 September; Bristol Old Vic, 8–12 September

All our Edinburgh festival reviews

With less than three months to go until the midterms, voters are thinking about grocery prices, the Iran war – and datacentres.

This week, Jonathan Freedland speaks to the historian Jill Lepore about how this latest AI backlash could influence those all-important elections in November. Are we seeing the beginning of the end of the ‘artificial state’?

Listen to the Today In Focus episode on the plans for a new datacentre in London’s Brick Lane

Read Jill Lepore’s Long Read here

Watch Jonathan Freedland on our new Politics Weekly YouTube channel

Send your questions and feedback to politicsweeklyamerica@theguardian.com

Chester zoo resident, 23, ‘back to her usual feisty self’ after electrochemotherapy for tumour in her jaw

A 15ft (4.5-metre) python is believed to be the first snake in the world to be given a pioneering, life-saving cancer treatment normally used on humans.

The 50kg reticulated python, named Jodie Foster after the Hollywood star, has just turned 23 and lives at Chester zoo. Keepers first became concerned that she may be unwell when she began eating less and spending more time inactive in her habitat.

As his new film Bitter Christmas is released, the legendary Spanish director turns his fire on Donald Trump, Will Smith, Netflix – and himself

Black sunglasses indoors and a tufty cloud of cotton-wool hair: it can only be Pedro Almodóvar, bourgeois arthouse darling nonpareil and master of everything from screwball romps (Women on the Verge of a Nervous Breakdown) to clammy thrillers (Live Flesh, The Skin I Live In) – and sumptuous melodramas such as his 24th film, Bitter Christmas, a cautionary tale about the perils of autofiction.

We are sitting in the library of a London hotel and Almodóvar is dressed in a thin black windcheater, grey trousers and white trainers; add a whistle on a string and he could pass for a PE teacher. The 76-year-old director may have won more than 60 awards including two Oscars, five Baftas and six Goyas but when the shades come off today, he looks momentarily sorry for himself. He has been deaf in one ear since childhood, he tells me, and now the other one is giving up the ghost. In addition, a nasty stye has turned his left eye a gluey purple. Might he have picked it up while swimming? “I do swim almost every day because I have a pool,” he sighs. Never can those words have sounded so sorrowful.

Despite stars Leslie Mann, Anna Faris and Isla Fisher and the writers behind The Hangover, this tale of friends at a luxury hotel is a dud

Jon Lucas and Scott Moore are the screenwriters who struck gold nearly 20 years ago with The Hangover, a brilliant stag-weekend nightmare comedy about what happens in Vegas, which sadly spawned a terrible (though lucrative) franchise. Now, as writers and directors, they have tried turning it around and making a movie about how middle-aged women behave on a longed-for spa weekend at a luxury-porn hotel. The result is a comedy without gags, a comedy which, for all the strenuous high-jinks, is afraid to be flippant or mean or, indeed, funny in any way.

Leslie Mann plays a hotshot lawyer called Jane who can’t make room in her life for romance; Anna Faris is goofy Sophie, PA to a rich asshole; Michelle Buteau is outspoken badass Coco, angry at her ex-husband dating again; and Isla Fisher is landed with the stridently unfunny role of Mel, a wild child who makes the other three nervous, but whose life-affirming no-filter honesty is going to break everyone’s emotional logjam and sort out their lives. As for Jane, it looks as if the hotel’s super-hot super-sensitive yoga teacher, Kai (Adam Demos), is going to hook up with her.

Every Wednesday and Friday in August we will publish some of our favourite audio long reads of 2026, in case you missed them, with an introduction from the editorial team to explain why we’ve chosen it.

This week, from March: Once violently defended from extinction, Welsh is still a part of daily life. By learning my family’s language, I hoped to join their conversation

By Dan Fox. Read by Matt Addis

Read the text version here

Support the Guardian today: theguardian.com/longreadpod

This article originally appeared in the Yale Review

It was clear it was broken. I could feel the bones grinding together as the paramedics strapped me to a gurney

Growing up in Utah, I was so active that my parents nicknamed me “The Blur”. My older siblings introduced me to rock climbing while I was still at primary school. By the time I was 15, I was hauling myself up cliff faces.

One summer’s day in 2014, when I was 17, my friends and I went paddleboarding on a lake. My friend Trevor and I decided to climb one of the rocky boulders overlooking the water, and jump in.

Value of banknotes in circulation rises from €1bn in 2016 to €1.6bn in 2026 as people advised to keep stash of cash

The number of banknotes in circulation in the EU is increasing despite widespread smartphone payments, new data shows, with wildfires ripping through parts of Europe fuelling demand for an emergency stash of cash.

While cash plays second fiddle to contactless payments in many cities across Europe, the amount in circulation is actually going up, Philip Lane, the chief economist of the European Central Bank (ECB), said at the MacGill summer school conference in Ireland.