The Register

Biting the hand that feeds IT — Enterprise Technology News and Analysis

Singapore boffins weave a GUI into fabric, and it's machine washable too

Researchers in Singapore have developed an electronic fabric they claim can be woven into garments to create a new form of graphical user interface (GUI), for people who find retrieving a device from their pocket too much effort. The development could lead - at some point - to a "future in which clothing functions as a pervasive, multimodal human–computer interface," according to the study published in peer-reviewed science journal Nature this week. The paper shows someone interacting with computing devices using the sleeve of a wool sweater (no jokes about the Windows ugly sweater please, this is serious). The researchers, led by Singapore National University research engineer Fu Heng, claim this is a big leap forward. “This fiber-centric approach shifts wearable electronics from flexible panels toward truly textile-native architectures, laying the groundwork for fabrics that visualize, sense, communicate and compute as naturally as the garments they inhabit,” the paper says. The researchers claim to have developed a scalable process to make millimeter-thick fibers. Using lasers to strip the insulation from specific spots on the thin copper wires, they attached light-emitting chips to the exposed sections, creating electrical connections to the chips. Thousands of chips were connected to the wires with extreme precision using this process. The fibers were then fed into a transparent plastic tube, and made pressure-sensitive by adding two strips of a compressible, conductive polymer into a second longitudinal channel in the tube. The paper says they could make fibers 10 meters long using this method, and that they are thin and flexible enough to be woven into or attached to fabrics. The researchers were also able to add "peripherals" such as a microphone, a speaker, a temperature sensor and a light sensor. The researchers reckon they could build into the sleeve of a sweater an interactive interface with audio-video playback, wireless data exchange, computing, and dynamic graphics. The fabric can survive 50 gentle machine washes and 1,000 bending cycles without losing its functionality, we're told. In an accompanying article, Shanshan Yao, assistant professor at the Department of Mechanical Engineering, Stony Brook University, said the main advance lay in building functionality directly into fiber, which were then assembled into a fabric. “If the fibers prove to be compatible with standard industrial weaving, knitting and embroidery processes, the findings would pave the way to producing multifunctional electronic textiles in almost any shape or size,” she said. "The work is also a big step towards replacing rigid displays with fully integrated wearable interfaces, moving everyday computing away from flat screens to fabrics that comfortably conform to the human body. The interactive features of the GUI that have been demonstrated so far are relatively simple, comparable to those of early-generation smartphones and tablets," she said. However, the current prototype relies on separate microcontroller circuits connected to the fibers through cables, and external battery packs to supply power, she pointed out. "Future research should focus on integrating the control electronics more seamlessly to improve wearability, and on integrating flexible, energy-harvesting threads that can generate power from body heat or movement," she added. ®

VK: Voorpagina

Volkskrant.nl biedt het laatste nieuws, opinie en achtergronden

Politieke tegenstanders van Rwandese president Kagame vrezen voor hun veiligheid nadat criticus werd onthoofd

Wel.nl

Minder lezen, Meer weten.

Zegt je partner steeds 'je bent te gevoelig'? Deze 5 zinnen zijn een rode vlag, volgens Harvard-psycholoog

Je geeft aan dat een opmerking je raakt en je partner antwoordt: “Je bent ook zo gevoelig.” Klinisch psycholoog Sabrina Romanoff hoort zulke zinnen al tien jaar van de stellen in haar praktijk. Vijf ervan ziet ze als teken dat een relatie op zijn eind loopt.

Romanoff werkte als clinical fellow aan Harvard Medical School en heeft nu een eigen praktijk in New York. Eind juli schreef ze erover voor CNBC Make It. De zinnen klinken redelijk, maar worden vaak gebruikt “om verantwoordelijkheid te ontlopen en onzekerheid te zaaien”. Bij elke zin geeft ze een antwoord waarmee je de bal teruglegt.

1. ‘Je bent te gevoelig’ maakt van jouw reactie het probleem

Romanoff noemt dit een manipulatieve zin die je gevoelens kleineert. De aandacht schuift van wat je partner deed naar hoe jij reageerde. “Want als ze je laten geloven dat jij het probleem bent, hoeven ze zich nooit te ontwikkelen.”

Haar antwoord: “We kunnen het over mijn reactie hebben nadat we het hebben gehad over wat jij deed.” Houd je de twee gesprekken gescheiden, dan kan je partner jouw reactie niet als afrit gebruiken.

Het Relatietherapeuten Register Nederland noemt het eveneens een waarschuwingssignaal als je gevoel “drama” of “te gevoelig” wordt genoemd.

2. ‘Zo ben ik nu eenmaal’ sluit het gesprek af

Met deze zin weigert iemand te groeien, schrijft Romanoff. Zeggen dat je conflicten uit de weg gaat of zelden het initiatief neemt is prima, als er een concreet plan volgt om het anders te doen.

Ziet je partner het gedrag als een vaste eigenschap, dan ligt de last bij jou. Jij moet het accepteren, zonder dat er een gesprek is geweest. Romanoff raadt aan de verantwoordelijkheid terug te geven: “Ik vraag niet of je een ander mens wordt. Ik vraag of je dit patroon aanpast.”

3. ‘Ik heb toch al sorry gezegd’ moet vooral de ruzie stoppen

Je partner wil met deze zin van de discussie af. Het onderliggende probleem blijft liggen en dus draai je rondjes in dezelfde ruzie, een draaimolen noemt Romanoff het.

Wat je terugzegt: “Ik hoor dat het je spijt en ik moet weten wat er nu verandert.”

“Een excuus zonder plan is alleen een manier om een gesprek te beëindigen dat ze niet langer willen voeren.”

4. ‘Maar ik doe zoveel voor je’ moet je verwachtingen omlaag krijgen

Je partner somt op wat hij of zij allemaal goed doet, als onweerlegbaar bewijs. Soms komt er een vergelijking bij: “De partners van alle anderen zijn veel erger dan ik.” Romanoff ziet daarin iemand die wil dat je je verwachtingen bijstelt en je gelukkig prijst dat hij of zij er is.

Benoem in plaats daarvan direct wat pijn deed: “Ik hou geen score bij, ik vertel je wat er nu niet werkt.” Score bijhouden, zoals wie het laatst sorry zei of wie meer in huis doet, staat ook bekend als een van de signalen dat je je geliefde onbewust pijn doet.

Je bent je partner geen kosten-batenanalyse verschuldigd voordat je om verandering mag vragen, schrijft Romanoff.

“Goed gedrag in het verleden en schade nu wegen niet even zwaar.”

5. ‘Dit doe je nou altijd’ maakt van één ruzie jouw karakter

Met deze zin trekt je partner het conflict breder. Jij bent dan prikkelbaar, dramatisch of negatief, dus niets is goed genoeg. Het incident van vanavond wordt zo jouw schuld.

Romanoff stelt voor om bij het moment te blijven: “Laten we het hebben over wat er vanavond gebeurde voordat we het over een patroon hebben.”

Benoem het de eerste keer en kijk wat er volgt

Eén keer zo’n zin betekent niet dat je relatie gedoemd is, benadrukt Romanoff. Het gaat er ook niet om dat je je partner woorden verbiedt. Haar advies is de zin de eerste keer te benoemen en te kijken wat je partner daarna doet. Blijft hij terugkomen en maakt geen enkel gesprek verschil, “dan heb je je antwoord”.

Het Relatietherapeuten Register Nederland zegt hetzelfde: “Een los moment zegt minder dan een patroon.” Daarnaast kun je jezelf deze vragen stellen:

  • Komt de zin steeds terug, ook nadat je hem hebt benoemd?
  • Neemt je partner verantwoordelijkheid, of wordt alles omgedraaid, weggewuifd of opnieuw jouw schuld?
  • Twijfel je vaker aan je eigen gevoel dan vroeger?
  • Herken je meer signalen dat je relatie al voorbij is, zoals blijven uit angst in plaats van uit liefde?

Voel je je onveilig of klein gehouden, bel dan Veilig Thuis op 0800-2000. Het nummer is gratis en dag en nacht bereikbaar. Je mag anoniem blijven. Bij direct gevaar bel je 112.

Meer weten?

Bronnen: CNBC Make It, Relatietherapeuten Register Nederland, Rijksoverheid


The Guardian

Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice

Surfing faces a cultural reckoning as women’s voices grow louder over sexual abuse allegations | Lucy Small

A culture of silence has buried the stories of women who allege sexual assault in surf industry settings

When news broke last week that a surfer had been provisionally suspended from international competition, after what the International Surfing Association (ISA) described as “recent reports of serious allegations of abuse within the surfing community,” the response online was unprecedented in the world of surfing.

While investigations into those allegations are ongoing, the story prompted a deluge of comments detailing other alleged experiences of sexual misconduct and assault in surf industry settings, ranging from corporate brand houses in Hawaii to organised surf trips. While horrifying, for women who have existed in this subculture across the decades, those broader stories are sadly no surprise.

Lucy Small is a professional surfer, journalist and film-maker from Sydney, with a special interest in women’s sport

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Black Bag by Luke Kennard audiobook review – brilliant Booker-shortlisted campus comedy

The author reveals his mastery of comic timing in his narration of this novel about a cash-strapped actor paid to live inside a black leather bag

The unnamed narrator of Luke Kennard’s novel is an out-of-work actor living in London. His last job was three months ago, he is behind with his rent and has “measured out my life in coffees I cannot technically afford”. So when he comes across an advert – “Male actor required for psychological enquiry. Non-speaking but discretion and devotion to restrictive performance requirements obligatory” – he offers his services.

The job, he discovers, is at a university working under a psychology professor named Dr Blend. There he must strip to his underpants and zip himself into a black leather bag, in which there are two eyeholes and further holes for his feet. The actor is expected to sit silently in the bag during seminars while students contemplate his presence.

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Zach Braff: ‘You can be talented and good-looking, but acting success is still like winning the lottery’

The Scrubs and Garden State star answers your questions about working with megastars, getting his hair to look good and being brutally killed on BoJack Horseman

How do you manage not to act starstruck when directing people like Morgan Freeman, Michael Caine and Harrison Ford? TopTramp
That’s where my acting comes in – I pretend that I don’t know how famous they are. Every actor really wants a leader. They want someone who knows the script really well, has a plan for how the scene is going to be executed, and – in the case of comedy – knows how to make it funny. The last thing any of those guys wants is someone coming in starstruck and wide-eyed. So I use my acting skills to pretend I’m not starstruck and treat them like normal people.

Your Fake Doctors, Real Friends podcast was a real help through lockdown. You were very emotionally open and personal; it was like catching up with friends. I still think about your line that making it in acting, even if you’re talented and good-looking, is like winning the lottery. Do you think that early 00s Zach Braff would make it in the present day the way you did? KamesJ
Back then, the broadcast networks were making so many pilots, at least it was work for people. Now, I think it’s a much harder landscape to break through. I firmly believe that you can be talented and good-looking, but success is still like winning the lottery. I know plenty of brilliant actors whose lottery ticket hasn’t come up yet. I started auditioning at 14 and barely got anything for years, so I’ve always felt very lucky.

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Bruno Guimarães had sleepless nights before Newcastle exit but hopes for same ‘love’ at Arsenal

Midfielder says there were a lot of tears as he said goodbye at St James’ Park but he is enjoying the remorselessness at his new club

For Bruno Guimarães, it was a time to show his steeliness, to fix his eyes on the prize – even if he knew it would surely mean them welling up. And then some. It was a tumultuous summer for the Brazil midfielder. A fine World Cup on a personal level was marred by a crucial penalty miss in the last-16 loss against Norway. Now he had the dream move lined up to Arsenal but it could not happen without breaking some hearts at Newcastle.

Guimarães admits he lay awake at night as the emotions swirled. How could he leave Newcastle, the club where he made so many connections and enjoyed so many highs after joining from Lyon in January 2022? There were the Champions League qualifications and, above all, the Carabao Cup triumph in 2025 that ended a 70-year wait for a domestic trophy. On the other hand, how could he resist Arsenal and the prospect of competing regularly for the game’s top honours?

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A financially comfortable friend has set up a GoFundMe for vet bills. Is this socially acceptable? | Leading questions

Your friends may have had good intentions when making this ask, writes advice columnist Eleanor Gordon-Smith. But that needn’t dictate how you feel about it

A friend, who I believe is financially comfortable, set up a GoFundMe page to pay for vet bills for their sick dog while on holiday overseas.

The family appears to be financially comfortable; both adults have good jobs, own two cars, have all the latest gadgets like expensive bikes and sporting equipment, take an annual holiday overseas and domestic holidays throughout the year, and live in a big house in a well-to-do area.

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I longed for my big break. Then a Nobel winner and my girlfriend showed me why success isn’t everything | Rebecca Shaw

I was reducing a creative life down to public recognition. Anne Carson’s career deserves more respect than that, and so does mine

I am one of those funny little people who is creative and has made the dubious decision to try to make a career out of it.

I didn’t fully commit until I was around 30, and I’ve spent the last 14 years in an up and down ride, trying to chip away until I reach the mysterious and elusive level of success where nothing bad happens ever.

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‘Jane Austen is for everyone’: novelist Diana Reid on adapting Sense and Sensibility – and surprising Brits with her accent

The Australian author of Love and Virtue says her nationality didn’t give her pause when she wrote the script, but Ang Lee’s ‘perfect’ 1995 film did

The summer Diana Reid spent writing her film adaptation of Sense and Sensibility, she found herself having some oddly formal conversations down at the pub. The Australian author used only about 25 lines from Jane Austen’s first published novel for her screenplay, inventing most of the dialogue herself. To be able to mimic that very distinctive voice, Reid had to dive headfirst into studying Austen’s rhythm and sentence structure.

“I got so immersed in the language it infected my own speech. I would be describing someone I just met, and I’d be like, ‘Oh, he was most amiable!’” Reid says, laughing. “It was a kind of insanity.”

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