prbimages has added a photo to the pool:

Looking up at The Dome in the La Trobe Reading Room, at the State Library Victoria in Melbourne, Australia.

The building was designed to emulate the British Museum Library in London and the Library of Congress in Washington. It was officially opened in 1913. At the time, apparently, it was the largest reinforced concrete dome in the world.

Unfortunately for photographers, there is a dais in the middle of the Reading Room which is closed to the general public. So it is not possible to stand exactly in the centre of the space. The final image, then, is just slightly asymmetrical.

Sony A7C / ILCE-7C
Viltrox 14mm F4.0 Air
14mm; 1/250 sec; f/6.3; ISO 100

Rijnmond stopt vanaf komend seizoen met het live radioverslag van wedstrijden van Sparta en Excelsior. De regionale omroep blijft beide clubs wel intensief volgen met nieuws, interviews, analyses en verslaggeving op radio, televisie en online.

(SharpTone)
Granite-hard riffola collides with balm-like electronics and tinkling jazz piano in a thrilling fourth album of musical metamorphosis

Loathe took six years to make this fourth album, explaining they wanted to make it very special. Accordingly, A Stranger to You ventures far from the Liverpudlians’ metalcore origins to create an odyssey of mixed and colliding genres. Punishing riffola and slabs of industrial noise coexist with balm-like electronics, acoustic guitars, shoegaze, tinkling jazz pianos and guest rapper Bucki Sugar’s spoken-word narratives (“ever forward, forever motion”). Other guests include vocalist Olli Appleyard from Leeds rockers Static Dress, production duo Nowhere2run and – most unlikely of all – slinky jazz-soul producer Jordan Rakei.

Precedents for this sort of radical metal departure include Deafheaven’s Ordinary Corrupt Human Love and Linkin Park’s divisive but compelling A Thousand Suns, but, if anything, Loathe make even more musical handbrake turns. Block of Flats hurtles between gentle atmospherics and guttural vocals. The soaring Fortress Down and Meet My Maker suggest a slightly heavier Muse. Harder to Pretend recalls – of all things – Herbie Hancock’s groundbreaking early 70s jazz fusion, while The Way It Breaks haunts as effectively as Disintegration-era Cure.

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Almost half of working-age adults in the UK do not save into a pension. Four readers explain why they fear for the future

“I am 35 and have essentially nothing saved for my future, which is a huge concern.” Sarah* works in library services in Oxford – full-time at one library and part-time at another. She has saved £5,000 into her pension.

After finishing her PhD in 2020, she said she had “good intentions of contributing to pension schemes. But because I then had a succession of part-time jobs, I never started. I never thought, this is a job I’ll be doing for long enough.”

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The film-length finale to the teen LGBTQ+ show has poignant moments but feels like fan service by numbers

If it were up to Kit Connor, Heartstopper would have ended quite differently. “If I’d had my way, I would have had Nick and Charlie cheating on each other and doing all those stupid things,” he recently told the Guardian. “Because young people do that and don’t necessarily need to be villainized for it.”

Midway through Heartstopper Forever, the film-length finale of Netflix’s series, I started to see his point. The central star-crossed lovebirds of Alice Oceman’s megahit are now 18 and 17, and like most teenagers they have sex, get drunk and fight with their annoying siblings. Unlike most people their age, they don’t vape, don’t use sex apps and they definitely don’t cheat.

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How do you follow Oppenheimer? By spending $250m bringing Homer’s epic poem to the big screen in Imax. Today’s most powerful director talks big swings, trauma-bonding and the healing powers of chocolate labrador Charlie

‘I’m in that moment of sheer terror,” says Christopher Nolan, sitting in a suite at the Corinthia hotel in London, in a slightly rumpled suit, next to a pot of tea. Outside, crowds jostle, hoping to catch a glimpse of one of the stars within – Matt Damon, Tom Holland, Lupita Nyong’o. It is the day before the world premiere of Nolan’s latest film, an adaptation of Homer’s epic poem the Odyssey, and the last day of waiting before audiences decide whether the biggest gamble of Nolan’s career has paid off. The film, which reportedly cost $250m (£185m), doesn’t just need an audience to show up. It needs the entire moviegoing world to do so.

“It never gets any easier, because I make films for audiences and the audience tells me what it likes,” he says. “They finish the film. I don’t have anything to hide behind. I can’t just be like: ‘Oh, people don’t get it.’ Those aren’t the films I make. What does the audience make of it? Do they turn up? Do they like it if they do turn up?

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Two of the top four chess nations will go head to head in Miami on 27-28 July

The USA and Uzbekistan are among the world’s current four best chess teams, along with India and China, so the announcement that the pair will meet at Miami on 27-28 July in an all-play-all rapid and blitz Scheveningen format is sure to create interest as a guide to what may happen when the 200-nation classical Olympiad takes place in Samarkand, Uzbekistan, from 15-27 September. Full details of the forthcoming match are here.

The two teams in Miami will both be at virtually full strength. The USA will field the world Nos 2 and 3, Fabiano Caruana and Hikaru Nakamura, plus the world No 7, Wesley So, and the world Nos 17 and 22, Leinier Domínguez and Levon Aronian. Only the world No 19, Hans Niemann, might have made it stronger.

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Evil Empire creatives explain how it is playing to today’s ‘metroidvanias’ and honouring the original’s legacy with much fresh slaying to be done

Since the last Castlevania game hit the shelves (2014’s Castlevania: Lords of Shadow 2), Konami’s dormant series has unexpectedly spawned a hit genre. With an entire generation raised on “metroidvanias” – a portmanteau of Metroid and Castlevania – millions of players have only ever seen the games inspired by Konami’s seminal games. Now with Belmont’s Curse, launching in October, Castlevania is finally dashing back to console, where Konami hopes to reclaim its side-scroller throne.

Set 23 years after the events of 1989’s Castlevania 3 – the same setting as the hit Netflix show – Belmont’s Curse shakes off the series’ 3D ambitions and takes the Belmonts back to basics. Dispatching players to the demon-infested streets of 1499 Paris, you’re placed in the tattered boots of Trevor Belmont’s daughter, Rose. As a bishop pleads with the Belmonts to rid Paris of the ancient evil besetting the city, Rose heads into the sewers, longsword in hand, and her demon-slaying adventure begins.

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Microsoft has open-sourced Comic Chat, its short-lived 1990s experiment in turning Internet Relay Chat (IRC) conversations into comic strips – and, for many users, their first encounter with Comic Sans. Microsoft Comic Chat was released in 1996 with Internet Explorer 3. It was conceived by David "DJ" Kurlander of the Microsoft Research Virtual Worlds Group as a new visual representation of conversation histories. Rather than displaying the scrolling sequence of text messages still familiar today, a chat was depicted across several cartoon panels, replete with characters, backgrounds, and speech bubbles. According to Microsoft, "the visual world of Comic Chat was the work of Jim Woodring, a highly regarded independent comic artist whose characters gave the software its distinctive look." This was long before generative AI, and the software generated its scenes using rules. "If someone wrote 'I like that,'" explained Microsoft, "the character might point to itself. If the text suggested anger, the character might frown or cross its arms." "Comic Chat was more than a clever skin for IRC. It was able to interpret conversational cues in the text and choose appropriate poses, facial expressions, gestures, and panel layouts. "That meant Comic Chat was not simply displaying messages but also making real-time editorial decisions about how a conversation should look and feel as a comic." It could be entertaining, even if the novelty wore off quickly for many users – something Microsoft tacitly acknowledged when it pulled the plug on the project in the early 2000s. That said, Comic Chat is a reminder of when the World Wide Web was a more optimistic place, full of experimentation. While the concept didn't really go anywhere (although its spirit lives on in emojis and gifs), it was innovative. Microsoft localized Comic Chat into 24 languages and bundled it with Windows 98. Comic Chat was also a natural home for Comic Sans, unlike an HR handout promoting the latest company event. In its post announcing the code's release under the MIT license, Microsoft stated: "Comic Chat was created during a period when software teams were willing to color outside the lines, literally and figuratively." ®

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