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Mysterious light sources, geometric puzzles, disjointed figures, and bold hues characterize the diverse, narrative compositions of Bryce Wymer. The Brooklyn-based artist is known for his enigmatic, emotive murals, paintings, and illustrations. Merging the analog and the digital, Wymer’s pieces often explore themes of social interactions and power dynamics, often through a lens tinged with anxiety, mystery, and solitude.

Whether working on large-scale commissions or more intimate drawings, sketchbooks remain Wymer’s primary jumping-off points. “I’ve been keeping sketchbooks since middle school, when I filled them with graffiti tags, local DIY show flyer ideas, and zine layouts,” Wymer tells Colossal. “Over the years, they’ve evolved from casual notebooks into an essential part of my creative process. I carry one with me at all times, and without it, I feel pretty untethered.”

The artist often makes his way through three to four books each year, sometimes experimenting with compositions on grander canvases but often leaving them within their small format. “Some lose their raw energy when translated to a larger scale, which is a tension I enjoy trying to navigate,” he says. “That in-between space, where an idea first lands and where it eventually ends up, is part of what keeps the process so compelling.”

Wymer has recently been focused on figurative motifs that examine what he describes as “quiet tension and emotional complexity.” He positions the figures within minimal environments, highlighting social dynamics with undercurrents of vulnerability and perceptions of control—or lack thereof.

Flat planes of saturated color nod to Social Realism, a movement that emerged between the World Wars and shone a light on everyday people as heroes in the face of especially government-generated adversity. For Wymer, Social Realism is indelibly linked to emotional and collective experience, which he channels through a varied and ever-evolving contemporary aesthetic. “More than anything, the sketchbook is my playground, free from expectations or fear of failure,” he says. “In any artistic practice, it’s important to have a space where very few rules exist.”

See more on Wymer’s website and Instagram, and watch even more timelapses on his Vimeo channel.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Social Realism and the Surreal Converge in Bryce Wymer’s Evocative Sketchbooks appeared first on Colossal.

Steve W3 has added a photo to the pool:

Have been trying to grab images of these elusive Cockatoos for along time and was graced with their presence with a recent trip to Canberra ACT.

Marjorie Baylis has added a photo to the pool:

Feyenoord neemt het in een kraker op tegen regerend landskampioen PSV. Als de mannen van Van Persie winnen, vergroten ze het gat met de huidige nummer twee van de eredivisie naar zes punten. Rijnmond is erbij!

Feyenoord neemt het in een kraker op tegen regerend landskampioen PSV. Als de mannen van Van Persie winnen, vergroten ze het gat met de huidige nummer twee van de eredivisie naar zes punten. Rijnmond is erbij!

Feyenoord neemt het vanmiddag in een kraker op tegen regerend landskampioen PSV. Als de mannen van Van Persie winnen, vergroten ze het gat met de huidige nummer twee van de eredivisie naar zes punten. Rijnmond is erbij!

Het is nu nog moeilijk voor te stellen dat vanaf volgend jaar in de Steigerkerk een bruisend museum over de Rotterdamse stadsgeschiedenis zit. Het hoge, sobere kerkgebouw met de zware houten deuren en de voorkant van beton en glas oogt niet als een typisch museumgebouw. Maar de directeur zit vol plannen.

Onder Nederlandse moslims is het vertrouwen in de politiek laag. Al jaren horen ze van politici dat ze niet thuishoren in Nederland. „De norm is continu aan het verschuiven, moslimdiscriminatie lijkt steeds normaler te worden.”